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The most strikingly missing piece of functionality in current digital editions is that of annotation. Digital editions should offer a facility where researchers can store structured and unstructured observations with respect to the edited texts. This book discusses a number of approaches to annotation systems in the context of the study of emblems, the sixteenth and seventeenth century literary genre that joins an image, a motto and an often moralizing epigram.When handled properly, annotation can become mesotext, text positioned between the annotated texts and the scholarly articles and monographs for which the annotations provide the evidence. In a digital context, it should be possible to navigate back and forth between annotated text, annotation and article. Peter Boot was born in 1961. He studied Mathematics in Leiden and Dutch Language and Culture in Utrecht, wherehe specialised in Older Dutch Literature. Since 2003 he has been employed at the Huygens Institute, where he works as a humanities computing consultant and researcher.

This interdisciplinary volume aims to address the multiple connections between emblematics and the natural world in the broader perspective of their underlying ideologies - scientific, artistic, literary, political and/or religious.

This study draws a new picture of the invention of the emblem book, and discusses the textual and pictorial means that were developed in order to transmit knowledge, from Alciato to Vaenius, with special emphasis on the emblem commentary and natural history.

Simultaneous measurement of cell lineage and cell fates is a longstanding goal in biomedicine. Here we describe EMBLEM, a strategy to track cell lineage using endogenous mitochondrial DNA variants in ATAC-seq data. We show that somatic mutations in mitochondrial DNA can reconstruct cell lineage relationships at single cell resolution with high sensitivity and specificity. Using EMBLEM, we define the genetic and epigenomic clonal evolution of hematopoietic stem cells and their progenies in patients with acute myeloid leukemia. EMBLEM extends lineage tracing to any eukaryotic organism without genetic engineering.

This study compares text/image interaction as manifested in emblem books (and related forms) and the modern bande dessinée, or French-language comic strip. It moves beyond the issue of defining the emblematic genre to examine the ways in which emblems - and their modern counterparts - interact with the surrounding culture, and what they disclose about that culture. Drawing largely on primary material from the Bibliothèque nationale de France and from Glasgow University Library's Stirling Maxwell Collection of emblem literature, Laurence Grove builds on the ideas of Marshall McLuhan, Elizabeth Eisenstein and, more recently, Neil Rhodes and Jonathan Sawday. Divided into four sections-Theoretics, Production, Thematics and Reception-Text/Image Mosaics in French Culture broaches topics such as theoretical approaches (past and present) to text/image forms, the question of narrative within the scope of text/image creations, and the reuse of visual iconography for diametrically opposed political or religious purposes. The author argues that, despite the gap in time between the advent of emblems and that of comic strips, the two forms are analogous, in that both are the products of a 'parallel mentality'. The mindsets of the periods that popularised these forms have certain common features related to repeated social conditions rather than to the pure evolution over time. Grove's analysis and historical contextualisation of that mentality provide insight into our own popular culture forms, not only the comic strip but also other hybrid media such as advertising and the Internet. His juxtaposition of emblems and the bande dessinée increases our understanding of all such combinations of picture and text. Contents: Foreword; Introduction: Text/image forms; The emblem; The bande dessinée; Previous critical approaches. Theoretics: 'Nemo nescit picturam esse poëma tacens ...'; The ninth art of France. Production: Moveable woodcuts; Mickey, or Le Journal de Mickey?. Thematics: Capricious cupids; Where have all the Nazis gone?. Reception: From moveable mosaic...; ...To moving images. Conclusion; Bibliography; Index. Laurence Grove is Senior Lecturer in French at the University of Glasgow, UK, having previously studied and taught at the University of Pittsburgh, The Newberry Library and Middlebury College, Vermont, USA.

With its capture at the outset of the conquest of Iran in the early seventh century, the imperial Sasanian standard, known as the Derafsh-e kaviyan, became a metaphor for imperial corruption, underscoring both the righteousness of the Islamic caliphate and the piety of the Arab-Muslim warriors who founded it. Two centuries later, it served as a potent symbol of pre-Islamic Persian splendor and the continuity of its rich tradition. Later still, modern Iranian nationalists raised the \"banner of Kaveh\" as part of their campaign to foster a sense of national consciousness and pride in the country's ancient heritage. Today, the Derafsh-e kaviyan continues to be a powerful symbol for secular Iranian nationalists campaigning against the Islamic Republic of Iran; for Kurdish nationalists seeking political autonomy; and for Tajik state authorities linking their nation to a mythical past.

In Applied Emblems in the Cathedral of Lugo, Carme López Calderón explores the emblematic programme found in the Chapel of Nuestra Señora de los Ojos Grandes (Galicia, Spain), consisting of fifty-eight emblems painted c. 1735. Making use of a wide range of printed sources, the author delves into the meaning of each emblem and provides an all-encompassing interpretation of this cycle, which can rightly be described as the richest and most complete programme of Marian applied emblematics in the Iberian Peninsula.

Emblems in the visual arts use motifs which have meanings, and in this ground-breaking, richly illustrated book Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs in Scotland address major historical issues of Anglo-Scottish relations.

No detailed description available for \"An Essay on Man\".