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result(s) for
"Europe, Eastern Social life and customs."
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Memory and Change in Europe
by
Pakier, Małgorzata
,
Wawrzyniak, Joanna
in
Collective memory
,
Collective memory-Europe, Eastern-History
,
Eastern
2015,2022
In studies of a common European past, there is a significant lack of scholarship on the former Eastern Bloc countries. While understanding the importance of shifting the focus of European memory eastward, contributors to this volume avoid the trap of Eastern European exceptionalism, an assumption that this region's experiences are too unique to render them comparable to the rest of Europe. They offer a reflection on memory from an Eastern European historical perspective, one that can be measured against, or applied to, historical experience in other parts of Europe. In this way, the authors situate studies on memory in Eastern Europe within the broader debate on European memory.
Socialist Escapes
by
Plum, Catherine J
,
Giustino, Cathleen M
,
Vari, Alexander
in
1945-1989
,
20th Century
,
Amusements
2013,2022,2012
During much of the Cold War, physical escape from countries in the East Bloc was a near impossible act. There remained, however, possibilities for other socialist escapes, particularly time away from party ideology and the mundane routines of everyday life. The essays in this volume examine sites of socialist escapes, such as beaches, camp sites, nightclubs, concerts, castles, cars, and soccer matches. The chapters explore the effectiveness of state efforts to engineer society through leisure, entertainment, and related forms of cultural programming and consumption, as it was in leisure and tourism that the party's intentions encountered Eigen-Sinn, the pursuit of individual interests. This volume leads to a deeper understanding of state- society relations in the East Bloc, where the state did not simply \"dictate from above\" and inhabitants had some opportunities to shape solidarities, identities, and meaning.
Quest for a Suitable Past
by
Dobre, Claudia-Florentina
,
Ghita, Cristian Emilian
in
Active
,
Central and Eastern Europe
,
CEU Press
2017
The past may be approached from a variety of directions. A myth provides a sense of direction: it reunites people around certain values and projects and pushes them in one direction or another. The present volume brings together a range of case studies of myth making and myth breaking in east Europe from the nineteenth century to the present day. In particular, it focuses on the complex process through which memories are transformed into myths. This problematic interplay between memory and myth-making is analyzed in conjunction with the role of myths in the political and social life of the region. The essays include cases of forging myths about national pre-history, about the endorsement of nation building by means of historiography, and above all, about communist and post-communist mythologies. The studies shed new light on the creation of local and national identities, as well as the legitimization of ideologies through myth-making. Together, the individual contributions show that myths were often instrumental in the vast projects of social and political mobilization during a period which has witnessed, among others, two world wars and the harsh oppression of the communist regimes.
Economy and Ritual
by
Hann, Chris
,
Gudeman, Stephen
in
Anthropology
,
Anthropology (General)
,
BUSINESS & ECONOMICS / Economics / Theory
2015,2022
According to accepted wisdom, rational practices and ritual action are opposed. Rituals drain wealth from capital investment and draw on a mode of thought different from practical ideas. The studies in this volume contest this view. Comparative, historical, and contemporary, the six ethnographies extend from Macedonia to Kyrgyzstan. Each one illuminates the economic and ritual changes in an area as it emerged from socialism and (re-)entered market society. Cutting against the idea that economy only means markets and that market action exhausts the meaning of economy, the studies show that much of what is critical for a people’s economic life takes place outside markets and hinges on ritual, understood as the negation of the everyday world of economising.
Berlin calling : a story of anarchy, music, the Wall, and the birth of the new Berlin
An \"account of the 1989 'peaceful revolution' in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theater were the order of the day. In a story stocked with ... characters from Berlin's highly politicized undergrounds--including playwright Heiner Muller, cult figure Blixa Bargeld, ... the ... French Wall artist Thierry Noir, the American multimedia artist Danielle de Picciotto, ... and David Bowie during his Ziggy Stardust incarnation--Hockenos argues that the DIY energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today\"--Provided by publisher.
FashionEast
2010,2014
The idea of fashion under socialism conjures up images of babushka headscarves and black market blue jeans. And yet, as Djurdja Bartlett shows in this groundbreaking book, the socialist East had an intimate relationship with fashion. Official antagonism--which cast fashion as frivolous and anti-revolutionary--eventually gave way to grudging acceptance and creeping consumerism. Bartlett outlines three phases in socialist fashion, and illustrates them with abundant images from magazines of the period: postrevolutionary utopian dress, official state-sanctioned socialist fashion, and samizdat-style everyday fashion. Utopian dress, ranging from the geometric abstraction of the constructivists under Bolshevism in the Soviet Union to the no-frills desexualized uniform of a factory worker in Czechoslovakia, reflected the revolutionary urge for a clean break with the past. The highly centralized socialist fashion system, part of Stalinist industrialization, offered official prototypes of high fashion that were never available in stores--mythical images of smart and luxurious dresses that symbolized the economic progress that socialist regimes dreamed of. Everyday fashion, starting in the 1950s, was an unofficial, do-it-yourself enterprise: Western fashions obtained through semiclandestine channels or sewn at home. The state tolerated the demand for Western fashion, promising the burgeoning middle class consumer goods in exchange for political loyalty. Bartlett traces the progress of socialist fashion in the Soviet Union, Czechoslovakia, Hungary, East Germany, Poland, and Yugoslavia, drawing on state-sponsored socialist women's magazines, etiquette books, socialist manuals on dress, private archives, and her own interviews with designers, fashion editors, and other key figures. Fashion, she suggests, with all its ephemerality and dynamism, was in perpetual conflict with the socialist regimes' fear of change and need for control. It was, to echo the famous first sentence from the Communist Manifesto, the spectre that haunted socialism until the end.