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"Environmental protection in literature."
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Ecocriticism on the edge : the anthropocene as a threshold concept
The twenty-first century has seen an increased awareness of the forms of environmental destruction that cannot immediately be seen, localised or, by some, even acknowledged. Ecocriticism on the Edge explores the possibility of a new mode of critical practice, one fully engaged with the destructive force of the planetary environmental crisis. Timothy Clark argues that, in literary and cultural criticism, the \"Anthropocene\", which names the epoch in which human impacts on the planet's ecological systems reach a dangerous limit, also represents a threshold at which modes of interpretation that once seemed sufficient or progressive become, in this new counterintuitive context, inadequate or even latently destructive. The book includes analyses of literary works, including texts by Paule Marshall, Gary Snyder, Ben Okri, Henry Lawson, Lorrie Moore and Raymond Carver.
eBook
Can poetry save the Earth? : a field guide to nature poems
In this thought-provoking book, John Felstiner explores the rich legacy of poems that take nature as their subject, and he demonstrates their force and beauty.
Book
Ecological crisis and cultural representation in Latin America
Worldwide environmental crisis has become increasingly visible over the last few decades as the full scope of anthropogenic climate change manifests itself and large-scale natural resource extraction has expanded into formerly remote areas that seemed beyond the reach of industrialization.
eBook
Unsustainable oil : facts, counterfacts and fictions
\"Bitumen extraction is the lifeblood of Alberta, and there are many stories about the boom-and-bust economy. But what does literature have to say about the \"progress\" of petroculture? Jon Gordon maps out a new field of study by examining the relationship between culture and energy extraction, moving towards nuance and away from the entrenched rhetorical positions that currently dominate discussion. His examination of theoretical, political, and environmental issues in this groundbreaking book contribute to our understanding of the culture and the ethics of energy production within the Canadian context. Unsustainable Oil offers readers a chance to consider literature's potential in confronting the hegemony of the oil and gas industry, and will be particularly well-received by scholars and students of Cultural Studies, Literature, Ecocriticism, Energy Humanities, and Indigenous Studies.\"-- Provided by publisher.
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The truth of ecology : nature, culture, and literature in America
This book surveys trends in environmental thought in the US from the mid-19th century to the present day. Its author's chief interest is in ecocriticism — a new field of inquiry that focuses on environmental literature — and some key premises of which he calls into question. His perspective is, however, interdisciplinary: he considers literary alongside popular, philosophical, sociological, political, and scientific approaches to understanding the natural world, and attempts to weigh the relative strengths and weakness, and identify the biases of each approach. He also addresses a variety of more specific topics, including the shortcomings of arguments for the social construction of nature, the difference between literary and scientific realism, the supposed conflict between nature and culture, the American preoccupation with individual experience as reflected in the nature writing tradition, the difficulty of resolving ecological crises in light of the great complexity of nature, and the challenge of understanding all these issues from an interdisciplinary viewpoint that draws inspiration from both the arts and the sciences.
eBook
Fallen forests : emotion, embodiment, and ethics in American women's environmental writing, 1781-1924
\"In 1844, Lydia Sigourney asserted, \"Man's warfare on the trees is terrible.\" Like Sigourney many American women of her day engaged with such issues as sustainability, resource wars, globalization, voluntary simplicity, Christian ecology, and environmental justice. Illuminating the foundations for contemporary women's environmental writing, Fallen Forests shows how their nineteenth-century predecessors marshaled powerful affective, ethical, and spiritual resources to chastise, educate, and motivate readers to engage in positive social change. Fallen Forests contributes to scholarship in American women's writing, ecofeminism, ecocriticism, and feminist rhetoric, expanding the literary, historical, and theoretical grounds for some of today's most pressing environmental debates. Karen L. Kilcup rejects prior critical emphases on sentimentalism to show how women writers have drawn on their literary emotional intelligence to raise readers' consciousness about social and environmental issues. She also critiques ecocriticism's idealizing tendency, which has elided women's complicity in agendas that depart from today's environmental orthodoxies. Unlike previous ecocritical works, Fallen Forests includes marginalized texts by African American, Native American, Mexican American, working-class, and non-Protestant women. Kilcup also enlarges ecocriticism's genre foundations, showing how Cherokee oratory, travel writing, slave narrative, diary, polemic, sketches, novels, poetry, and expose intervene in important environmental debates\"-- Provided by publisher.
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Narratives of Environmental Challenges in Brazil and India
Narratives of Environmental Challenges in Brazil and India: Losing Nature, edited by Zelia Bora and Murali Sivaramakrishnan, contextualizes the two subcontinents of India and Brazil and closely examines environmental issues from within and without.
eBook
Ted Hughes : environmentalist and ecopoet
This work is devoted entirely to Ted Hughes as an environmental activist and writer. Drawing on the rapidly-growing interest in poetry and the environment, the book deploys insights from ecopoetics, ecocriticism and Anthropocene studies to analyse how Hughes's poetry reflects his environmental awareness.
BOOK
Ecology and the Literature of the British Left
Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside.
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