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"Design Exhibition"
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Thing-Human-Emotion-Beauty model for multi-dimensional perception of cultural relics’ values from the design perspective
The digitalization of museums offers new opportunities for presenting and interpreting cultural artifacts, yet visitor engagement and perceived value often remain limited due to low interactivity and insufficient experiential design. To address these challenges, this study proposes the THEB model, a four-dimensional framework for enhancing cultural relic value perception across Thing, Human, Emotion, and Beauty dimensions. The model was applied to a case study of the Rhinoceros-shaped Bronze Zun Inlaid with Gold and Silver Cloud Design. Guided by the THEB framework, AI-generated images and a narrative video were produced using tools such as Midjourney and Pixverse AI. A controlled user study with 230 participants compared the AI-generated video to traditional museum content. Results indicate that while historical depth was not significantly enhanced, the AI video substantially improved engagement, satisfaction, and immersion, particularly in aesthetic appreciation and emotional resonance. These findings validate the THEB model as a practical and conceptual tool, demonstrating its potential to guide museum exhibition design toward more holistic, emotionally engaging, and interactive experiences, bridging material, humanistic, and aesthetic dimensions of cultural heritage.
Journal Article
On memorability of place and installation
Memorability of place and artwork is an important issue for exhibitions in museums and galleries. Understanding the memorability of an exhibition and its effects on visitors might guide curators and designers in exhibition design. The main questions of this study are ‘Can a temporary installation remain memorable for visitors?’ and ‘Which features of installations and place affect visitors?’. The study focuses on the visitor experience to understand the memorability of both an installation named Brain Forest Quipu and the exhibition place which is the Turbine Hall in the Tate Modern Museum. Therefore, visitor comments on social media (Instagram and YouTube) and the Internet were examined with the content analysis method. In order to make the analysis clearer and obtain more precise data, words that are taken from comments were grouped under “Definition” and “Interpretation” titles. Also, five parameters that can affect memorability were identified based on the literature review and included in the analysis. As a result, visitors’ comments revealed the feelings and expressions which both installation and exhibition place created, and it can be said that installation had an impact on most of the visitors because of its topic and the representation. However, it was hard to define the degree of memorability because of the lack of information about visitor’s background and interests. On the other hand, using this perspective about social media comments to discover the thoughts and feelings of visitors can be useful for future studies. The method can be developed with the involvement of some other scientific measurement techniques used in studies on memory.
Journal Article
Exhibition design
Describes the skills needed to become an exhibition designer, including: developing a brief and working with clients; design principles for graphics, circulation, lighting and accessibility; presenting ideas to clients; and the practicalities of production. A wealth of visual material includes photographs of completed exhibitions by world-renowned designers, concept drawings, computer renderings, charts and tables of information all for a wide range of exhibitions around the world, permanent and temporary, including museums and galleries, visitor centres, brand experiences, festivals and trade fairs. This second edition includes new examples, updated information on the latest digital technology and expanded coverage of interactives and sound and film.
Book
Women's Display: Editorial
The Special Collection Women’s Display: Women’s Exhibitions and Exhibition Design in the 20th Century explores why, how and under what conditions women made exhibitions about the built environment and who these women were, to achieve a more comprehensive understanding of the exhibitions themselves and their design across different individuals, collaborative groups, time periods and geographical contexts. Women were involved in the financing, planning, organizing, critiquing and staging of exhibitions since the 19th century, even though their contributions, aims and impacts are often little known. The articles aim to broaden and diversify the understanding of exhibitions made by women in the 20th century by focusing on subjects whose stories have been forgotten or marginalized in architectural history. For many women, exhibition design was not only an important career step, but also a political and social commitment and a collaborative form of work voicing critique and an experimental laboratory for testing new approaches. Exhibition design proved to be an accessible niche for many woman architects, who discovered in it a chance to gain a foothold in the profession and to have a platform from which to speak out publicly. The exhibition also opened the opportunity of trying out new design concepts and making a theoretical contribution. A series of exhibitions in Switzerland, the Netherlands, Denmark, Russia, Cuba, Canada and the USA from the 1920s to the 1980s are analyzed, using different approaches to the study of women in architecture, illuminating both individual biographies and collective works in the context of historical and social contingency.
Journal Article
Exhibiting craft and design : transgressing the White Cube paradigm, 1930-present
This book investigates the ways that craft and design objects were collected, displayed, and interpreted throughout the second half of the twentieth century and recent years. The case studies discussed in this volume explain how the notion the neutral display space had worked with, challenged, distorted or assisted in conveying ideas of the exhibitions in question. In various ways, essays included in this volume analyse and investigate strategies to facilitate interaction between craft and design objects, their audiences, exhibiting bodies and the makers. Using both historical examples from the middle of the twentieth century and contemporary trends the authors create a dialogue between several strategies of use of and challenge to the White Cube paradigm of space organization.
Book
Research by Design (RbD) Method as a Process for Creating an Effective Museum Message
Contemporary exhibition design requires not only creating a message that engages the audience but also applying effective methods in the exhibition development process. This involves incorporating research findings into the design process as well as using tools available to the designer. This article discusses the methodology of design and implementation work and the results of research in design that form the basis for the implementation of exemplary exhibition projects at the Silesian Museum. The purpose of the paper is not only to present the specifics of this process, but also to identify the multifaceted and overarching role of the designer in the process of creating exhibition spaces. The presented examples of temporary exhibitions illustrate the diverse educational character and artistic dimension. The article also uses the main design categories to evaluate the analyzed exhibitions from the point of view of the necessary aspects in developing an engaging message for the viewer at the design and presentation levels. The outcome of the article is the identification of the main stages of the design process, along with the designer’s tools and activities, as well as guidelines for developing effective tools during the post-design research phase.
Journal Article
Ausstellen des Ausstellens : von der Wunderkammer zur kuratorischen Situation = Exhibiting the exhibition : from the cabinet of curiosities to the curatorial situation
\"Ausstellen des Ausstellens untersucht die Geschichte des Ausstellens von der Vergangenheit bis in die Gegenwart. Die Ausstellung in der Staatlichen Kunsthalle Baden-Baden nimmt ihren Ausgangspunkt bei den Vorlèaufern der modernen Museen und frèuhen Kunstkammern èuber Formen des Zeigens im 20. Jahrhundert bis hin zu kuratorischen Positionen heute. Der Katalog ist eine Erweiterung des Ausstellungskonzepts: Indem die Exponate nicht als fotografische Reproduktionen, sondern in Form von Zeichnungen verschiedener Illustratoren wiedergegeben werden, wird das Buch selbst zu einem ganz eigenen Instrument des \"Zeigens\". Neben Texten und Interviews vereint es Zeichnungen von Werken von John Bock, Mariana Castillo Deball, Andrea Fraser, Jeppe Hein, Julian Irlinger, Friedrich Kiesler, Louise Lawler, El Lissitzky, Karin Sander, Sebastian Thewes, Kaari Upson, Pae White, Fred Wilson und vielen anderen\"--Publisher's website.
Book
Exhibition Space Circulation in Museums from the Perspective of Pedestrian Simulation
Contemporary studies largely concentrate on the physical aspects of architecture, yet within the sphere of design, the gap between user experience and the designer’s intention is an undeniable fact. This gap, illustrating the contrast between the spatial perception and the actual physical space, to some degree, mirrors preferences in human spatial behavior. It accentuates the complex relationship between human cognitive functions and spatial layout, underlining the critical role of spatial perception in architectural design and planning. This prompts the question of whether perceptions of internal traffic flow within buildings also suffer from spatial distortions. Focusing on museums, and by examining circulation paths and spatial features, a virtual museum model is devised. The research employs a holistic and reductionist approach (complex systems theory) to forge a link between circulation components and the spatial experience of architecture. Utilizing agent-based modeling tools for simulating pedestrian movements, it investigates how different circulation patterns and spatial relationships influence pedestrian behavior. The study proposes a museum circulation optimization strategy, grounded in quantifying spatial experience through Anylogic software analysis. This strategy is aimed at enhancing the design of internal traffic flows in future museum projects, offering fresh insights into museum design research, and probing into new possibilities for using pedestrian simulation software.
Journal Article