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Elizabeth Gaskell's Cranford
Tracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Recchio focuses especially the text's deployment in support of ideas related to nation and national identity on both sides of the Atlantic. Making extensive use of primary materials, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglocentric cultural project.
eBook
Fresh Strange Music
Elizabeth Barrett Browning evokes several figures as muses for her poetry, and one recurring type is the music master. While her writing has always been recognized as highly experimental, the influence and use of music in her work have not been fully examined. Fresh Strange Music defines the exact nature of Browning's experiments and innovations in rhythm, which she called the \"animal life\" of poetry, and in sound repetition, which she labelled her \"rhymatology.\" Donald Hair approaches Elizabeth Barrett Browning's art with a focus on the power that shapes it - the technical music of her poetry and the recurring beat at the beginning of units of equal time that requires a different system of scansion than conventional metres and syllable counting. Music for Barrett Browning, Hair explains, has momentous implications. In her early poetry, it is the promoter of kindly and loving relations in families and in society. Later in her career, she makes it the basis of nation-building, in her support for the unification of Italy and, more problematically, in her championing of French emperor Napoleon III. Fresh Strange Music traces the development of Barrett Browning's poetics through all her works - from the early An Essay on Mind to Last Poems - showcasing her as a major poet, independently minded, and highly innovative in her rhythms and rhymes.
eBook
Elizabeth Bishop's Poetics of Description
Elizabeth Bishop's Poetics of Description argues that attention to the material realm informs everything Bishop does. Seen through this lens, many familiar topics look remarkably different. Bishop's relationship to travel, epiphany, surrealism, and imagery are all transformed, and a timely new Bishop emerges - one quite different from the postmodern poet that has dominated recent scholarship.
eBook
The new Elizabethan age : culture, society and national identity after World War II
Taking strength from the Coronation of a new young Queen named Elizabeth, the New Elizabethanism of the 1950s heralded a nation that would now see its 'modern', televised monarch preside over an imminently glorious and artistic age. With contributions from leading cultural practitioners and scholars, this book contemplates the influence of New Elizabethanism from the Coronation festivities to the reinterment of Richard III in 2015, from the ascent of Everest on the eve of the Coronation to the investiture of Prince Charles as Prince of Wales, from the institutionalization of the National Theatre to the Olympics of 2012. In so doing, it exposes the significance of an overlooked cultural nationalism that continues to dominate contemporary constructions of modern national identity, history and performance.
Book
Exactly What I Said
Examining what it means to relate whole worlds across the boundaries of language, culture, and history, Exactly What I Said offers an accessible, engaging reflection on respectful and responsible translation and collaboration.
eBook
Adapting Gaskell
\"This book offers a range of perspectives on Elizabeth Gaskell and adaptation. The contributors Alan Shelston, Raffaella Aninucci, Thomas Recchio, Brenda McKay, Katherine Byrne, Patricia Marchesi, Marcia Marchesi and Loredana Salis discuss the afterlives of Gaskells fiction, from the author as adaptor of her own work to the role of the BBC in re-inventing Gaskells narratives.
eBook