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"East End (London, England) History."
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Mob town : a history of crime and disorder in the East End
A captivating history of a notorious neighborhood and the first book to reveal why London's East End became synonymous with lawlessness and crime Even before Jack the Ripper haunted its streets for prey, London's East End had earned a reputation for immorality, filth, and vice. John Bennett, a writer and tour guide who has walked and researched the area for more than thirty years, delves into four centuries of history to chronicle the crimes, their perpetrators, and the circumstances that made the East End an ideal breeding ground for illegal activity. In the eighteenth and nineteenth centuries, Britain's industrial boom drew thousands of workers to the area, leading to overcrowding and squalor. But crime in the area flourished long past the Victorian period. Drawing on original archival history and featuring a fascinating cast of characters including the infamous Ripper, highwayman Dick Turpin, the Kray brothers, and a host of ordinary evildoers, this gripping and deliciously unsavory volume will fascinate Londonphiles and true crime lovers alike.
Book
Beyond the Tower
From Jewish clothing merchants to Bangladeshi curry houses, ancient docks to the 2012 Olympics, the area east of the City has always played a crucial role in London's history. The East End, as it has been known, was the home to Shakespeare's first theater and to the early stirrings of a mass labor movement; it has also traditionally been seen as a place of darkness and despair, where Jack the Ripper committed his gruesome murders, and cholera and poverty stalked the Victorian streets.
In this beautifully illustrated history of this iconic district, John Marriott draws on twenty-five years of research into the subject to present an authoritative and endlessly fascinating account. With the aid of copious maps, archive prints and photographs, and the words of East Londoners from seventeenth-century silk weavers to Cockneys during the Blitz, he explores the relationship between the East End and the rest of London, and challenges many of the myths that surround the area.
eBook
Change and Decline in London's Jewish East End: The Yiddish Sketches of Katie Brown
The British Yiddish writer Katie Brown wrote humorous stories and sketches for the London Yiddish newspapers Di post (The Post) in the 1930s and Di tsayt (The Times) in the 1940s. The stories, set in London's Jewish East End, concern the day-to-day effects of immigration, poverty, and Jewish culture in Britain. After the Second World War, in a bombed-out East End where Jewish migration to the suburbs was accelerating, Brown did not write entirely new sketches, but rather edited versions of her prewar stories. Looking at the earlier and later stories together, we get a sense of the changes happening to London's Jewish community: the decline of Jewish culture and religious practice, the changing relationship with the Eastern European homeland, and the decline of the Yiddish language. Through close reading and analysis, this article gives historical background to Brown and the social, cultural, and political context of her stories. It situates Brown as the only female journalist writing regularly for the press and identifies her unique perspective in making poignant interventions into Jewish debates of the day through stories of small incidents in family life. She raises questions around how to maintain a Jewish identity in England and visibility as a Jew in a Christian world, and traces change through two decades by describing the tension between the immigrant generation and their children. Using a range of neglected source material in Yiddish, this article throws new light on the Jewish East End in its twilight years.
Journal Article
Faded glory
From a life on the streets to the glory of the boxing ring. London's East End, 1953: Albert Kemp is a lonely widower, whose only son was killed in the war. Now he works in a pub by the railway arches. Downstairs is a traditional bar, upstairs is a famous boxing gym. It is here that Albert brings Danny, a fatherless boy who he rescues from gang life on the streets. But as Danny begins to grow into a champion, the predators start to circle, luring him with glittering promises back into a life of crime. Will Danny listen to his wise old mentor? Or will the prospect of fame and money be too tempting?
Book
The cultural construction of London's East End : urban iconography, modernity and the spatialisation of Englishness
Paul Newland's illuminating study explores the ways in which London's East End has been constituted in a wide variety of texts - films, novels, poetry, television shows, newspapers and journals. Newland argues that an idea or image of the East End, which developed during the late nineteenth century, continues to function in the twenty-first century as an imaginative space in which continuing anxieties continue to be worked through concerning material progress and modernity, rationality and irrationality, ethnicity and 'Otherness', class and its related systems of behaviour. The Cultural Construction of London's East End offers detailed examinations of the ways in which the East End has been constructed in a range of texts including BBC Television's EastEnders, Monica Ali's Brick Lane, Walter Besant's All Sorts and Conditions of Men, Thomas Burke's Limehouse Nights, Peter Ackroyd's Hawksmoor, films such as Piccadilly, Sparrows Can't Sing, The Long Good Friday, From Hell, The Elephant Man, and Spider, and in the work of Iain Sinclair.
eBook
Engendering the Slum: Photography in East London in the 1930s
Photographs are not truthful records of reality. They are images that are always interpreted, and this essay looks at some critical interpretations of photographs taken in the 1930s of white working-class women in the streets of East London. It pays particular attention to two current critiques that tend to address two different kinds of photographs (and in so doing to constitute them as distinct genres): a Foucauldian account of photography as a form of disciplining surveillance, and a Lacanianinfluenced analysis of photography as a disruptive reminder of absence and death. By examining documentary photographs and family snapshots from the East End in the 1930s I argue, first, that both of these critical accounts require an explicit consideration of the constitution of sexual difference, since both implicitly reproduce regressive visions of (working-class) femininities. Secondly, I argue that feminist revisions of both should be deployed together in order to effect a destabilising critique of the constitution of sexual difference through photographs. I elaborate that argument by considering a third series of photographs, commissioned by Stepney Borough Council in 1937 to record housing condemned as slums in the borough. In discussing that series, I suggest that through its organisation of the spatiality and corporeality of the women photographed outside their houses that were to be demolished, a radically uncertain femininity is conjured.
Journal Article
Wartime for the district nurses
\"Alice Lake and her friend Edith have had everything thrown at them in their first year as district nurses in the London district of Hackney. From babies born out of wedlock to battered wives, they've had plenty to keep them occupied. Now the lives of every Londoner are about to change forever as Hitler and the Luftwaffe rain down their bombs on the people of the city. The girls find themselves caught up in the terrible aftermath of the raids and run into danger themselves. Amidst the upheaval, there is still time for love, though with the men away fighting for King and Country, the girls have their fair share of heartache and anguish to contend with. It's up to them to keep up the Spirit of the Blitz -and everyone is counting on them...\"--Publisher.
Book
Three generations: oral testimonies on crime and social change in London's East End
This article compares, through the use of oral testimonies, the experiences of crime and social change of three generations of East Enders. Those aged 75 and older spoke about the period before the second world war; those in their mid fifties to early sixties about their experiences in the 1950s and early 1960s; those aged between 25 and 35 testified about the period between the late 1970s and the early 1990s. Each generation was asked not only about their experiences of victimization and/or involvement in committing offences, but also about the factors and relationships that acted as controls on crime. The testimonies suggest that different experiences of, and attitudes towards, crime of the different generations is related to the changing contexts of family life, community ties, leisure, economic prospects, social and cultural expectations and peer relationships.
Journal Article