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How international expositions, through their exhibits and infrastructures, attempted to increase public awareness of advances in health and medicine.

In this incisive examination of lead poisoning during the past half century, Gerald Markowitz and David Rosner focus on one of the most contentious and bitter battles in the history of public health. Lead Wars details how the nature of the epidemic has changed and highlights the dilemmas public health agencies face today in terms of prevention strategies and chronic illness linked to low levels of toxic exposure. The authors use the opinion by Maryland's Court of Appeals—which considered whether researchers at Johns Hopkins University's prestigious Kennedy Krieger Institute (KKI) engaged in unethical research on 108 African-American children—as a springboard to ask fundamental questions about the practice and future of public health. Lead Wars chronicles the obstacles faced by public health workers in the conservative, pro-business, anti-regulatory climate that took off in the Reagan years and that stymied efforts to eliminate lead from the environments and the bodies of American children.

\"An examination of thirty-eight prints by American artists from the first half of the twentieth century\"--Provided by publisher.

From the early 1980s, the U.S. environmental breast cancer movement has championed the goal of eradicating the disease by emphasizing the importance of reducing-even eliminating exposure to chemicals and toxins.From Pink to Greenchronicles the movement's disease prevention philosophy from the beginning.Challenging the broader cultural milieu of pink ribbon symbolism and breast cancer \"awareness\" campaigns, this movement has grown from a handful of community-based organizations into a national entity, shaping the cultural, political, and public health landscape. Much of the activists' everyday work revolves around describing how the so called \"cancer industry\" downplays possible environmental links to protect their political and economic interests and they demand that the public play a role in scientific, policy, and public health decision-making to build a new framework of breast cancer prevention. From Pink to Greensuccessfully explores the intersection between breast cancer activism and the environmental health sciences, incorporating public and scientific debates as well as policy implications to public health and environmental agendas.

Beauford Delaney and James Baldwin: Through the Unusual Door examines the thirty-eight-year relationship between painter Beauford Delaney (born in Knoxville, 1901; died in Paris, 1979) and writer James Baldwin (born in New York, 1924; died in Saint-Paul-de-Vence, France, 1987) and the ways their ongoing intellectual exchange shaped each other’s creative output and worldview. This full-color publication documents the groundbreaking exhibition organized by the Knoxville Museum of Art (KMA) and is drawn from the KMA’s extensive Delaney holdings, from public and private collections around the country, and from unpublished photographs and papers held by the Knoxville-based estate of Beauford Delaney. This book seeks to identify and disentangle the skein of influences that grew over and around a complex, lifelong relationship with a selection of Delaney’s works that reflects the powerful presence of Baldwin in Delaney’s life. While no other figure in Beauford Delaney’s extensive social orbit approaches James Baldwin in the extent and duration of influence, none of the major exhibitions of Delaney’s work has explored in any depth the creative exchange between the two. The volume also includes essays by Mary Campbell, whose research currently focuses on James Baldwin and Beauford Delaney within the context of the civil rights movement; Glenn Ligon, an internationally acclaimed New York-based artist with intimate knowledge of Baldwin’s writings, Delaney’s art, and American history and society; Levi Prombaum, a curatorial assistant at the Solomon R. Guggenheim Museum who did his doctoral research at University College London on Delaney’s portraits of James Baldwin; and Stephen Wicks, the Knoxville Museum of Art’s Barbara W. and Bernard E. Bernstein Curator, who has guided the KMA’s curatorial department for over 25 years and was instrumental in building the world’s largest and most comprehensive public collection of Beauford Delaney’s art at the KMA. Beauford Delaney and James Baldwin: Through the Unusual Door examines the thirty-eight-year relationship between painter Beauford Delaney (born in Knoxville, 1901; died in Paris, 1979) and writer James Baldwin (born in New York, 1924; died in Saint-Paul-de-Vence, France, 1987) and the ways their ongoing intellectual exchange shaped each other’s creative output and worldview. This full-color publication documents the groundbreaking exhibition organized by the Knoxville Museum of Art (KMA) and is drawn from the KMA’s extensive Delaney holdings, from public and private collections around the country, and from unpublished photographs and papers held by the Knoxville-based estate of Beauford Delaney. This book seeks to identify and disentangle the skein of influences that grew over and around a complex, lifelong relationship with a selection of Delaney’s works that reflects the powerful presence of Baldwin in Delaney’s life. While no other figure in Beauford Delaney’s extensive social orbit approaches James Baldwin in the extent and duration of influence, none of the major exhibitions of Delaney’s work has explored in any depth the creative exchange between the two. The volume also includes essays by Mary Campbell, whose research currently focuses on James Baldwin and Beauford Delaney within the context of the civil rights movement; Glenn Ligon, an internationally acclaimed New York-based artist with intimate knowledge of Baldwin’s writings, Delaney’s art, and American history and society; Levi Prombaum, a curatorial assistant at the Solomon R. Guggenheim Museum who did his doctoral research at University College London on Delaney’s portraits of James Baldwin; and Stephen Wicks, the Knoxville Museum of Art’s Barbara W. and Bernard E. Bernstein Curator, who has guided the KMA’s curatorial department for over 25 years and was instrumental in building the world’s largest and most comprehensive public collection of Beauford Delaney’s art at the KMA.

This Light of Ours: Activist Photographers of the Civil Rights Movementis a paradigm-shifting publication that presents the Civil Rights Movement through the work of nine activist photographers-men and women who chose to document the national struggle against segregation and other forms of race-based disenfranchisement from within the movement. Unlike images produced by photojournalists, who covered breaking news events, these photographers lived within the movement-primarily within the Student Nonviolent Coordinating Committee (SNCC) framework-and documented its activities by focusing on the student activists and local people who together made it happen. The core of the book is a selection of 150 black-and-white photographs, representing the work of photographers Bob Adelman, George Ballis, Bob Fitch, Bob Fletcher, Matt Herron, David Prince, Herbert Randall, Maria Varela, and Tamio Wakayama. Images are grouped around four movement themes and convey SNCC's organizing strategies, resolve in the face of violence, impact on local and national politics, and influence on the nation's consciousness. The photographs and texts ofThis Light of Oursremind us that the movement was a battleground, that the battle was successfully fought by thousands of \"ordinary\" Americans among whom were the nation's courageous youth, and that the movement's moral vision and impact continue to shape our lives.