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American Literature and the Culture of Reprinting, 1834-1853
The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American \"culture of reprinting\" and held it in place for two crucial decades.In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s.American Literature and the Culture of Reprinting, 1834-1853delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.
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Dickens and Massachusetts
Charles Dickens traveled to North America twice, in 1842 and twenty-five years later in 1867--68, and on both trips Massachusetts was part of his itinerary. Although many aspects of his U.S. travels disappointed him, Massachusetts was the one state that met and even exceeded Dickens's expectations for \"the republic of [his] imagination.\" From the mills of Lowell to the Perkins School for the Blind, it offered an alternate vision of America that influenced his future writings, while the deep and lasting friendships he formed with Bostonians gave him enduring ties to the commonwealth.
This volume provides insight from leading scholars who have begun to reassess the significance of Massachusetts in the author's life and work. The collection begins with a broad biographical and historical overview taken from the full-length narrative of the award-winning exhibition Dickens and Massachusetts: A Tale of Power and Transformation, which attracted thousands of visitors while on display in Lowell. Abundant images from the exhibition, many of them difficult to find elsewhere, enhance the story of Dickens's relationship with the vibrant cultural and intellectual life of Massachusetts. The second section includes essays that consider the importance of Dickens's many connections to the commonwealth.
In addition to the volume editors, contributors include Chelsea Bray, Iain Crawford, Andre DeCuir, Natalie McKnight, Lillian Nayder, and Kit Polga.
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Corpus Stylistics and Dickens's Fiction
This book presents an innovative approach to the language of one of the most popular English authors. It illustrates how corpus linguistic methods can be employed to study electronic versions of texts by Charles Dickens. With particular focus on Dickens's novels, the book proposes a way into the Dickensian world that starts from linguistic patterns. The analysis begins with clusters, i.e. repeated sequences of words, as pointers to local textual functions. Combining quantitative findings with qualitative analyses, the book takes a fresh view on Dickens's techniques of characterisation, the literary presentation of body language and speech in fiction. The approach brings together corpus linguistics, literary stylistics and Dickens criticism. It thus contributes to bridging the gap between linguistic and literary studies and will be a useful resource for both researchers and students of English language and literature.
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The Cambridge introduction to Charles Dickens
\"Charles Dickens became immensely popular early on in his career as a novelist, and his appeal continues to grow with new editions prompted by recent television and film adaptations, as well as large numbers of students studying the Victorian novel. This lively and accessible introduction to Dickens focuses on the extraordinary diversity of his writing. Jon Mee discusses Dickens's novels, journalism and public performances, the historical contexts and his influence on other writers. In the process, five major themes emerge: Dickens the entertainer; Dickens and language; Dickens and London; Dickens, gender, and domesticity; and the question of adaptation, including Dickens's adaptations of his own work. These interrelated concerns allow readers to start making their own new connections between his famous and less widely read works and to appreciate fully the sheer imaginative richness of his writing, which particularly evokes the dizzying expansion of nineteenth-century London\"-- Provided by publisher.
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The Pleasures of Memory
What are the sources of the commonly held presumption that reading literature should make people more just, humane, and sophisticated? Rendering literary history responsive to the cultural histories of reading, publishing, and education, The Pleasures of Memory illuminates the ways that Dickens's serial fiction shaped not only the popular practice of reading for pleasure and instruction associated with the growth of periodical publication in the nineteenth century but also the school subject we now know as English.Examining the full scope of Dickens's literary production, Winter shows how his serial fiction instigated specific reading practices by reworking the conventions of religious didactic tracts from which most Victorians learned to read. Incorporating an influential associationist psychology of learning and reading founded on the cumulative functioning of memory, Dickens's serial novels consistently lead readers to reflect on their reading as a form of shared experience, thus channeling their personal memories of Dickens's unforgettablescenes and characters into a public reception reaching across social classes. Dickens's celebrity authorship, Winter argues, represented both a successful marketing program for popular fiction and a cultural politics addressed to a politically unaffiliated, social-activist Victorian readership. As late-nineteenth-century educational reforms in Britain and the United States consolidated Dickens's heterogeneous constituency of readers into the masspopulations served by national and state school systems, however, Dickens's beloved novels came to embody the socially inclusive and humanizing goals of democratic education.
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The Oxford handbook of Charles Dickens
This Handbook is a comprehensive and up-to-date collection on Dickens's life and works. It includes original chapters on all of Dickens's writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of families, environmental degradation, and improvements of the industrial age, as well as the law, charity, and communications. His treatment of gender, his mastery of prose in all its varieties and genres, and his range of affects and dramatization all come under stimulating reconsideration. His understanding of British history, of empire and colonization, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to global modernity.
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Dickens's Idiomatic Imagination
Dickens's Idiomatic Imagination
offers an original analysis of how Charles Dickens's use of
\"low\" and \"slangular\" (his neologism) language allowed him to
express and develop his most sophisticated ideas. Using a
hybrid of digital (distant) and analogue (close) reading
methodologies, Peter J. Capuano considers Dickens's use of bodily
idioms-\"right-hand man,\" \"shoulder to the wheel,\" \"nose to the
grindstone\"-against the broader lexical backdrop of the nineteenth
century.
Dickens was famously drawn to the vernacular language of
London's streets, but this book is the first to call attention to
how he employed phrases that embody actions, ideas, and social
relations for specific narrative and thematic purposes. Focusing on
the mid- to late career novels Dombey and Son , David
Copperfield , Bleak House , Great
Expectations , and Our Mutual Friend , Capuano
demonstrates how Dickens came to relish using common idioms in
uncommon ways and the possibilities they opened up for artistic
expression. Dickens's Idiomatic Imaginatio n establishes a
unique framework within the social history of language alteration
in nineteenth-century Britain for rethinking Dickens's literary
trajectory and its impact on the vocabularies of generations of
novelists, critics, and speakers of English.
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