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"Domestic space"
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The Home, Nations and Empires, and Ephemeral Exhibition Spaces
This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing.
eBook
At Home with Apartheid
Despite their peaceful, bucolic appearance, the tree-lined streets of South African suburbia were no refuge from the racial tensions and indignities of apartheid's most repressive years. InAt Home with Apartheid,Rebecca Ginsburg provides an intimate examination of the cultural landscapes of Johannesburg's middle- and upper-middle-class neighborhoods during the height of apartheid (c. 1960-1975) and incorporates recent scholarship on gender, the home, and family.
More subtly but no less significantly than factory floors, squatter camps, prisons, and courtrooms, the homes of white South Africans were sites of important contests between white privilege and black aspiration. Subtle negotiations within the domestic sphere between white, mostly female, householders and their black domestic workers, also primarily women, played out over and around this space. These seemingly mundane, private conflicts were part of larger contemporary struggles between whites and blacks over territory and power.
Ginsburg gives special attention to the distinct social and racial geographies produced by the workers' detached living quarters, designed by builders and architects as landscape complements to the main houses. Ranch houses, Italianate villas, modernist cubes, and Victorian bungalows filled Johannesburg's suburbs. What distinguished these neighborhoods from their precedents in the United States or the United Kingdom was the presence of the ubiquitous back rooms and of the African women who inhabited them in these otherwise exclusively white areas.
The author conducted more than seventy-five personal interviews for this book, an approach that sets it apart from other architectural histories. In addition to these oral accounts, Ginsburg draws from plans, drawings, and onsite analysis of the physical properties themselves. While the issues addressed span the disciplines of South African and architectural history, feminist studies, material culture studies, and psychology, the book's strong narrative, powerful oral histories, and compelling subject matter bring the neighborhoods and residents it examines vividly to life.
eBook
Living and working
\"A catalogue of architectural projects and accompanying essays by the Brussels-based Dogma, all dealing with the idea of domestic space, but more radically a manifesto of sorts for a new, synthetic approach to living and working\"-- Provided by publisher.
Book
Shifting domesticities: recent social housing practices and policies in Spain
Instances of crisis have always marked pivotal moments in housing design, acting as catalysts for re-evaluating models and practices and bringing forth systemic changes already latent in the discipline. Such revelation of hidden latencies is a characteristic phenomenon of today's housing panorama, influenced by factors such as the recent COVID-19 pandemic, the imperative shift toward ecological sustainability, and a growing discourse prompting the reconsideration of the human body at both individual and social levels. This article delves into such a system of adjustments within the contextualised case of Spanish social housing. It does so by focusing on two complementary sources. Firstly, recent shifts in housing policies, encompassing new regulations, programs, legal frameworks, and urban strategies; and secondly, a selection of projects emerging from competitions and new developments that either anticipate or result from these policy changes, introducing innovative design devices working on the following fronts: (1) the presence of nature and open space, interpreted as a fundamental element for social comfort related with broader ecological concerns, (2) a heterogeneous and complex articulation of in-between collective spaces, responding to emerging trends around the concept of sharing, and (3) the reconceptualization of the traditional core of interior private space, namely the kitchen, which in turn raises important questions on gender equality and care. Analysing the ever-evolving interplay between policies and practices, theories and projects, will reveal that the multifaceted crises of recent decades have played a pivotal role in shaping a redefined understanding of domestic spaces. Most significantly, this reinterpretation goes beyond addressing environmental sustainability and energy efficiency, placing a great emphasis on social innovation within and beyond the home, inside and outside the building.
Journal Article
Taking the Soviet Union Apart Room by Room
Taking the Soviet Union Apart Room by
Room investigates what happens to domestic
spaces, architecture, and the lives of urbanites during a
socioeconomic upheaval. Kateryna Malaia analyzes how
Soviet and post-Soviet city dwellers, navigating a crisis of
inadequate housing and extreme social disruption between the late
1980s and 2000s, transformed their dwellings as their countries
transformed around them. Soviet infrastructure remained but, in
their domestic spaces, urbanites transitioned to post-Soviet
citizens.
The two decades after the collapse of the USSR witnessed a major
urban apartment remodeling boom. Malaia shows how, in the context
of limited residential mobility, those remodeling and modifying
their homes formed new lifestyles defined by increased spatial
privacy. Remodeled interiors served as a material expression of a
social identity above the poverty line, in place of the outdated
Soviet signifiers of well-being. Connecting home improvement,
self-reinvention, the end of state socialism, and the lived
experience of change, Malaia puts together a comprehensive portrait
of the era.
Malaia shows both the stubborn continuities and the dramatic
changes that accompanied the collapse of the USSR. Making the case
for similarities throughout the former Soviet empire, this study is
based on interviews and fieldwork done primarily in Kyiv and Lviv,
Ukraine. Many of the buildings described are similar to those
damaged or destroyed by Russian bombings or artillery fire
following the invasion of Ukraine on February 24, 2022. A book
about major historic events written through the lens of everyday
life, Taking Soviet Union Apart is also about the meaning
of home in a dramatically changing world.
eBook
Women house
\"Two notions intersect in the 'Women House' exhibition: a gender (female) and a space (the domestic sphere). Architecture and public space have traditionally been male preserves, whereas domestic space has been that of women; this historic fact is not, however, inevitable, as the exhibition demonstrates. Is the 'woman-house' a refuge or a prison, or can it become a space for creativity? The exhibition and accompanying catalogue reflect the complexity of possible points of view on the subject, which are not only feminist but also poetic and nostalgic. Women artists turn the house inside out: a symbol of isolation becomes a symbol of the construction of identity, the intimate becomes political, private space becomes public space, and the body turns into a piece of architecture. According to different cultural contexts and generations of artists, the house becomes a body-house, a homeland-house, or even a world-house.\" --publisher's description, page [4] of dust jacket.
Book
Architectural Identities
Architectural Identities links Victorian constructions of middle-class identity with domestic architecture. In close readings of a wide range of texts, including fiction, autobiography, housekeeping manuals, architectural guides and floor plans, Andrea Kaston Tange argues that the tensions at the root of middle-class self-definition were built into the very homes that people occupied.
Individual chapters examine the essential identities associated with particular domestic spaces, such as the dining room and masculinity, the drawing room and femininity, and the nursery and childhood. Autobiographical materials by Frances Hodgson Burnett, Thomas and Jane Welsh Carlyle, Elizabeth Gaskell, and Linley and Marion Sambourne offer useful counterpoints to the evidence assembled from fiction, demonstrating how and where members of the middle classes remodelled the boundaries of social categories to suit their particular needs. Including analyses of both canonical and lesser-known Victorian authors, Architectural Identities connects the physical construction of the home with the symbolic construction of middle-class identities.
eBook