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"Emerson, Ralph Waldo, 1803-1882"
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The List
\"I am no more lonely than the Mill Brook, or a weathercock, or the north star, or the south wind, or an April shower, or a January thaw, or the first spider in a new house,\" wrote Henry David Thoreau inWalden.In creating this list, and many others that appear in his writings, Thoreau was working within a little-recognized yet ancient literary tradition: the practice of listing or cataloguing. This beautifully written book is the first to examine literary lists and the remarkably wide range of ways writers use them.Robert Belknap first examines lists through the centuries-from Sumerian account tablets and Homer's catalogue of ships to Tom Sawyer's earnings from his fence-painting scheme-then focuses on lists in the works of four American Renaissance authors: Emerson, Whitman, Melville, and Thoreau. Lists serve a variety of functions in Emerson's essays, Whitman's poems, Melville's novels, and Thoreau's memoirs, and Belknap discusses their surprising variety of pattern, intention, scope, art, and even philosophy. In addition to guiding the reader through the list's many uses, this book explores the pleasures that lists offer.
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Transatlantic Transcendentalism
The first book devoted to Coleridge’s influence on Emerson and the development of American Transcendentalism. As Samantha Harvey demonstrates, Samuel Taylor Coleridge’s thought galvanized Emerson at a pivotal moment in his intellectual development in the years 1826-1836, giving him new ways to harmonize the Romantic triad of nature, spirit and humanity. Emerson did not think about Coleridge: he thought with Coleridge, resulting in a unique case of assimilative influence. In addition to examining his specific literary, philosophical, and theological influences on Emerson, this book reveals Coleridge’s centrality for Boston Transcendentalism and Vermont Transcendentalism, a movement which profoundly affected the development of modern higher education, the national press, and the emergence of Pragmatism.
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Reconstructing Individualism:A Pragmatic Tradition from Emerson to Ellison
America has a love-hate relationship with individualism. In Reconstructing Individualism, James Albrecht argues that our conceptions of individualism have remained trapped within the assumptions of classic liberalism. He traces an alternative genealogy of individualist ethics in four major American thinkers-Ralph Waldo Emerson, William James, John Dewey, and Ralph Ellison. These writers' shared commitments to pluralism (metaphysical and cultural), experimentalism, and a melioristic stance toward value and reform led them to describe the self as inherently relational. Accordingly, they articulate models of selfhood that are socially engaged and ethically responsible, and they argue that a reconceived-or, in Dewey's term, \"reconstructed\"-individualism is not merely compatible with but necessary to democratic community. Conceiving selfhood and community as interrelated processes, they call for an ongoing reform of social conditions so as to educate and liberate individuality, and, conversely, they affirm the essential role individuality plays in vitalizing communal efforts at reform.
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Emerson’s Liberalism
Emerson’s Liberalism explains why Ralph Waldo Emerson has been and remains the central literary voice of American culture: he gave ever-fresh and lasting expression to its most fundamental and widely shared liberal values. Liberalism, after all, is more than a political philosophy: it is a form of civilization, a set of values, a culture, a way of representing and living in the world. This book makes explicit what has long been implicit in America’s embrace of Emerson. Neal Dolan offers the first comprehensive and historically informed exposition of all of Ralph Waldo Emerson’s writings as a contribution to the theory and practice of liberal culture. Rather than projecting twentieth-century viewpoints onto the past, he restores Emerson’s great body of work to the classical liberal contexts that most decisively shaped its general political-cultural outlook—the libertarian-liberalism of John Locke, the Scottish Enlightenment, the American founders, and the American Whigs. In addition to in-depth consideration of Emerson’s journals and lectures, Dolan provides original commentary on many of Emerson’s most celebrated published works, including
Nature , the “Divinity School Address,” “History,” “Compensation,” “Experience,” the political addresses of the early 1840s, “An Address . . . on . . . The Emancipation of the Negroes in the British West Indies,”
Representative Men ,
English Traits , and
The Conduct of Life . He considers Emerson’s distinctive elaborations of foundational liberal values—progress, reason, work, property, limited government, rights, civil society, liberty, commerce, and empiricism. And he argues that Emerson’s ideas are a morally bracing and spiritually inspiring resource for the ongoing sustenance of American culture and civilization, reminding us of the depth, breadth, and strength of our common liberal inheritance.
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First We Read, Then We Write
Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in \"The Poet,\" \"The American Scholar,\"Nature, \"Goethe,\" and \"Persian Poetry,\" less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today.Emerson advised that \"the way to write is to throw your body at the mark when your arrows are spent.\"First We Read, Then We Writecontains numerous such surprises-from \"every word we speak is million-faced\" to \"talent alone cannot make a writer\"-but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson's hands, the biographical and historical context in which Emerson worked becomes clear. Emerson's advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything-strategies, tricks, makeshifts-speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with \"the birthing stage of art,\" Emerson's counsel on being a reader and writer will be read and reread for years to come.
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