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result(s) for
"Design Human factors."
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Becoming human by design
\"The last in Tony Fry's celebrated trilogy of books continues his radical rethinking of design. 'Becoming Human by Design's provocative argument presents a revised reading of human 'evolution' centred on ontological design. Examining the relation of design to the nature of the human species - where the species came from, how it was created, what it became and its likely future - Fry asserts that current biological and social models of evolution are an insufficient explanation of how 'we humans' became what we are. Making a case for ontological design as an evolutionary agency, the book posits the relation between the formation of the world of human fabrication and the making of mankind itself as indivisible. It also functions as a provocation to rethink the fate of Homo sapiens, recognising that all species are finite and that the fate of humankind turns on a fundamental Darwinian principle - adapt or die. Fry considers the nature of adaptation, arguing that it will depend on an ability to think and design in new ways\"--P. [4] of cover.
Empathic design : perspectives on creating inclusive spaces
2024
How do you experience a public space?Do you feel safe?Seen?Represented?The response to these questions may differ based on factors including your race, age, ethnicity, or gender identity.
The hidden factor : mark and gesture in visual design
\"Traditionally, graphic design communicates through image and text. Skaggs argues that gestural touch is an indespensable third element that marks nearly all visual communication, especially typography\"-- Provided by publisher.
Rethinking Aesthetics
2013
Rethinking Aesthetics is the first book to bring together prominent voices in the fields of architecture, philosophy, aesthetics, and cognitive sciences to radically rethink the relationship between body and design. These essays argue that aesthetic experiences can be nurtured at any moment in everyday life, thanks to recent discoveries by researchers in neuroscience, phenomenology, somatics, and analytic philosophy of the mind, who have made the correlations between aesthetic cognition, the human body, and everyday life much clearer.
The essays, by Yuriko Saito, Juhani Pallasmaa, and Richard Shusterman, among others, range from an integrated mind-body approach to chair design, to Zen Buddhist notions of mindfulness, to theoretical accounts of existential relationships with buildings, to present a full spectrum of possible inquiries. By placing the body in the center of design, Rethinking Aesthetics opens new directions for rethinking the limits of both essentialism and skepticism.
Designing the Creative Child
The postwar American stereotypes of suburban sameness, traditional gender roles, and educational conservatism have masked an alternate self-image tailor-made for the Cold War. The creative child, an idealized future citizen, was the darling of baby boom parents, psychologists, marketers, and designers who saw in the next generation promise that appeared to answer the most pressing worries of the age. Designing the Creative Child reveals how a postwar cult of childhood creativity developed and continues to this day. Exploring how the idea of children as imaginative and naturally creative was constructed, disseminated, and consumed in the United States after World War II, Amy F. Ogata argues that educational toys, playgrounds, small middle-class houses, new schools, and children's museums were designed to cultivate imagination in a growing cohort of baby boom children. Enthusiasm for encouraging creativity in children countered Cold War fears of failing competitiveness and the postwar critique of social conformity, making creativity an emblem of national revitalization. Ogata describes how a historically rooted belief in children's capacity for independent thinking was transformed from an elite concern of the interwar years to a fully consumable and aspirational ideal that persists today. From building blocks to Gumby, playhouses to Playskool trains, Creative Playthings to the Eames House of Cards, Crayola fingerpaint to children's museums, material goods and spaces shaped a popular understanding of creativity, and Designing the Creative Child demonstrates how this notion has been woven into the fabric of American culture.
Design for good : a new era of architecture for everyone
The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.
50 ways to fool your user : how to make everyday products and systems work for us
by
Vink, P. author
,
Hedge, Alan author
in
Design Human factors
,
Industrial design
,
Product design
2025
\"From the way we interact with our workspaces to the simple act of changing a duvet cover, the world around us is shaped by design and not always for the better. This book offers an engaging look how everyday objects and systems can confuse, frustrate, or even hinder us yet also explores how a better understanding of human behavior can lead to improvements. Written with humor and professional insight, 50 Ways to Fool Your User: How To Make Everyday Products and Systems Work for Us invites readers to question the quirks of modern life while imagining how things could work better for everyone. Across 50 chapters, scientific explanations are paired with snappy anecdotes. Each chapter concludes with actionable takeaways. Whether it's struggling with unwieldy packaging, enduring the infamous middle airplane seat, or navigating the frustrations of an AI call center, these relatable scenarios highlight the often-overlooked aspects of design that impact our daily lives. In the final chapter, the ideas are summarised into a neat practical ethos, offering ergonomic principles to inspire smarter, more thoughtful solutions in everything from technology to office furniture. Through reading this book, the reader will gather a view of what good and bad design looks like and how these examples can inform their work in designing better products, systems and services. This book is for professionals and academics interested in human factors, ergonomics and designing with the human in mind, but also interesting for every layman. It will appeal to designers, engineers and systems operators\"-- Provided by publisher.
New Demographics New Workspace
by
Bichard, Jo-Anne
,
Erlich, Alma
,
Myerson, Jeremy
in
Case studies
,
Design
,
Design -- Human factors
2010,2016
Offices shape the lives of millions of people. How we plan, design and equip them says a great deal about the culture of organisations, the mentality of managers and the motivations of staff. But getting the right balance between management efficiency and individual wellbeing is as elusive as ever. New Demographics New Workspace looks for answers in some new places. The authors address ways in which the office environment can be redesigned to offer greater levels of comfort, flexibility and fitness for purpose in the new age of the older knowledge worker. Based on the findings of the authors 'Welcoming Workplace' research project at the Royal College of Art Helen Hamlyn Centre, New Demographics New Workspace examines the impact of two of the most significant shifts in the workplace: the ageing of the workforce and the changing nature of work itself in the knowledge economy. By examining the movements and motivations of older knowledge workers in the UK, Japan and Australia, the authors have generated new conceptual approaches to office design that offer an alternative to the current outdated model derived from the factory floor. In particular they question the value of open-plan offices that favour collaboration over concentration and contemplation. Given the growing pensions crisis and anticipated knowledge gap in the workforce in many developed countries, this book has real political, economic and social resonance. If we are all going to have extended working lives in the 21st century, the places in which we work will need to flex and adapt to make us want to keep on working.