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Mob town : a history of crime and disorder in the East End
A captivating history of a notorious neighborhood and the first book to reveal why London's East End became synonymous with lawlessness and crime Even before Jack the Ripper haunted its streets for prey, London's East End had earned a reputation for immorality, filth, and vice. John Bennett, a writer and tour guide who has walked and researched the area for more than thirty years, delves into four centuries of history to chronicle the crimes, their perpetrators, and the circumstances that made the East End an ideal breeding ground for illegal activity. In the eighteenth and nineteenth centuries, Britain's industrial boom drew thousands of workers to the area, leading to overcrowding and squalor. But crime in the area flourished long past the Victorian period. Drawing on original archival history and featuring a fascinating cast of characters including the infamous Ripper, highwayman Dick Turpin, the Kray brothers, and a host of ordinary evildoers, this gripping and deliciously unsavory volume will fascinate Londonphiles and true crime lovers alike.
Beyond the Tower
by
Marriott, John
in
East End (London, England)
,
East End (London, England) -- History
,
East End (London, England) -- Social conditions
2011
From Jewish clothing merchants to Bangladeshi curry houses, ancient docks to the 2012 Olympics, the area east of the City has always played a crucial role in London's history. The East End, as it has been known, was the home to Shakespeare's first theater and to the early stirrings of a mass labor movement; it has also traditionally been seen as a place of darkness and despair, where Jack the Ripper committed his gruesome murders, and cholera and poverty stalked the Victorian streets.
In this beautifully illustrated history of this iconic district, John Marriott draws on twenty-five years of research into the subject to present an authoritative and endlessly fascinating account. With the aid of copious maps, archive prints and photographs, and the words of East Londoners from seventeenth-century silk weavers to Cockneys during the Blitz, he explores the relationship between the East End and the rest of London, and challenges many of the myths that surround the area.
The cultural construction of London's East End : urban iconography, modernity and the spatialisation of Englishness
by
Newland, Paul
in
Cultural landscapes
,
Cultural landscapes -- England -- London
,
East End (London, England)
2008
Paul Newland's illuminating study explores the ways in which London's East End has been constituted in a wide variety of texts - films, novels, poetry, television shows, newspapers and journals. Newland argues that an idea or image of the East End, which developed during the late nineteenth century, continues to function in the twenty-first century as an imaginative space in which continuing anxieties continue to be worked through concerning material progress and modernity, rationality and irrationality, ethnicity and 'Otherness', class and its related systems of behaviour. The Cultural Construction of London's East End offers detailed examinations of the ways in which the East End has been constructed in a range of texts including BBC Television's EastEnders, Monica Ali's Brick Lane, Walter Besant's All Sorts and Conditions of Men, Thomas Burke's Limehouse Nights, Peter Ackroyd's Hawksmoor, films such as Piccadilly, Sparrows Can't Sing, The Long Good Friday, From Hell, The Elephant Man, and Spider, and in the work of Iain Sinclair.
Faded glory
From a life on the streets to the glory of the boxing ring. London's East End, 1953: Albert Kemp is a lonely widower, whose only son was killed in the war. Now he works in a pub by the railway arches. Downstairs is a traditional bar, upstairs is a famous boxing gym. It is here that Albert brings Danny, a fatherless boy who he rescues from gang life on the streets. But as Danny begins to grow into a champion, the predators start to circle, luring him with glittering promises back into a life of crime. Will Danny listen to his wise old mentor? Or will the prospect of fame and money be too tempting?
Family and Kinship in East London
by
Willmott, Peter
,
Young, Michael
in
Anthropology
,
East End (London, England)
,
East End (London, England) -- Social life and customs
1957,2013,2011
First published in 1957, and reprinted with a new introduction in 1986, Michael Young and Peter Willmott's book on family and kinship in Bethnal Green in the 1950s is a classic in urban studies.
A standard text in planning, housing, family studies and sociology, it predicted the failure in social terms of the great rehousing campaign which was getting under way in the 1950s. The tall flats built to replace the old 'slum' houses were unpopular. Social networks were broken up. The book had an immediate impact when it appeared - extracts were published in the newspapers, the sales were a record for a report of a sociological study, Government ministers quoted it. But the approach it advocated was not accepted until the late 1960s, and by then it was too late.
This Routledge Revivals reissue includes the authors' introduction from the 1986 reissue, reviewing the impact of the book and its ideas thirty years on. They argue that if the lessons implicit in the book had been learned in the 1950s, London and other British cities might not have suffered the 'anomie' and violence manifested in the urban riots of the 1980s.
The corners
These hyperreal photographs of East London street corners are a unique documentation of an ever-changing landscape. Using multiple exposures, Chris Dorley-Brown plays out different narratives simultaneously, creating dream-like scenes that lie somewhere between fiction and reality.
A Good Death
1996,2005
A Good Death is based on a survey in East London and provides a wide range of fascinating and helpful insights into all aspects of experiencing death and surviving grief. The voices in the book are those of people who have managed to cope despite being under the shadow of impending death. Their experience could be a comfort to anybody in a similar situation. A Good Death is intended for people who are dying, for their lay and professional carers and for student doctors, nurses and social workers.