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"Drawing"
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How to draw
\"A children's step-by-step guide to drawing that is practical, inspirational, educational, and fun. Beginning with simple skill instruction and building to more challenging projects, it is packed with practical activities and techniques, including how to draw lines, shade, sketch, and trace. A cutout jacket even lets kids draw their own cover so the book really is their own unique piece of art. Once they've learned the basics, kids can follow the step-by-step instructions to draw their surroundings, people, animals, and more. With 16 pages of blank drawing space included, kids can try different approaches, such as illustrating stories and creating comic-book characters, and be inspired to explore and experiment with different styles. Supporting STEAM education initiatives, How to Draw encourages kids to pick up a pencil, crayon, or pen, use their imagination, and learn how to draw the things they love\"--www.bibz.com.
‘A sincere hand and a faithful eye’: the many interests of Robert Hooke (1635–1703)
2024
Since the tercentenary of Robert Hooke’s death, Hooke’s polymathic interests have received much scholarly attention. This paper discusses his interests as reflected via his drawings, which are perhaps less well known. His drawings played an important part in scientific record-keeping at the Royal Society and enabled visualisation of manufacturing processes, objects, mechanisms and theories. His graphic skills were important tools for his observational and empirical studies. Hooke’s artistic ability is therefore a worthy addition to his many-sided talents.
Journal Article
Drawing for illustration
This essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination.Martin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approaches to drawing including anecdotal, sequential and reportage are examined, to enable students to acquire their own personal visual language. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them.Packed with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Toulouse-Lautrec, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.
Drawing Conclusions
2020
Using close visual analysis of drawings, artist interviews, critical analysis and exegesis, Drawing Investigations examines how artists use drawing as an investigative tool to reveal information that would otherwise remain unseen and unnoticed. How does drawing add shape to ideas? How does the artist accommodate to challenges and restraints of a particular environment? To what extent is a drawing complementary and continuous with its subject and where is it disruptive and provocative? Casey and Davies address these questions while focusing on artists working collaboratively and the use of drawing in challenging or unexpected environments. Drawing Investigations evaluates the emergence of a way of thinking among an otherwise disconnected group of artists by exploring commonalities in the application of analytical drawing to the natural world, urban environment, social forces and lived experience. Examples represent a spectrum of research in international contexts: an oceanographic Institute in California, the archives of Amsterdam's Rijksmuseum, the Antarctic Survey, geothermal research in Japan and the Kurdish diaspora in Iraq. Issues are situated in the contemporary theory and practice of drawing including relationships to historical precedents. By exploring drawing's capacity to capture and describe experience, to sharpen visual faculties and to bridge embodied and conceptual knowledge, Drawing Investigations offers a fresh critical perspective on contemporary drawing practice.
Line let loose : scribbling, doodling and automatic drawing
Maclagan shows that each of the marginal forms of drawing -- scribbling, doodling, and automatic drawing -- has its own history in spiritualism, surrealism, abstract expressionism, and psychedelic art and considers their new relationship to twenty-first-century digital culture.