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"English drama Irish authors History and criticism."
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Performing character in modern Irish drama : between art and society
\"This book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists ...it tracks the development of aesthetic and literary styles from modernism to more recent phenomena ... In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation\"--Page 4 of cover.
Masterpieces of modern British and Irish drama
by
Sternlicht, Sanford V.
in
20th century
,
English drama
,
English drama -- 20th century -- History and criticism
2005
Modern British and Irish dramatic works are among the plays most widely read by students.This volume conveniently introduces 10 major plays by British and Irish dramatists.Each chapter is devoted to a particular play and includes a brief biography, a plot synopsis, a discussion of major themes and characters, an overview of the play's historical.
The Cambridge Companion to Twentieth-Century Irish Drama
by
Richards, Shaun
in
English drama
,
English drama -- 20th century -- History and criticism
,
English drama -- Irish authors -- History and criticism
2004,2006
The essays in this collection cover the whole range of Irish drama from the late nineteenth-century melodramas which anticipated the rise of the Abbey Theatre to the contemporary Dublin of theatre festivals. A team of international experts from Ireland, the UK, the USA and Europe provide individual studies of internationally known playwrights of the period of the Literary Revival - Yeats, Synge, Lady Gregory, Shaw, Wilde, O'Casey - and contemporary playwrights Brian Friel, Tom Murphy, Frank McGuiness and Sebastian Barry, in addition to emerging playwrights such as Martin McDonagh and Marina Carr. Further to studies of individual playwrights the collection also includes examination of the relationship between the theatre and its political context as this is inflected through its ideology, staging and programming. With a full chronology and bibliography, this collection is an indispensable introduction to one of the world's most vibrant theatre cultures.
Oscar Wilde and contemporary Irish drama : learning to be Oscar's contemporary
by
Price, Graham, author
in
Wilde, Oscar, 1854-1900 Influence.
,
English drama Irish authors History and criticism.
2018
This book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wilde's importance to Ireland's theatrical canon is equal to that of W. B. Yeats, J. M. Synge and Samuel Beckett. The study examines key areas of the Wildean aesthetic: his aestheticizing of experience via language and self-conscious performance; the notion of the dandy in Wildean texts and how such a figure is engaged with in today's dramas; and how his contribution to the concept of a ?verbal theatre? has influenced his dramatic successors. It is of particular pertinence to academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness.
A Companion to Modern British and Irish Drama, 1880 - 2005
2006,2008
This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts.It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity.
Beltaine
1970,2012
First published in 1970, this book is a faithful representation of the original edition of Beltaine, a literary magazine edited by W. B. Yeats from May 1899 to April 1900. Beltaine was the first of several magazines of the Irish Literary Theatre (later to become The Abbey Theatre) in which Yeats's editorial role was of utmost importance. It was an occasional publication and focused on promoting current works of Irish playwrights whilst challenging those of their English opponents.
The magazine mainly consists of a series of essays on the theatre in Dublin, and supplementing these are explanations and discussions of new plays, excerpts from which are often included. This book will be of interest to those with an interest in Yeats, early nineteenth-century literature, and Irish theatre.
Stage Migrants
by
Salis, Loredana
in
21st century
,
Emigration and immigration
,
Emigration and immigration in literature
2010
Ireland, north and south of the border, has witnessed volatile patterns of immigration in the past decade, and stage representations of these fluctuations have begun to emerge. In the Republic, immigration has coincided with, and it has been encouraged by the economic boom known as Celtic Tiger. In the North, the peace process and the easing off of the political tension has contributed to making the region more appealing and hospitable for newcomers. The media have played a significant role i.