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"Exhibitions Southern States History 19th century."
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Central to their lives : Southern women artists in the Johnson Collection
\"In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted\"-- Provided by publisher.
Book
Race and the Atlanta Cotton States Exposition of 1895
The Cotton States Exposition of 1895 was a world's fair in Atlanta held to stimulate foreign and domestic trade for a region in an economic depression. Theda Perdue uses the exposition to examine the competing agendas of white supremacist organizers and the peoples of color who participated.
White organizers had to demonstrate that the South had solved its race problem in order to attract business and capital. As a result, the exposition became a venue for a performance of race that formalized the segregation of African Americans, the banishment of Native Americans, and the incorporation of other people of color into the region's racial hierarchy.
White supremacy may have been the organizing principle, but exposition organizers gave unprecedented voice to minorities. African Americans used the Negro Building to display their accomplishments, to feature prominent black intellectuals, and to assemble congresses of professionals, tradesmen, and religious bodies. American Indians became more than sideshow attractions when newspapers published accounts of the difficulties they faced. And performers of ethnographic villages on the midway pursued various agendas, including subverting Chinese exclusion and protesting violations of contracts. Close examination reveals that the Cotton States Exposition was as much about challenges to white supremacy as about its triumph.
eBook
A dream of the future : race, empire, and modernity at the Atlanta and Nashville world's fairs
\"'A Dream of the Future: Race, Empire, and Modernity at the Atlanta and Nashville World's Fairs' examines how southerners at the end of the nineteenth century worked through the major questions facing a nation undergoing profound change. In an age of empire and industry, southerners grappled with what it meant to be modern. At the 1895 Cotton States and International Exposition held in Atlanta and the 1897 Tennessee Centennial Exposition held in Nashville, they attempted to understand how their region could be industrial and imperial on its own terms. On a local, national, and global stage, African Americans, New South boosters, New Women, and Civil War veterans presented their dreams of the future. They aimed to prove to the world how rapidly the South had embraced and built, in the words of Henry Grady in 1890, 'from pitiful resources a great and expanding empire.' The Atlanta and Nashville world's fairs were spaces in which southerners presented themselves as modern and imperial citizens ready to spread the South's culture and racial politics across the globe. This work connects the South to a global conversation in the late nineteenth century over how to include peoples deemed fit for labor but unfit for citizenship\"-- Provided by publisher.
Book
Southern Ladies and Suffragists
Women from all over the country came to New Orleans in 1884 for the Woman's Department of the Cotton Centennial Exposition, that portion of the World's Fair exhibition devoted to the celebration of women's affairs and industry. Their conversations and interactions played out as a drama of personalities and sectionalism at a transitional moment in the history of the nation. These women planted seeds at the Exposition that would have otherwise taken decades to drift southward.
This book chronicles the successes and setbacks of a lively cast of postbellum women in the first Woman's Department at a world's fair in the Deep South. From a wide range of primary documents, Miki Pfeffer recreates the sounds and sights of 1884 New Orleans after Civil War and Reconstruction. She focuses on how difficult unity was to achieve, even when diverse women professed a common goal. Such celebrities as Julia Ward Howe and Susan B. Anthony brought national debates on women's issues to the South for the first time, and journalists and ordinary women reacted. At the World's Industrial and Cotton Centennial Exposition, the Woman's Department became a petri dish where cultures clashed but where women from across the country exchanged views on propriety, jobs, education, and suffrage. Pfeffer memorializes women's exhibits of handwork, literary and scientific endeavors, inventions, and professions, but she proposes that the real impact of the six-month long event was a shift in women's self-conceptions of their public and political lives. For those New Orleans ladies who were ready to seize the opportunity of this uncommon forum, the Woman's Department offered a future that they had barely imagined.
eBook