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"Eggs Fiction."
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‘A machine for recreating life’: an introduction to reproduction on film
Reproduction is one of the most persistently generative themes in the history of science and cinema. Cabbage fairies, clones and monstrous creations have fascinated filmmakers and audiences for more than a century. Today we have grown accustomed not only to the once controversial portrayals of sperm, eggs and embryos in biology and medicine, but also to the artificial wombs and dystopian futures of science fiction and fantasy. Yet, while scholars have examined key films and genres, especially in response to the recent cycle of Hollywood ‘mom coms’, the analytic potential of reproduction on film as a larger theme remains largely untapped. This introduction to a special issue aims to consolidate a disparate literature by exploring diverse strands of film studies that are rarely considered in the same frame. It traces the contours of a little-studied history, pauses to consider in greater detail a few particularly instructive examples, and underscores some promising lines of inquiry. Along the way, it introduces the six original articles that constitute Reproduction on Film.
Journal Article
Terror beach
Walking on the beach after a storm, Rico discovers a boy burying several mysterious objects.
Book
Fragmented Bodies, Fractured Identities: Womanhood and Body Politics in Breasts and Eggs
This article employs feminist theory to explore the theme of fractured femininity in Mieko Kawakami’s Breasts and Eggs. Through the three female characters in the novel, Kawakami highlights the scarring of womanhood in a contemporary, postmodern context. However, the concept of scarring follows Cixous’s metaphor in which literature becomes a liberating and transformative act that vindicates the wounding of womanhood through the imposition of repressive ideals. This is shown as each of these women comes to represent the resilience of women in the face of conventional definitions of femininity. Natsuko’s reluctant following of convention, Makiko’s pursuit of feminine body ideals, and Midoriko’s struggle with her biological self represent women's struggle to realize femininity in the 21st century. Ultimately, these women manage to sustain a level of empowerment by rejecting the socially constructed concept of femininity. Kawakami puts the concept of femininity to the test to prove that it is the result of nurture rather than nature, thus suggesting that constructing a feminine identity in a postmodern setting is much more complex than in theory.
Journal Article
Green eggs and ham
Sam-I-Am mounts a determined campaign to convince another Seuss character to eat a plate of green eggs and ham.
Book
Ustopian Breakfasts
In the third novel of Margaret Atwood's MaddAddam trilogy, breakfast creates a sense of hope and adaptability in the most dire of dystopias. In this postpandemic world where civilization is all but destroyed, the human survivors, who form a makeshift community with the Crakers, initially cling to reverse-utopian breakfasts: nostalgic replications of past meals that offer solace but have no long-term future because the material circumstances of their existence have ceased. Eventually recognizing that storytelling and food are powerful, interrelated tools for humanity's future reproduction, this tenuous community survives precisely because they imagine and reimagine themselves and their modes of consumption. In this way, MaddAddam offers a humble sense of hope through ever-changing breakfast foods that serve as both the physical means and symbol of humanity's imaginative reconstitution into the future.
Journal Article
Jake hatches a plan
\"Help Jake and the crew foil Hook in this egg-cellent adventure!\"--P. [4] of cover.
Book
Eggbert, the slightly cracked egg
A cracked egg with a talent for painting goes through some painful experiences before realizing that being cracked can be something to be proud of.
Book