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This is the first collection of essays since George Sherburn’s landmark monograph The Early Career of Alexander Pope (1934) to reconsider how the most important and influential poet of eighteenth-century Britain fashioned his early career. The volume covers Pope’s writings from across the reign of Queen Anne and just beyond. It focuses, in particular, on his interaction with the courtly culture constellated round the Queen. It examines, for instance, his representations of Queen Anne herself, his portrayals of politics and patronage under her reign, his negotiations with current literary theory, with the classical tradition, with chronologically distant yet also contemporaneous English poets, with current thought on the passions and with membership of a religious minority. In doing so, it comprehensively reconsiders anew the ways in which Pope, increasingly supportive of Anne’s rule and mindful of the Virgilian rota, sought at first to realise his authorial aspirations.

In recent years Jacobitism has become a subject of growing interest to historians amid academic controversy over various aspects of the subject. The least-known phase of Jacobitism, although in many ways the most important, is the period 1689 to 1718, when the Stuart court in exile was at Saint-Germain-en-Laye, the residence of the kings of France until Louis XIV built Versailles. This collection of essays illuminates the early development of Jacobitism, placing the movement in a coherent historical context. The volume includes an introduction by Edward Corp on the Stuart court and an essay by Eveline Cruickshanks on the importance of Jacobitism in Britain and its links with the exiled court. Other essays discuss Jacobite ideology and the Jacobite press; the internal workings and external relations of the exiled court; the abortive invasion of England in 1692; and Jacobite exiles - comparable in numbers and influence to the Hugeunots in England - in France.

At the beginning of 1778 twenty-five-year-old Fanny Burney was an unknown. By year's end, however, she had emerged as the author of Evelina, or, A Young Lady's Entrance into the World, a universally acclaimed novel which admirers ranked with the works of Fielding and Richardson. This third of twelve projected volumes of a critical edition of Burney's journals and letters covers the period from January 1778 to December 1779. It reveals Burney's striking transformation to a \"celebrity\" as she is welcomed into London's literary society, and her mixed delight and terror at this reception. As Burney becomes a regular at the Streatham Park home of Henry and Hester Thrale, she is befriended by another regular visitor, Samuel Johnson, and given the opportunity to observe and record the playful and affectionate side of Johnson's character, a side largely missed by Boswell. Burney is urged by the Streathamites to write a comedy for the London stage and responds with \"The Witlings,\" a satiric portrait of London's bluestockings. Alarmed by the prospect of disapproval from the powerful bluestocking Elizabeth Montagu, Burney's father and her friend Samuel Crisp dissuade her from releasing the piece. Her disappointment is eased by the whirling social life that she enjoys in the company of the Thrales at Streatham and at Brighton, on which she comments with characteristic perception and humour. Fanny Burney's journals and letters are an invaluable source for the social and literary history of her time, and are justly regarded as literature in their own right. All volumes in this series will be of specific interest to scholars in literary criticism, feminist studies, and music and social history.