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Tras comentar brevemente la doble relación entre matemática y estética, se describen los resultados de un estudio sobre la percepción estética de expresiones aritméticas realizado con alumnos universitarios no expertos en matemáticas. Se analiza especialmente la influencia de factores como orden\" y complejidad\" en las preferencias de los alumnos, así como el papel distorsionador ejercido por la afectividad. Descriptores: Matemática, Estética, Educación matemática. Descriptores: • Estética

The present paper discusses the phenomenon of disappearance drawing a parallelism with the suspension of judgment (epoché) as a Skeptical tool. Specifically, the paper addresses disappearance as a performative art (tekné) which establishes striking similarities with ataraxia’s undecidability. The paper takes as a starting point the investigation undertaken by Giorgio Agamben concerning the disappearance of the quantum physicist Ettore Majorana, and explores the consequences by means of picnolepsia, as conceived by Paul Virilio, and catatonia. The paper analyzes a selected variety of aesthetic examples that excavate skeptical strategies within disappearance, this understood as a poietic form of philosophical research, and is situated in the cross-disciplinary field of comparative aesthetics and visual studies.

The present paper discusses the phenomenon of disappearance drawing a parallelism with the suspension of judgment (epoché) as a Skeptical tool. Specifically, the paper addresses disappearance as a performative art (tekné) which establishes striking similarities with ataraxia’s undecidability. The paper takes as a starting point the investigation undertaken by Giorgio Agamben concerning the disappearance of the quantum physicist Ettore Majorana, and explores the consequences by means of picnolepsia, as conceived by Paul Virilio, and catatonia. The paper analyzes a selected variety of aesthetic examples that excavate skeptical strategies within disappearance, this understood as a poietic form of philosophical research, and is situated in the cross-disciplinary field of comparative aesthetics and visual studies.

The present paper discusses the phenomenon of disappearance drawing a parallelism with the suspension of judgment (epoché) as a Skeptical tool. Specifically, the paper addresses disappearance as a performative art (tekné) which establishes striking similarities with ataraxia’s undecidability. The paper takes as a starting point the investigation undertaken by Giorgio Agamben concerning the disappearance of the quantum physicist Ettore Majorana, and explores the consequences by means of picnolepsia, as conceived by Paul Virilio, and catatonia. The paper analyzes a selected variety of aesthetic examples that excavate skeptical strategies within disappearance, this understood as a poietic form of philosophical research, and is situated in the cross-disciplinary field of comparative aesthetics and visual studies.

Este artículo propone una serie de aportaciones encaminadas a mostrar la forma en la que la experiencia musical puede favorecer el desarrollo personal, más allá del placer inmediato que suscita. La inmersión en las profundidades de la creación musical ofrece la posibilidad de acercarse a la complejidad implícita en la configuración de la belleza, ensanchar el sentido genuino de la existencia humana mediante el fomento de la creatividad, conectar con la penetrante genialidad de quienes lograron avanzar de la mano de la originalidad más significativa, e incrementar la energía espiritual precisa para sentirse vinculados con la estructura dinámica del universo. Todos éstos son componentes esenciales del poder formativo de la música, no únicamente alcanzables desde el lado de la creación, sino también desde el interpretativo, pues toda interpretación auténtica supone un nuevo alumbramiento de la obra. De ahí la necesidad de fortalecer el papel y la presencia del aprendizaje musical. Descriptores: • creatividad • Estética • formación • interpretación

Reseña de CARRASCO-CONDE, A.; GARRIDO MIÑAMBRES, G.; SÁNCHEZ MADRID, N. (eds.). (2022). La ironía romántica. Un motor estético de emancipación social. Madrid: Siglo XXI.

This article examines how L’Appareil-photo by Jean-Philippe Toussaint transposes the photographic aesthetic into literary narration. We analyze how fragmentation, instantaneity, and non-writing structure the narrative by favoring contemplation over action. Through image-scenes, the author freezes ephemeral moments and invites a perception of suspended time. This photographic aesthetic, based on minimalism and discontinuity, aligns with the legacy of postmodernism and the Nouveau Roman, deconstructing traditional narrative con-ventions. The text thus becomes a space where the image takes precedence over the plot, rede-fining the poetics of the contemporary novel.

Reseña de : PUELLES ROMERO, L. (2022). Más que formas. Confluencias del arte y la vida. Madrid: Abada Editores

Reseña de: SALVADOR GONZÁLEZ, José María (2022). La estética de san Buenaventura y su influencia en la iconografía de los siglos XIV-XV. Madrid: Sindéresis, 262 pp.