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Resolving contradictory readings of Ercilla's La Araucana is an important critical desideratum, but at this point the matter seems intractable. There is clearly need for a different beginning place that will lead to a different resolution. Kallendorf attempts to develop such a line of reasoning through a carefully controlled study of the intertextual environment of the poem. He hopes to show that reading the classics through the filter of postcolonial theory enables a new kind of intertextuality that can help solve problems like this.

Nicolopulos explores how it was precisely the highly literary nature of Alonso de Ercilla's construction of the character Fiton in his poem \"La Araucana\" that lent the indigenous mage crucial significance for at least two colonial Spanish-American readers--Pedro de Ona and Bernardo de Balbuena--during the 1590s.

Shepherd examines Alonso de Ercilla y Zuniga's poem \"La Araucana.\" The poem exhibits numerous conflicts that characterize Ercilla's struggle with the different roles he assumes both within and outside the poem.

Stanivukovic reviews Love, War, and Classical Tradition in the Early Modern Transatlantic World: Alonso de Ercilla and Edmund Spenser by Cyrus Moore.