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"End of the world Poetry."
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As the Den Burns
As the Den Burns is a debut collection that renders a sublime world on the verge of vanishing. Elegiac and surreal, primal and lyrical, these unpredictable poems vault from Tallahassee vigils to flooded gardens after a hurricane’s landfall. Reading this collection is like swimming into the ocean; you float weightless amid waves of resistance, then knots form in your gut because something unseen moves beneath you. Mythology and song collide in this stunning collection as unruly poems waver from lifeguard chairs and cathedrals to lamps in underwater caverns. Rapier’s poetry could be spray painted beneath a beach pier; every stanza shifts rapidly without apology, the shape of the words like a signature.
eBook
For My Daughter Kakuya: Imagining Children at the End(s) of the World
The COVID-19 pandemic revealed individual and institutional anxieties about the apocalypse. Pastors and activists alike turned to the depiction of the apocalypse in popular media to describe the urgency of decisive action. Implicitly, these depictions offer a curious method for engaging and imagining children. Assata Shakur writes compelling poetry in her autobiography about her hopes for the world. In one poem, entitled For My Daughter Kakuya, I argue that Shakur engages in Afrofuturist speculative fiction as she envisions a future world for her daughter. This paper explores how writers living through these times themselves imagine Black children at the end of the world. What would happen if we took seriously the notion that the “end of the world” is always at hand for Black people? This article explores the stomach-turning warning that Jesus offers in Mark 13:14–19 regarding those who are “pregnant and nursing in those days”. Using a reproductive justice lens, this paper explores the eternal challenge of imagining and stewarding a future in which Black children are safe and thriving. It also explores the limits and possibilities of partnering with radical Black faith traditions to this end.
Journal Article
War at a distance
What does it mean to live during wartime away from the battle zone? What is it like for citizens to go about daily routines while their country sends soldiers to kill and be killed across the globe? Timely and thought-provoking, War at a Distance considers how those left on the home front register wars and wartime in their everyday lives, particularly when military conflict remains removed from immediate perception, available only through media forms. Looking back over two centuries, Mary Favret locates the origins of modern wartime in the Napoleonic era and describes how global military operations affected the British populace, as the nation's army and navy waged battles far from home for decades. She reveals that the literature and art produced in Britain during the late eighteenth and early nineteenth centuries obsessively cultivated means for feeling as much as understanding such wars, and established forms still relevant today.
eBook
Romanticism, Memory, and Mourning
Rooted in the inconceivable and unspeakable event of death, Romantic poetic forms of grief possess a self-questioning presence about their own creative processes and formal structures. These imaginative encounters of Romanticism with grief and loss, as well as Romantic speculations about posterity, Sandy suggests, are no less diversified in their use of literary forms than their elegiac tones are confined to the form of poetic elegy.
eBook
William Blake
William Blake: Modernity and Disaster explores the work of the Romantic writer, artist, and visionary William Blake as a profoundly creative response to cultural, scientific, and political revolution. In the wake of such anxieties of discovery, including the revolution in the life sciences, Blake’s imagination – often prophetic, apocalyptic, and deconstructive – offers an inside view of such tumultuous and catastrophic change.
A hybrid of text and image, Blake’s writings and illuminations offer a disturbing and productive exception to accepted aesthetic, social, and political norms. Accordingly, the essays in this volume, reflecting Blake’s unorthodox perspective, challenge past and present critical approaches in order to explore his oeuvre from multiple perspectives: literary studies, critical theory, intellectual history, science, art history, philosophy, visual culture, and psychoanalysis. Covering the full range of Blake’s output from the shorter prophecies to his final poems, the essays in William Blake: Modernity and Disaster predict the discontents of modernity by reading Blake as a prophetic figure alert to the ends of history. His legacy thus provides a lesson in thinking and living through the present in order to ask what it might mean to envision a different future, or any future at all.
eBook
Georg Trakl's Ghosts: Haunted Poems at the End of History
Georg Trakl has been described by Bernhard Böschenstein as a \"poet of post-history.\" In his rich but enigmatic poems, the perspective is imagined near the end-point of the arc of history, where the speaker observes signs of advancing natural and cultural decay. One characteristic of Irakis historical end stage is the encroachment of the supernatural sphere upon the natural, as boundaries are loosened between past and present, life and death, real and spectral. A clear development can be detected in Trakl's treatment of the supernatural theme. The earlier poems have naturalistic settings whose familiarity is progressively undermined by ghostly apparitions. In the later ones, the supernatural element becomes more pervasive, as historical and mythical relations become manifest spatially and climactic events from the speaker's life history and cultural tradition are re-enacted in abject form. This essay plots the historical and supernatural themes through Trakl's work via discussion of specific poems.
Journal Article
