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"Expertising"
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A real van gogh
2010,2025
Vincent van Gogh’s paintings and drawings are fabulously expensive. Millions of people admire his work, but are those masterpieces all genuine? To this day, the international art world struggles to separate the real Van Goghs from the fake ones, and the key question addressed in this book is what may happen to art experts when they publicly voice their opinions on a particular Van Gogh (or not). The story starts with art expert J.B. de la Faille who discovered to his own bewilderment that he had included dozens of fake Van Goghs in his 1928 catalogue raisonné. He wanted to set the record straight, but met with strong resistance from art dealers, collectors, critics, politicians and others, marking the beginning of a fierce clash of interests that had seized the art world for many decades of the twentieth century.
Leonardo's lost princess : one man's quest to authenticate an unknown portrait by Leonardo da Vinci
\"How an oddly attributed $19,000 picture proved to be a $100 million work by Leonardo da Vinci-a true art-world detective storyIn late 2010, art collector Peter Silverman revealed that a \"German, early 19th century\" portrait he had bought for $19,000 was, in fact, a previously unknown drawing by Leonardo da Vinci-an exquisite depiction of Bianca Sforza, rendered 500 years ago. In Leonardo's Lost Princess, Silverman gives a riveting first person account of how his initial suspicions of the portrait's provenance were confirmed repeatedly by scientists and art experts. He describes the path to authentication, fraught with opposition and controversy. The twists and turns of this fascinating, decade-long quest lead from art history to cutting-edge science, and from a New York art gallery to Paris, Milan, Zurich, and finally a Warsaw library where the final, convincing evidence that the portrait was indeed by Da Vinci was found. Takes an up-close look at the workings of the art world and at figures ranging from dealers and connoisseurs to a suspected forger Discusses current scientific techniques used to investigate and authenticate works of art, such as carbon dating and cutting-edge photography Uses Silverman's drawing as an entree into Leonardo da Vinci's world: his studio, his style, and his methods Explores the intersection of art and science in the authentication process, involving the work of a man who embodied that intersection Unearthing the secrets of a work that were almost lost to history, the book is ideal reading for art lovers and anyone interested in an astounding case of \"whodunnit\"\"-- Provided by publisher.
Literature and artistic practice in the sixteenth-century Italy
by
Cerasuolo, Angela
,
Glanville, Helen (Conservator)
in
Painting -- Technique -- Early works to 1800
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Painting, Italian -- 16th century
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Painting, Italian -- 16th century -- Expertising -- Italy -- Naples
2017
A study on the technique of painting through cross-analysis of literary texts by Leonardo, Vasari, Armenini, Borghini, Lomazzo and works of art, examining some significant paintings in the Capodimonte Museum, Naples.
Monks in glaze : patronage, kiln origin, and iconography of the Yixian Luohans
2017,2016
Monks in Glaze is a complete reassessment of the Yixian Luohans. Drawing upon hitherto-unknown epigraphic documents, Eileen Hsiang-ling Hsu proposes a new date for the group's production and identifies the kiln centre near Beijing as its birthplace.
Art forgery
2011,2012
With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable-and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist's unique characteristics has reached a level of forensic sophistication matched only by the forger's skill and the art world's paranoia.
The art of forgery : the minds, motives and methods of master forgers
2015
Explores the stories, dramas, and human intrigues surrounding the world's most famous forgeries, investigating the motivations of the artists and criminals who've faked great works of art, and in doing so conned the public and the art establishment alike.
Spaces of Connoisseurship
by
Clarke, Alison
in
National Gallery (Great Britain)-History
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Painting-Economic aspects-Great Britain-History-19th century
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Painting-Economic aspects-Great Britain-History-20th century
2022
Spaces of Connoisseurship explores the 'who', 'where' and 'how' of judging Old Master paintings in the nineteenth-century British art trade, via a comparison of family art dealers Thomas Agnew & Sons (\"Agnew's) and London's National Gallery.