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3,317
result(s) for
"Digital media History."
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Digital Music Videos
2017
Music videos today sample and rework a century's worth of movies and other pop culture artifacts to offer a plethora of visions and sounds that we have never encountered before.As these videos have proliferated online, they have become more widely accessible than ever before. InDigital Music Videos, Steven Shaviro examines the ways that music videos interact with and change older media like movies and gallery art; the use of technologies like compositing, motion control, morphing software, and other digital special effects in order to create a new organization of time and space; how artists use music videos to project their personas; and how less well known musicians use music videos to extend their range and attract attention.Surveying a wide range of music videos, Shaviro highlights some of their most striking innovations while illustrating how these videos are creating a whole new digital world for the music industry.
Controlling the Message
by
Vaughn, Justin S
,
Farrar-Myers, Victoria A
in
Campaign management
,
Campaign management -- Technological innovations -- United States -- History
,
Democracy
2015
From the presidential race to the battle for the office of New York City mayor, American political candidates' approach to new media strategy is increasingly what makes or breaks their campaign. Targeted outreach on Facebook and Twitter, placement of a well-timed viral ad, and the ability to roll with the memes, flame wars, and downvotes that might spring from ordinary citizens' engagement with the issues-these skills are heralded as crucial for anyone hoping to get their views heard in a chaotic election cycle. But just how effective are the kinds of media strategies that American politicians employ? And what effect, if any, do citizen-created political media have on the tide of public opinion?
InControlling the Message, Farrar-Myers and Vaughn curate a series of case studies that use real-time original research from the 2012 election season to explore how politicians and ordinary citizens use and consume new media during political campaigns. Broken down into sections that examine new media strategy from the highest echelons of campaign management all the way down to passive citizen engagement with campaign issues in places like online comment forums, the book ultimately reveals that political messaging in today's diverse new media landscape is a fragile, unpredictable, and sometimes futile process. The result is a collection that both interprets important historical data from a watershed campaign season and also explains myriad approaches to political campaign media scholarship-an ideal volume for students, scholars, and political analysts alike.
Lenses for Lantern: Data Mining, Visualization, and Excavating Film History's Neglected Sources
2014
The Media History Digital Library has digitized nearly one million pages of film and media publications, creating new opportunities for gathering evidence and new challenges for interpretation. In this essay, the author, who developed the Media History Digital Library's search engine Lantern, analyzes data on the circulation of historic film periodicals and how frequently scholars have cited the same magazines. The author argues that the field of film studies has concentrated on a small number of canonical titles, such as Variety and Photoplay, and neglected the majority of publications. As an aid to interpreting the broader range of sources now digitally available, the author proposes integrating data visualization and topic modeling with the existing research methods of close reading, search, and archival research.
Journal Article
Histoire(s) de(s) données numériques
by
Droesbeke, Jean-Jacques
,
Vermandele, Catherine
in
Digital media
,
Digital media-History
,
Mathematical statistic
2021,2018
Les données d'aujourd'hui prennent appui sur une longue et passionnante histoire de la statistique et de ses outils qui nous permet de leur donner sens, que l'on soit spécialiste ou pas. Ce livre peut vous aider à explorer le monde des données !.
Carnal Resonance
2011
An exploration of the modalities, affective intensities, and disturbing qualities of online pornography.
Digital production tools and online networks have dramatically increased the general visibility, accessibility, and diversity of pornography. Porn can be accessed for free, anonymously, and in a seemingly endless range of niches, styles, and formats. In Carnal Resonance, Susanna Paasonen moves beyond the usual debates over the legal, political, and moral aspects of pornography to address online porn in a media historical framework, investigating its modalities, its affect, and its visceral and disturbing qualities. Countering theorizations of pornography as emotionless, affectless, detached, and cold, Paasonen addresses experiences of porn largely through the notion of affect as gut reactions, intensities of experience, bodily sensations, resonances, and ambiguous feelings. She links these investigations to considerations of methodology (ways of theorizing and analyzing online porn and affect), questions of materiality (bodies, technologies, and inscriptions), and the evolution of online pornography.
Paasonen dicusses the development of online porn, focusing on the figure of the porn consumer, and considers user-generated content and amateur porn. She maps out the modality of online porn as hyperbolic, excessive, stylized, and repetitive, arguing that literal readings of the genre misunderstand its dynamics and appeal. And she analyzes viral videos and extreme and shock pornogaphy, arguing for the centrality of disgust and shame in the affective dynamics of porn. Paasonen's analysis makes clear the crucial role of media technologies—digital production tools and networked communications in particular—in the forms that porn takes, the resonances it stirs, and the experiences it makes possible.