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Art for a New Understanding
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art opening this October, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts.This accompanying book documents and expands on the histories and themes of this exciting exhibition.This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings-from the 1950s onward-by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more.As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly,Art for a New Understandingexpands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
eBook
Fashion Curating
As the practice of fashion curation extends into commercial galleries, public and retail spaces, and even to the individual self, professional concepts of “curating” are undergoing rapid change. Today, everyone is seemingly able to “curate”, but where does this leave the traditional understanding of curation as clothing collected and displayed in a museum? This thought-provoking volume explores the practice of fashion curating in the 21st century, bridging the gap between methods of display and notions of “the curatorial” in fashion exhibitions, commercial settings, and the virtual world. From fashion’s earliest forays into the museum to creative collaborations between luxury fashion brands and artists, this book challenges understandings of fashion curation by drawing on the palpably new spaces, places, and actors in today’s curating scene. Exploring poetic and performative museum displays in venues such as the V&A, Somerset House, MoMu, and the Royal Ontario Museum, alongside the ways that brands such as Dior, Chanel, and Louis Vuitton have made use of “the curatorial” in their own commercial strategies, Fashion Curating asks pressing questions about controversial funding and collaboration from the commercial fashion sector, and the limitations of producing exhibitions that are at the same time critical and popular. Bringing together approaches from fashion curators, designers, and world-renowned academics, curation is positioned as a critical practice that opens up new ways of conceptualizing and theorizing fashion, challenging how we think and what we already know.
eBook
Crystals in Art
Based on an exhibition organized by Joachim Pissarro and curator of contemporary art at Crystal Bridges Museum of American Art, Lauren Haynes,Crystals in Art: Ancient to Today explores the complex and varied connections between crystal and art throughout the world. Included are both ancient artifacts-such as engraved gems, figurines, and vases-and works from contemporary artists around the world that explore the power of crystal in art by drawing on its form, properties, and mysterious qualities. Featuring more than sixty-five works from ancient Egypt and Greece, through to Rome, China, India, Japan, the Middle East, the Americas, and beyond, this book invites readers to discover how the power of crystal transcends the boundaries of time and space. Taken together, all of these objects illustrate how crystal has bridged the gap between things we can see and things we can't: science and art, fact and faith, medicine and magic-the visible and the invisible. Published in collaboration with Crystal Bridges Museum of American Art and University of Arkansas School of Art.
eBook
Windows on Worlds
Indiana University Bloomington houses exceptional materials from nearly every continent. Windows on Worlds: International Collections at Indiana University takes readers on a visual journey through IU's collections like never before. Ranging in works as diverse as painting, sculpture, costume, rare manuscripts, musical instruments, and much more-the museums, institutes, collections, and other holdings on IU's flagship campus provide unique engagement opportunities for students, researchers, and members of the public. Windows on Worlds showcases the unique and unexpected items from collections across the Bloomington campus, such as the Boulle clock in the Federal Room of the Indiana Memorial Union; the Burmese headdresses in the Mathers Museum of World Culture (now the IU Museum of Archaeology and Anthropology); the fish-shaped coffin in the Sidney and Lois Eskenazi Museum of Art; the rare manuscripts and puzzles of the world-famous Lilly Library; and, finally, new additions on campus like the IU Metz Carillon. Brimming with beautiful photographs, this book offers readers insight into an extraordinary number of cultures and societies through IU's collections.
eBook
Picturing Dogs, Seeing Ourselves
Dogs are as ubiquitous in American culture as white picket fences and apple pie, embracing all the meanings of wholesome domestic life—family, fidelity, comfort, protection, nurturance, and love—as well as symbolizing some of the less palatable connotations of home and family, including domination, subservience, and violence. In Picturing Dogs, Seeing Ourselves, Ann-Janine Morey presents a collection of antique photographs of dogs and their owners in order to investigate the meanings associated with the canine body. Included are reproductions of 115 postcards, cabinet cards, and cartes de visite that feature dogs in family and childhood snapshots, images of hunting, posed studio portraits, and many other settings between 1860 and 1950. These photographs offer poignant testimony to the American romance with dogs and show how the dog has become part of cultural expressions of race, class, and gender.
Animal studies scholars have long argued that our representation of animals in print and in the visual arts has a profound connection to our lived cultural identity. Other books have documented the depiction of dogs in art and photography, but few have reached beyond the subject's obvious appeal. Picturing Dogs, Seeing Ourselves draws on animal, visual, and literary studies to present an original and richly contextualized visual history of the relationship between Americans and their dogs. Though the personal stories behind these everyday photographs may be lost to us, their cultural significance is not.
eBook