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11,583 result(s) for "Duke, David"
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رسالة مفتوحة إلى ديفيد ديوك عضو الكونغرس الأمريكي
رسالة للحضارة الضالة المتهجة نحو انخطافها ونهايتها. بعد أن قامت المخابرات الإسرائيلية والأمريكية بالتخطيط لحادث 11/9/2001 ليعلن اليهودي التلمودي بوش فورا بدون أي تحقيق الحرب على الإسلام والمسلمين. وللكاتب الفرنسي تيري نيسان كتاب مفصل وتحقيق صريح وواضح عن هذا الحادث المفتعل سياسياً وإجرامياً لأهداف حقيرة قامت الولايات المتحدة بتنفيذها في العراق.
Community-level diversity decreases right-wing authoritarianism and social dominance orientation by alleviating dangerous and competitive worldviews: Multilevel and longitudinal tests of the Dual Process Model
Although living in diverse communities can affect socio-political views, studies rarely-if ever- assess mediators of the relationship between macro-level diversity and individual-level intergroup attitudes. According to the Dual Process Model of Ideology and Prejudice, community-level diversity should correlate negatively with right-wing authoritarianism (RWA) and social dominance orientation (SDO) by reducing dangerous and competitive worldviews, respectively. Study 1 examined these hypotheses using a nationwide random sample of New Zealand Europeans (N = 11,007) nested in 254 communities. As hypothesised, community-level diversity had specific negative indirect effects on between-level variability in RWA and SDO via reductions in dangerous and competitive worldviews, respectively. Study 2 pursued a longitudinal follow-up (N = 9,355) and showed that dangerous and competitive worldviews predicted increases in RWA and SDO (respectively) a year later. Collectively, these results demonstrate that living in diverse communities can improve intergroup attitudes by reducing perceptions that the world is a dangerous and competitive place.
Community-level diversity decreases right-wing authoritarianism and social dominance orientation by alleviating dangerous and competitive worldviews: Multilevel and longitudinal tests of the Dual Process Model
Although living in diverse communities can affect socio-political views, studies rarely--if ever--assess mediators of the relationship between macro-level diversity and individual-level intergroup attitudes. According to the Dual Process Model of Ideology and Prejudice, community-level diversity should correlate negatively with right-wing authoritarianism (RWA) and social dominance orientation (SDO) by reducing dangerous and competitive worldviews, respectively. Study 1 examined these hypotheses using a nationwide random sample of New Zealand Europeans (N = 11,007) nested in 254 communities. As hypothesised, community-level diversity had specific negative indirect effects on between-level variability in RWA and SDO via reductions in dangerous and competitive worldviews, respectively. Study 2 pursued a longitudinal follow-up (N = 9,355) and showed that dangerous and competitive worldviews predicted increases in RWA and SDO (respectively) a year later. Collectively, these results demonstrate that living in diverse communities can improve intergroup attitudes by reducing perceptions that the world is a dangerous and competitive place.
Adapting BlacKkKlansman
This article analyzes the political subtext of BlacKkKlansman (dir. Spike Lee, 2018) through a narratological and semiotic approach that calls attention to changes in the adapted source text. The film bears Spike Lee’s idiosyncratic signature both visually and ideologically, including the use of implicit references to his earlier Do the Right Thing (1989), which position Ron Stallworth as a variation on the character of Mookie. Lee’s 2018 film belongs to an art of resistance that invents a new cinematic form by revising the codes of the popular buddy film genre with humor. BlacKkKlansman immerses the viewer in a culture of whiteness rooted in the distorted memories of the Civil War—as indicated by the opening extract from Gone With the Wind (dir. Victor Fleming, 1939) and the embedded excerpts from The Birth of a Nation (dir. D. W. Griffith, 1915)—and entertained by the Klan’s mythology, all of which produces real trouble as shown in the final sequence. The interweaving of fact and fiction that characterizes Lee’s cinematic style enhances the idea that white supremacy is a fictional construction with real consequences.