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\"This book explores the challenges faced by documentary filmmakers in creating films and series for global audiences in response to increasing demands. The research utilizes in-depth interviews with members of the industry to reveal recurring themes and argue for greater support and deeper understanding of creative practices and processes\"-- Provided by publisher.

With the development and accessibility of animation tools and techniques, filmmakers are blurring the boundaries between documentary filmmaking and animation. The intimacy, imperfection and charm of the animated form is providing live-action and animation directors with unique ways to tell stories, humanize events and convey information not easily adapted for live-action media.Animated Realismpresents animation techniques as they apply to the documentary genre with an inspirational behind-the-scenes look at award-winning animated documentaries. Animators and documentary filmmakers alike will learn how to develop a visual style with animation, translate a graphic novel into a documentary and use 3D animation as a storytelling tool, all in the context of creating animated documentaries. With insight and inspiration,Animated Realismincludes interviews from industry luminaries like John Canemaker, Oscar Winning Director ofThe Moon and the Son, Yoni Goodman, Animation Director of Oscar NominatedWaltzwith Bashir and Chris Landreth, Oscan Winning creator of Ryan. Packed with beautiful, instructive illustrations and previously unpublished material (including storyboards, photos and hand-drawn sketches) and interspersed with interviews - this is an exceptional source of inspiration and knowledge for animators, students and fans alike. With a companion website featuring animated shorts from leading animated documentaries, animators, students and documentary filmmakers will be able to analyze and apply Oscar-winning animation techniques to their own films.

A comprehensive guide to the professional world of documentary filmmaking, “Making It” provides novices, undergraduate and graduate students and current practitioners with the knowledge and skills they will need to succeed as documentary filmmakers.

\"In The Documentary Filmmaking Guide, Betsy Chasse teaches readers everything they need to know to make a documentary: from preliminary research on topics and audiences, to developing a business plan and securing funding, to working with a production team and interviewees, to post-production, marketing, and distribution. This down-to-earth guide is truly an all-access pass to what goes on behind the camera\"-- Provided by publisher.

This collection aims to give insight to the reader as to how poetic approaches to documentary filmmaking have helped to develop the documentary form into a rich and diverse way of representing the real world in film. As such, it is the aesthetics of documentary filmmaking that becomes the primary focus of discussion within this collection.The majority of the chapters are written by documentary filmmakers who give insight into how poetics have influenced their own approach to documentary filmmaking, while other chapters are written by film scholars who analyse the work of others, in order to uncover how poetics are manifested in existing documentary films. This book will be of interest to those who produce documentary films, as well as those who have an interest in the work of other documentary filmmakers.

As newspapers and broadcast news outlets direct more resources toward online content, print reporters and photojournalists are picking up video cameras and crafting new kinds of stories with their lenses. Creating multimedia video journalism requires more than simply adapting traditional broadcast techniques: it calls for a new way of thinking about how people engage with the news and with emerging media technologies. In this guide, Kurt Lancaster teaches students and professional journalists how to shoot better video and tell better stories on the web, providing a strong understanding of cinematic storytelling and documentary production so their videos will stand out from the crowd. Video Journalism for the Web introduces students to all the basic skills and techniques of good video journalism and documentary storytelling, from shots and camera movements to sound and editing-as well as offering tips for developing compelling, character-driven narratives and using social media to launch a successful career as a \"backpack journalist.\" Shooting, editing, and writing exercises throughout the book allow students to put these techniques into practice, and case studies and interviews with top documentary journalists provide real-world perspectives on a career in video journalism. This book gives aspiring documentary journalists the tools they need to get out in the field and start shooting unforgettable multimedia stories.

Documentary Testimonies examines documentary films that compel us to bear witness, move us to anger or tears, and possibly mobilize us to action. Comprising ten new essays and a substantive introduction, this interdisciplinary volume examines audiovisual testimonial practices, forms, and institutions. Topics include: technologies of capture, storage and circulation; problems of historical veracity/frail memory; generation of video archives--official, renegade, and ephemeral; limits and potentialities of documentary as public record; architectonics of memory; ethics of witnessing and commemoration; human rights and activist publics. The essays provide in-depth analysis of archives of social suffering tied to particular locales: Cambodia, Chiapas, Darfur, India, Indonesia, Korea, New Orleans, Norway, Rwanda, South Africa, and Washington, DC. The contributors focus on the generation and use of testimony by public administrators and institutions, human rights activists, documentary filmmakers, and others with interest in environmental justice, human rights, social advocacy, and the commemoration/prevention of genocide. Thus, this volume aims to investigate, from a critical and translocal perspective, testimony as social practice. Introduction: Moving Testimonies Bhaskar Sarkar and Janet Walker 1. Embodied Memory: The Institutional Mediation of Survivor Testimony in the United States Holocaust Memorial Museum Noah Shenker 2. \"We Shall Drown, But We Shall Not Move\": The Ecologics of Testimony in NBA Documentaries Bishnupriya Ghosh 3. Rights and Return: Perils and Fantasies of Situated Testimony after Katrina Janet Walker 4. From \"Superbabies\" and \"Nazi Bastards\" to Victims Finding a Voice: The Memory Trajectory of the Norwegian Lebensborn Children Bjørn Sørenssen 5. Reclamation of Voice: The Joint Authorship of Testimony in The Murmuring Trilogy Hye Jean Chung 6. Trauma, Memory, Documentary: Re-enactment in Two Films by Rithy Panh (Cambodia) and Garin Nugroho (Indonesia) Deirdre Boyle 7. On Documentary and Testimony: The Revisionists’ History, the Politics of Truth, and the Remembrance of the Massacre at Acteal, Chiapas José Rabasa 8. Mediating Testimony: Broadcasting South Africa’s Truth and Reconciliation Commission Catherine Cole 9. Mediating Genocide: Producing Digital Survivor Testimony in Rwanda Mick Broderick 10. Between Orbit and the Ground: Conflict Monitoring, Google Earth and the \"Crisis in Darfur\" Project Lisa Parks Bhaskar Sarkar is Associate Professor of Film and Media Studies at the University of California, Santa Barbara. He is author of Mourning the Nation: Indian Cinema in the Wake of Partition. Janet Walker is Professor and former chair of the Department of Film and Media Studies at the University of California, Santa Barbara. Her many authored and edited books include Couching Resistance: Women, Film, and Psychoanalytic Psychiatry , Feminism and Documentary , Westerns: Films through History , and Trauma Cinema: Documenting Incest and the Holocaust.