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7,472 result(s) for "Epic poetry"
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Early Greek epic fragments
This is the first full-scale commentary on the extant fragments of genealogical and antiquarian epic of the archaic period since G. Marckscheffel?s Latin commentary in 1840. It includes introduction to the relevant authors and poems, Greek text, translation, detailed commentary, index of the sources transmitting these texts, and a 'comparatio numerorum' with all the previous major editions.
The War Trumpet
The epic poems written during the rise of Portugal and Spain on the global stage often dealt with topics quite unimaginable to the likes of Virgil or Homer. These poems reveal the astounding opportunities for upward social mobility and self-promotion afforded by broader access to print and the vast amount of knowledge and material wealth accrued through maritime exploration. Iberian poets of the period were quite cognizant of their ventures into uncharted territory, and that awareness informed their literary journeys. The War Trumpet features nine substantial essays that expand our understanding of Iberian Renaissance epic poetry by posing questions seldom raised in relation to poems such as La Araucana , Os Lusíadas , Carlo famoso , El Bernardo , Arauco Domado, Espejo de paciencia , and Felicissima Victoria , among others. Particularly compelling are questions concerned with early modern understandings of the natural world, the practice of poetic imitation, the discipline of cartography, or the reception of Petrarchism in the newly established viceroyalties of the New World. Fostering a greater appreciation of the intersection between poetry, war, and exploration, The War Trumpet sheds light on the transformative changes that took place during the period of Iberian expansion.
Male and female in the epic of Gilgamesh : encounters, literary history, and interpretation
The deeds and struggles of Gilgamesh, legendary king of the city-state Uruk in the land of Sumer, have fascinated readers for millennia. They are preserved primarily in the Epic of Gilgamesh, one of the most well-known pieces of Mesopotamian literature. Studying the text draws us into an orbit that is engaging and thrilling, for it is a work of fantasy and legend that addresses some of the very existential issues with which contemporary readers still grapple. We experience the excitement of trying to penetrate the mind-set of another civilization, an ancient one—in this instance, a civilization that ultimately gave rise to our own. The studies gathered here all demonstrate Tzvi Abusch's approach to ancient literature: to make use of the tools of literary, structural, and critical analysis in service of exploring the personal and psychological dimensions of the narration. The author focuses especially on the encounters between males and females in the story. The essays are not only instructive for understanding the Epic of Gilgamesh, they also serve as exemplary studies of ancient literature with a view to investigating streams of commonality between ancient times and ours
Heroic Awe
During the Renaissance, the most renowned model of epic poetry was Virgil's Aeneid, a poem promoting an influential concept of heroism based on the commitment to one's nation and gods. However, Longinus' theory of the sublime - newly recovered during the Renaissance - contradicted this absolute devotion to nation as a marker of religious piety. Heroic Awe explores how Renaissance epic poetry used the sublime to challenge the assumption that epic heroism was primarily about civic duty and glorification of state.The book demonstrates how the significant investment of Renaissance epic poetry in Longinus' theory of the sublime reshaped the genre of epic. To do so, Kelly Lehtonen examines the intersection between the Longinian sublime and early modern Protestant and Catholic discourses in Renaissance poems such as the Gerusalemme Liberata, Les Semaines, The Faerie Queene, and Paradise Lost. In illuminating the role of Longinus along with that of religious discourses, Heroic Awe offers a new perspective on epic heroism in Renaissance epic poetry, redefining heroism as the capacity to be overwhelmed emotionally, psychologically, and spiritually by encounters with divine glory. In considering the links between religion, the sublime, and epic, the book aims to shed new light on several core topics in early modern studies, including epic heroism, Renaissance philosophy, theories of emotion, and the psychology of religion.
Gilgamesh
A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace Gilgamesh is a Babylonian epic from three thousand years ago, which tells of King Gilgamesh's deep love for the wild man Enkidu and his pursuit of immortality when Enkidu dies. It is a story about love between men, loss and grief, the confrontation with death, the destruction of nature, insomnia and restlessness, finding peace in one's community, the voice of women, the folly of gods, heroes, and monsters-and more. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic's poetic effects, including its succinct clarity and enchanting cadence. An introduction and five accompanying essays unpack the history and main themes of the epic, guiding readers to a deeper appreciation of this ancient masterpiece.
The Transmission of \Beowulf\
The Transmission of \"Beowulf\" like The Iliad and The Odyssey , is a foundational work of Western literature that originated in mysterious circumstances. In The Transmission of Beowulf , Leonard Neidorf addresses philological questions that are fundamental to the study of the poem. Is Beowulf the product of unitary or composite authorship? How substantially did scribes alter the text during its transmission, and how much time elapsed between composition and preservation? Neidorf answers these questions by distinguishing linguistic and metrical regularities, which originate with the Beowulf poet, from patterns of textual corruption, which descend from copyists involved in the poem's transmission. He argues, on the basis of archaic features that pervade Beowulf and set it apart from other Old English poems, that the text preserved in the sole extant manuscript (ca. 1000) is essentially the work of one poet who composed it circa 700. Of course, during the poem's written transmission, several hundred scribal errors crept into its text. These errors are interpreted in the central chapters of the book as valuable evidence for language history, cultural change, and scribal practice. Neidorf's analysis reveals that the scribes earnestly attempted to standardize and modernize the text's orthography, but their unfamiliarity with obsolete words and ancient heroes resulted in frequent errors. The Beowulf manuscript thus emerges from his study as an indispensible witness to processes of linguistic and cultural change that took place in England between the eighth and eleventh centuries. An appendix addresses J. R. R. Tolkien's Beowulf: A Translation and Commentary , which was published in 2014. Neidorf assesses Tolkien's general views on the transmission of Beowulf and evaluates his position on various textual issues.