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467 result(s) for "Emerson, Ralph Waldo, 1803-1882 -- Philosophy"
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Reconstructing Individualism:A Pragmatic Tradition from Emerson to Ellison
America has a love-hate relationship with individualism. In Reconstructing Individualism, James Albrecht argues that our conceptions of individualism have remained trapped within the assumptions of classic liberalism. He traces an alternative genealogy of individualist ethics in four major American thinkers-Ralph Waldo Emerson, William James, John Dewey, and Ralph Ellison. These writers' shared commitments to pluralism (metaphysical and cultural), experimentalism, and a melioristic stance toward value and reform led them to describe the self as inherently relational. Accordingly, they articulate models of selfhood that are socially engaged and ethically responsible, and they argue that a reconceived-or, in Dewey's term, \"reconstructed\"-individualism is not merely compatible with but necessary to democratic community. Conceiving selfhood and community as interrelated processes, they call for an ongoing reform of social conditions so as to educate and liberate individuality, and, conversely, they affirm the essential role individuality plays in vitalizing communal efforts at reform.
Emerson & Eros : the making of a cultural hero
Traces the spiritual, psychological, and intellectual evolution of one of America's most important cultural figures. This critical biography traces the spiritual, psychological, and intellectual growth of one of America's foremost oracles and prophets, Ralph Waldo Emerson (1803–1882). Beginning with his undergraduate career at Harvard and spanning the range of his adult life, the book examines the complex, often painful emotional journey inward that would eventually transform Emerson from an average Unitarian minister into one of the century's most formidable intellectual figures. By connecting Emerson's inner life with his outer life, Len Gougeon illustrates a virtually seamless relationship between Emerson's Transcendental philosophy and his later career as a social reformer, a rebel who sought to \"unsettle all things\" in an effort to redeem his society. In tracing the path of Emerson's evolution, Gougeon makes use of insights by Joseph Campbell, Erich Neumann, Mircea Eliade, and N. O. Brown. Like Emerson, all of these thinkers directly experienced the fragmentation and dehumanization of the Western world, and all were influenced both directly and indirectly by Emerson and his philosophy. Ultimately, this study demonstrates how Emerson's philosophy would become a major force of liberal reformation in American society, a force whose impact is still felt today.
Glad to the brink of fear : a portrait of Ralph Waldo Emerson
\"More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure, who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness. This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be \"the infinitude of the private man,\" he is nonetheless an intensely social being, who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on-hoping instead for a revolution in consciousness-the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist. Drawing on telling episodes from Emerson's life alongside landmark essays like \"Self-Reliance,\" \"Experience,\" and \"Circles,\" Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old\"-- Provided by publisher.
The Other Emerson
Ralph Waldo Emerson is one of the most significant figures in nineteenth-century American literature and culture—indeed, this collection argues, in the history of philosophy. The Other Emerson is a thorough reassessment of the philosophical underpinnings, theoretical innovations, and ethical and political implications of the prose writings of one of America’s most enduring thinkers.
Emerson's nonlinear nature
In this provocative study, Christopher Windolph analyzes Emersonian naturalism from the standpoint of nonlinearity, offering new ways of reading and thinking about Emerson's stance toward naturalism and the influence of science on his thought. Drawing on ideas in perspective theory, architecture, and nonlinear dynamics to argue that Emerson's natural philosophy follows from his analysis of the development of organic forms, Windolph breaks new ground in Emerson studies by exploring how considerations of shape and the act of seeing underpin all of Emerson's theories about nature. Emerson's Nonlinear Nature opens new ways of thinking about Emerson's work in its nineteenth-century contexts, reassesses his reception in twentieth-century criticism, and makes a strong case for his continuing relevance in the century ahead.
The poetics of transition : Emerson, pragmatism, & American literary modernism
The Poetics of Transition examines the connection between American pragmatism and literary modernism by focusing on the concept of transition as a theme common to both movements. Jonathan Levin begins with the Emersonian notion that transition—the movement from one state or condition to another or, alternately, the figural enactment of that movement—is infused with power. He then offers a revisionary reading of the pragmatists' view of the permeability of subjective and objective realms and of how American literary modernists stage this permeability in the language and form of their writing. Levin draws on the pragmatist and neopragmatist writings of William James, John Dewey, George Santayana, Richard Rorty, and Cornel West to illuminate the work of modernist literature. In turn, he illuminates the poetic imperatives of pragmatism by tracing the ways in which Henry James, Gertrude Stein, and Wallace Stevens capture the moment of transition—a paradoxical moment that, once it is represented in language or art, requires its own perpetual overcoming. Throughout, he explores how modernist writers, who are masters at recording such \"illegible\" moments of transition in their poetry and prose, significantly contribute to an expanded understanding of pragmatism and its underlying aesthetics. By linking Emerson with the progressive philosophy of turn-of-the-century pragmatism and the experimentation of American literary modernism, Levin offers new insight into Emerson's lasting influence on later American philosophers, novelists, and poets. The Poetics of Transition will interest scholars and students in the fields of literary criticism, neopragmatism, literary modernism, and American literature.
The Poetics of Transition
The Poetics of Transition examines the connection between American pragmatism and literary modernism by focusing on the concept of transition as a theme common to both movements. Jonathan Levin begins with the Emersonian notion that transition—the movement from one state or condition to another or, alternately, the figural enactment of that movement—is infused with power. He then offers a revisionary reading of the pragmatists’ view of the permeability of subjective and objective realms and of how American literary modernists stage this permeability in the language and form of their writing.Levin draws on the pragmatist and neopragmatist writings of William James, John Dewey, George Santayana, Richard Rorty, and Cornel West to illuminate the work of modernist literature. In turn, he illuminates the poetic imperatives of pragmatism by tracing the ways in which Henry James, Gertrude Stein, and Wallace Stevens capture the moment of transition—a paradoxical moment that, once it is represented in language or art, requires its own perpetual overcoming. Throughout, he explores how modernist writers, who are masters at recording such “illegible” moments of transition in their poetry and prose, significantly contribute to an expanded understanding of pragmatism and its underlying aesthetics. By linking Emerson with the progressive philosophy of turn-of-the-century pragmatism and the experimentation of American literary modernism, Levin offers new insight into Emerson’s lasting influence on later American philosophers, novelists, and poets.The Poetics of Transition will interest scholars and students in the fields of literary criticism, neopragmatism, literary modernism, and American literature.