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"Embarrassment Fiction."
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Attack of the mutant underwear
Fifth-grader Cody Carson keeps a journal of his hopes for a fresh start in a town where nobody knows about his humiliating mistakes of the past, but before school even begins so does his embarrassment.
Book
I Wish I Was Lonely/The Oh Fuck Moment
Two performance texts by Hannah Jane Walker and Chris Thorpe The Oh Fuck Moment Fucking up is the truest, funniest, most terrifying moment you can experience. Poet Hannah Jane Walker and theatre-maker Chris Thorpe examine the poetic guts of mistakes in a bundle of words and strip lighting. The Oh Fuck Moment is an award-winning conversation around a desk for brave souls to hold their hands up and admit they fucked up, or for people to laugh at us because we did. 'A brilliant celebration of our mistakes and evolutionary reflexes' Guardian I Wish I Was Lonely I Wish I Was Lonely is an interactive show about contactability asking whether the invisible waves we're tethered to might be drowning who we are. It's a show in which the audience commit to leaving their phones on. A show investigating what it means to participate in communication – or not. There are poems, there are stories and there is conversation. I Wish I Was Lonely sees Hannah Jane Walker and Chris Thorpe ask how much of ourselves we've given up to the new gods in our pockets. Hannah Jane Walker is a poet and Chris Thorpe is a theatre-maker.Together they make award-winning work that is part performance, part poetry gig and part interactive experience. Their work is based around an honest encounter between themselves, an audience and the difficult but often uplifting moments we all face in the process of living. Their shows feel like a generous, open conversation, with poetry and storytelling at their heart and space for audiences to contribute in a meaningful way.
eBook
Who wet my pants?
When Reuben the bear brings doughnuts to his forest friends, they discover that his pants are wet and he angrily accuses them of the dirty deed.
Book
Corpus evidence for lexical and genre effects in the metaphorical conceptualization of negative self-evaluative emotions: The case of shame and embarrassment
Do different emotion terms trigger different metaphorical conceptualizations of emotions? What are the effects of the discourse context of the genre on metaphor choice in the conceptualization of emotion concepts? Finally, are such lexical and discourse–contextual effects on emotion-targeted metaphor choice quantifiable? Prior discourse-oriented research has demonstrated from a largely qualitative perspective that metaphor use is dynamic and sensitive to discursive contextual variables (e.g., Deignan et al., 2013; Semino 2010, 2011; Semino et al., 2013; Dorst 2015; Caballero 2016; Knapton & Rundblad, 2018). In the present study, these questions are addressed from a corpus-based multivariate perspective, where detailed qualitative analysis of found examples is combined with quantitative modeling. The study examines negative self-evaluative emotions in English, operationalized through their two nominal exponents, i.e., shame and embarrassment, as attested in the discourse context of three genres – fiction, magazine and spoken TV language. The data are first analyzed qualitatively for relevant contextual variables and then modelled quantitatively. The results demonstrate that while both lexical and genre effects are observed in metaphor choice in the conceptualization of negative self-evaluative emotional experience, their combined effect should also be accounted for, as these two variables are found to interact with each other.
Journal Article
Sam Wu is not afraid of sharks
After encountering a scary shark at the aquarium, Sam is afraid to attend a birthday party at the beach.
Book
DIFFERENTIATE #SPECIATE: On Jairus Victor Grove’s Savage Ecology
Georges Bataille began the first volume of The Accursed Share as such: “No one can say without being comical that he is getting ready to overturn things. He must overturn, and that is all.”1 Whatever else it does, Jairus Victor Grove’s Savage Ecology overturns many things without comically announcing as much. The result is a darkly explosive work.While writing The Accursed Share, Bataille was “embarrassed” to be composing an economic opus which “qualified economists” would not likely accept.2 Bataille’s embarrassment stemmed from the fact that he was known as a fiction writer, and yet here he was attempting to overturn economic thinking. Per Bataille, such thinking had conventionally understood economics in a restricted sense, by considering the production and exchange of commodities in isolation from the broader world, as if “the economy” and the world were separable.Throughout The Accursed Share Bataille overturned convention by insisting that we consider a more “general economy” in which not only production and exchange but the entire “circulation of energy on the Earth”3 became the object of analysis. For Bataille, what counted as economic must expand dramatically such that “a human sacrifice, the construction of a church or the gift of a jewel were no less interesting than the sale of wheat.”4 Not just accumulation, but expenditure was an economic activity. Only by overturning a mode of thinking which had restricted the meaning of the economy to its discrete moments could Bataille come to explore what he thought was a more realistic understanding, a general economic theory.
Journal Article
Being a punch line is no joke : a 4D book
Ten-year-old Shelby Bloom loves jokes but she is horrified when her mother posts an embarrassing video of her, a video that mean girl Brooke makes sure everyone at school sees--Shelby does not like being the laughingstock, and she does not like being paired with Brooke's best friend, Tessa, on a school health project, but it turns out there are compensations, and soon Shelby has the class laughing with her instead of at her.
Book
Animal control
Her brother would never have got her involved if not for the dog. Stuart, she knew, thought she had a way with the dog. This might have been only because she and the dog occupied similar situational status in the family. Semi-domesticated, prone to impulsive decisions and unseemly hungers. Objects of occasional indulgence but mostly embarrassment...
Journal Article
A royal pain in the burp
\"George and his classmates are giving reports on their family trees, and their presentations will be broadcast on the local news. George is excited, but when he discovers he's related to the king of Arfendonia--a place no one has ever heard of--he panics. What if he makes a fool of himself on live TV? And even worse, what if his burp decides to make a guest appearance? Then George will be a total royal embarrassment!\"-- Provided by publisher.
Book
The Architecture and Message of the \Wall,\ 1961-1989
The Berlin Wall was built three times: in 1961, in the mid 1960s, and again from the mid 1970s onwards. This article attempts to interpret each manifestation as political architecture providing insights into the mindset and intentions of those who built it. Each phase of the Wall had a different rationale, beyond the straightforward purpose of stopping the citizens of East Germany from leaving their own country and forcing them to suffer under communist rule. The deliberately brutal-looking first Wall was a propaganda construct not originally intended to exist for more than a few months. The functional but dreary Wall of the mid 60s was calculated to have a longer lifespan, but within few years it, too, became an embarrassment for the East German rulers. Yearning for international recognition, they demanded a smoother-looking, better designed Wall—supporting their fiction that this was \"a national border like any other.\"
Journal Article