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Cinema wars
Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forcesFilms and documentaries discussed include: Black Hawk Down, TheDark Knight, Star Wars, Syriana,WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst othersExplores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwiseInvestigates Hollywood's treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000sShows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama.
eBook
Schooling in Modernity
Paola Bonifazio investigates the ways in which films sponsored by Italian and American government agencies promoted a particular vision of modernization and industry and functioned as tools to govern the Italian people.
eBook
Documents of Utopia : the politics of experimental documentary
\"This timely volume discusses the experimental documentary projects of some of the most significant artists in today's global art world: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya & Emilia Kabakov, Jon Thomson & Alison Craighead, and Anri Sala. Their films, videos, and photographic series address the history of failed Utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and offers a crucial contribution to the debate on the conditions of Utopian thinking in late capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the Utopian imagination from its futuristic pole toward the pole of remembrance. This book therefore provides one of the first critical examinations of the recent turn towards documentary in the field of contemporary art.\" -- Back cover.
Book
Imperial projections
The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era.
eBook
The documentary : politics, emotion, culture
\"An exploration of the role of emotion and affect in contemporary documentary film, arguing that analysis of the sociality of the emotions is integral to advancing our understanding of the formulation of selfhood in documentary. Belinda Smaill also examines documentary's political function, looking at issues such as gender, ethnicity and class\"--Provided by publisher.
Book
Hanan al-cinema : affections for the moving image
An examination of experimental cinema and media art from the Arabic-speaking world that explores filmmakers' creative and philosophical inventiveness in trying times. In this book, Laura Marks examines one of the world's most impressive, and affecting, bodies of independent and experimental cinema from the last twenty-five years: film and video works from the Arabic-speaking world. Some of these works' creative strategies are shared by filmmakers around the world; others arise from the particular economic, social, political, and historical circumstances of Arab countries, whose urgency, Marks argues, seems to demand experiment and invention. Grounded in a study of infrastructures for independent and experimental media art in the Arab world and a broad knowledge of hundreds of films and videos, Hanan al-Cinema approaches these works thematically. Topics include the nomadism of the highway, nostalgia for '70s radicalism, a romance with the archive, algorithmic and glitch media, haptic and networked space, and cinema of the body. Marks develops an aesthetic of enfolding and unfolding to elucidate the different ways that cinema can make events perceptible, seek connections among them, and unfold in the bodies and thoughts of audiences. The phrase Hanan al-cinema expresses the way movies sympathize with the world and the way audiences feel affection for, and are affected by, them. Marks's clear and expressive writing conveys these affections in works by such internationally recognized artists and filmmakers as Akram Zaatari, Elia Suleiman, Hassan Khan, Mounir Fatmi, and Joana Hadjithomas and Khalil Joreige, and others who should be better known.
eBook
