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"Devil Fiction"
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Hannah Green and her unfeasibly mundane existence
\"Hannah Green actually thinks her story is more mundane than most. But she's about to discover that the shadows in her life have been hiding a world where nothing is as it seems: that there's an ancient and secret machine that converts evil deeds into energy, that some mushrooms can talk - and that her grandfather has been friends with the Devil for over a hundred and fifty years, and now they need her help\"-- Page [4] of cover.
Book
The Devil in the Machine: The Doctor Travels through Time in Chris Bush’s Faustus: That Damned Woman
Chris Bush’s Faustus: That Damned Woman (first performed in 2020) is a feminist and contemporary adaptation of Christopher Marlowe’s Doctor Faustus. The magus is a woman who travels through time from the seventeenth century to the far distant future. In the process, Johanna Faustus becomes a brilliant scientist who attempts to create digital immortality by uploading the minds of billions of human beings to the Cloud. When a power failure destroys almost all of humanity, it is uncertain whether the universal outage is caused by Mephistopheles (in accordance with the expectations of Faustian fantasy) or is simply an unforeseen but predictable accident (in accordance with the expectations of technophobic versions of science fiction). I argue that Bush’s play traces the chronological and generic arc from magic/fantasy to science/science fiction, blending the two so that the age-old monster, the Devil, enabled by Faustian arrogance, is reimagined as an avatar for an unreliable technology that destroys what it is designed to preserve.
Journal Article
Up jumps the devil
A stunningly imaginative, sharp, funny, and slyly tender novel featuring the Devil himself, John Scratch. He's made of wood. He cooks an excellent gumbo. Cows love him. And he's the world's first love story . . . and the world's first broken heart. Meet the darkly handsome, charming John Scratch, aka the Devil. Ever since his true love, a fellow fallen angel named Arden, decided that Earth was a little too terrifying and violent, John Scratch has been trying to lure her back from the forgiving grace of Heaven. Though neither the wonders of Egypt nor the glories of Rome were enough to keep her on Earth, John Scratch believes he's found a new Eden: America. John Scratch capitalizes on the bounty of this arcadia as he shapes it into his pet nation. Then, one dark night in the late 1960s, he meets three down-on-their-luck musicians and strikes a deal. In exchange for their souls, he'll grant them fame, wealth, and the chance to make the world a better place. Soon, the trio is helping the Devil push America to the height of civilization--or so he thinks. But there's a great deal about humans he still needs to learn, even after spending so many millennia among them.
Book
The Devil Finds Work
Baldwin’s The Devil Finds Work (1976) has proven challenging since its publication because readers and critics have trouble classifying it. The challenge may be related to a common feature of Baldwin criticism, namely a tendency to compare late career works to early ones and to find them lacking: the experimental nature of later works of nonfiction like No Name in the Street (1972), The Devil Finds Work, and The Evidence of Things Not Seen (1985) does not square easily with the more conventional essays that made Baldwin famous in his early years. I attempt to reframe The Devil Finds Work not through a comparison to other Baldwin essays, but rather through a comparison to his fiction, specifically the novel Giovanni’s Room. I posit that a greater appreciation for Devil can result from thinking of it as a story, specifically the story of a failed love affair.
Journal Article
The master and Margarita
Making a bargain with the devil, Margarita decides to try a little black magic of her own to save the man she loves.
BOOK
Devil said bang
\"What do you do after you've escaped Hell, gone back, uncovered the true nature of God, and then managed to become the new Lucifer? Well, if you're James Stark, you have to figure out how to run Hell while also trying to get back out of it...again. Plus there's the small matter of surviving. Because everyone in Heaven, Hell, and in between wants to be the fastest gun in the universe, and the best way to do so is to take down Lucifer, a.k.a. James Stark. And it's not like being in L.A. is any better-a serial-killer ghost is running wild and Stark's angelic alter ego is hiding among the lost days of time with a secret cabal who can rewrite reality. Starting to care for people and life again is a real bitch for a stone-cold killer.\"--Dust jacket.
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