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"Devotion"
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True faith, true light : the devotional art of Ed Stilley
In 1979, Ed Stilley was leading a simple life as a farmer and singer of religious hymns in Hogscald Hollow, a tiny Ozark community south of Eureka Springs, Arkansas. Life was filled with hard work and making do for Ed, his wife Eliza, and their five children, who lived in many ways as if the second half of the twentieth century had never happened. But one day Ed's life was permanently altered. While plowing his field, he became convinced he was having a heart attack. Ed stopped his work and lay down on the ground. Staring at the sky, he saw himself as a large tortoise struggling to swim across a river. On his back were five small tortoises--his children--clinging to him for survival. And then, as he lay there in the freshly plowed dirt, Ed received a vision from God, telling him that he would be restored to health if he would agree to do one thing: make musical instruments and give them to children. And so he did. Beginning with a few simple hand tools, Ed worked tirelessly for twenty-five years to create over two hundred instruments, each a crazy quilt of heavy, rough-sawn wood scraps joined with found objects. A rusty door hinge, a steak bone, a stack of dimes, springs, saw blades, pot lids, metal pipes, glass bottles, aerosol cans--Ed used anything he could to build a working guitar, fiddle, or dulcimer. On each instrument Ed inscribed \"True Faith, True Light, Have Faith in God.\" True Faith, True Light: The Devotional Art of Ed Stilley documents Ed Stilley's life and work, giving us a glimpse into a singular life of austere devotion.
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Affective Meditation and the Invention of Medieval Compassion
Affective meditation on the Passionwas one of the most popular literary genres of the high and later Middle Ages. Proliferating in a rich variety of forms, these lyrical, impassioned, script-like texts in Latin and the vernacular had a deceptively simple goal: to teach their readers how to feel. They were thus instrumental in shaping and sustaining the wide-scale shift in medieval Christian sensibility from fear of God to compassion for the suffering Christ.Affective Meditation and the Invention of Medieval Compassionadvances a new narrative for this broad cultural change and the meditative writings that both generated and reflected it. Sarah McNamer locates women as agents in the creation of the earliest and most influential texts in the genre, from John of Fécamp'sLibellusto theMeditationes vitae Christi, thus challenging current paradigms that cast the compassionate affective mode as Anselmian or Franciscan in origin. The early development of the genre in women's practices had a powerful and lasting legacy. With special attention to Middle English texts, including Nicholas Love'sMirrorand a wide range of Passion lyrics and laments,Affective Meditation and the Invention of Medieval Compassionilluminates how these scripts for the performance of prayer served to construct compassion itself as an intimate and feminine emotion. To feel compassion for Christ, in the private drama of the heart that these texts stage, was to feel like a woman. This was an assumption about emotion that proved historically consequential, McNamer demonstrates, as she traces some of its legal, ethical, and social functions in late medieval England.
eBook
Devotion : a memoir
In this spiritual detective story, Shapiro explores the varieties of experience she has pursued--from the rituals of her black hat Orthodox Jewish relatives to yoga \"shalas\" and meditation retreats--and the surprisingly joyful quest she undertook to find meaning in a constantly changing world.
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Mary, mother and warrior : the virgin in Spain and the Americas
A Mother who nurtures, empathizes, and heals . . . a Warrior who defends, empowers, and resists oppression. . . the Virgin Mary plays many roles for the peoples of Spain and Spanish-speaking America. Devotion to the Virgin inspired and sustained medieval and Renaissance Spaniards as they liberated Spain from the Moors and set about the conquest of the New World. Devotion to the Virgin still inspires and sustains millions of believers today throughout the Americas. This wide-ranging and highly readable book explores the veneration of the Virgin Mary in Spain and the Americas from the colonial period to the present. Linda Hall begins the story in Spain and follows it through the conquest and colonization of the New World, with a special focus on Mexico and the Andean highlands in Peru and Bolivia, where Marian devotion became combined with indigenous beliefs and rituals. Moving into the nineteenth century, Hall looks at national cults of the Virgin in Mexico, Bolivia, and Argentina, which were tied to independence movements. In the twentieth century, she examines how Eva Perón linked herself with Mary in the popular imagination; visits contemporary festivals with significant Marian content in Spain, Peru, and Mexico; and considers how Latinos/as in the United States draw on Marian devotion to maintain familial and cultural ties.
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Immaculate Conceptions
Immaculate Conceptions examines devotional writings, religious and literary texts, and visual art that feature the mystery of the immaculacy of the Virgin Mary in the culture of early modern Spain. The author’s analysis is motivated by the complexity and multivalent capacity of the doctrine and its icon at a time when the debates around Mary’s conception imbued all levels of religious and social life. She considers the many interests – political, doctrinal, artistic, and gender-driven – that intersect and compete in the exegesis and textual and visual representations of the Immaculate Conception. She argues that the Immaculate Conception of Mary proved to be a fertile conceptual and ideological field wherein the identities of the Spanish state, local communities, and individuals were negotiated, variously defined, and contested.
The study’s broader aim is to delineate a speculative category, the religious imagination, defined as a spiritual, intellectual, or artistic pursuit in which the individual is committed to sacred truth yet articulates this truth through contingent, partial, and contextually determined theological propositions. The representational status of the image and its relationship to theories of physical sight and spiritual vision are central to the author’s formulation of this category.
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Idolizing Mary : Maya-Catholic icons in Yucatán, Mexico
\"Investigates the origins of Maya veneration of the Virgin Mary and the processes of religious transformation during the first two hundred years of Spanish colonization in Yucatán\"--Provided by publisher.
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Holy organ or unholy idol? : the Sacred Heart in the art, religion, and politics of New Spain
Holy Organ or Unholy Idol? focuses on the significance of the cult of the Sacred Heart of Jesus and its accompanying imagery in eighteenth-century New Spain. Lauren G. Kilroy-Ewbank considers paintings, prints, devotional texts, and archival sources within the Mexican context alongside issues and debates occurring in Europe to situate the New Spanish cult within local and global developments. She examines the iconography of these religious images and frames them within broader socio-political and religious discourses related to the Eucharist, the sun, the Jesuits, scientific and anatomical ideas, and mysticism. Images of the Heart helped to champion the cult's validity as it was attacked by religious reformers.
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Emotion and Devotion
In Emotion and Devotion Miri Rubin explores the craft of the historian through a series of studies of medieval religious cultures. In three original chapters she approaches the medieval figure of the Virgin Mary with the aim of unravelling meaning and experience. Hymns and miracle tales, altarpieces and sermons – a wide range of sources from many European regions – are made to reveal the creativity and richness which they elicited in medieval people, women and men, clergy and laity, people of status and riches as well as those of modest means.
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Guadalupe in New York
Every December 12th, thousands of Mexican immigrants gather
for the mass at New York City’s St. Patrick’s
Cathedral in honor of Our Lady of Guadalupe’s feast day.
They kiss images of the Virgin, wait for a bishop’s
blessing—and they also carry signs asking for immigration
reform, much like political protestors. It is this
juxtaposition of religion and politics that Alyshia Gálvez
investigates in Guadalupe in New York. The Virgin of Guadalupe
is a profound symbol for Mexican and Mexican-American Catholics
and the patron saint of their country. Her name has been
invoked in war and in peace, and her image has been painted on
walls, printed on T-shirts, and worshipped at countless
shrines. For undocumented Mexicans in New York, Guadalupe
continues to be a powerful presence as they struggle to gain
citizenship in a new country. Through rich ethnographic
research that illuminates Catholicism as practiced by Mexicans
in New York, Gálvez shows that it is through Guadalupan
devotion that many undocumented immigrants are finding the will
and vocabulary to demand rights, immigration reform, and
respect. She also reveals how such devotion supports and
emboldens immigrants in their struggle to provide for their
families and create their lives in the city with dignity.
eBook