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186 result(s) for "Explosions Fiction."
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Six truths and a lie
Told in their separate voices, six Muslim teens are falsely accused of an alleged attack on a Los Angeles beach and must trust or turn their backs on each other to prove their innocence.
More science friction for less science fiction
AI-ready health datasets can be exploited to generate many research articles with potentially limited scientific value. A study in PLOS Biology highlights this problem, by describing a recent, sudden explosion in papers analyzing the NHANES health dataset.
Home fires
\"Branson Sheriff Hank Worth is one of the first on the scene of a mass casualty incident - a local fireworks warehouse has exploded, killing everyone inside. As over a dozen victims are pulled from the smoldering ruins, the painstaking identification process begins. Chief Deputy Sheila Turley returns early from medical leave to assist in the office, while Hank delves deeper into the increasingly complicated situation at the morgue. He discovers that the previous forensic pathologist was hasty at best and negligent at worst. What starts as an offhand request to look into the errors turns into a discovery that shakes Hank's world off its axis . . . With Hank secretly investigating his discovery at the morgue, his short-handed team is stretched to the brink as it investigates the cause of the explosion. Then a shocking revelation leaves Sheila and her fellow deputies scrambling for answers to an unexpected crime. Just what happened in the warehouse in the moments before the blast? Can they unravel the mysteries in time to save Branson from yet more heartbreak? And can Hank, adrift and alone, figure out what happened before it destroys everything he holds dear?\"--Provided by publisher.
“Instead of Saying ‘Had They Done Their Duty,’ It Would Be More True to Say ‘Had They Not Scandalously Neglected It:’” Policing Scandals in Periodical Publishing, c. 1865–1900
As Francis Dodsworth argues, histories of nineteenth-century British policing and detection have neglected to examine the extent, influence and legacy of corruption, scandal and organisational mismanagement within the police itself. Rather than face these issues head on, studies generally prefer to touch upon the subject carefully, incidentally, and in a perhaps ‘curated’ manner, leaving a significant gap in the history of police reform driven by public outrage and political influence. However, this also means that the influence of scandal and corruption in the police force on the development and representation of police officers and detectives in contemporaneous fiction also remains under-examined. This essay contextualises the presence of police officers and detectives in popular fiction from the mid-to-late nineteenth century against a swathe of contemporaneous scandals and corruption cases, as well as organisational mishaps and the resultant downturn in public opinion of the police, as they were reported in the periodical and newspaper press. It builds a more sophisticated picture of the relationship between the police, the press, and the publishing industry in the latter half of the nineteenth century, using events such as the 1867 Clerkenwell Prison bombing, the 1877 ‘Great Detective Case,’ the 1888 Whitechapel Murders, and the 1888 Thames Torso Murders, among others, as anchor points, and contextualises them against contemporaneous writing to argue that the history of ‘detective’ fiction should be historicized alongside ‘detection’ itself.
Out of darkness
Loosely based on a school explosion that took place in New London, Texas, in 1937, this is the story of two teenagers: Naomi, who's Mexican, and Wash, who's black, and their dealings with race, segregation, love, and the forces that destroy people.
How to Keep Your Home Safe in Victorian Print: Charlotte Yonge's Explosions and Other Domestic Dangers
In the course of the century, advice books began to proliferate, showing not only that domestic management had to be learnt, but also that its practices could be debated in a competitive market for print-based instructions. A domestic crisis, as facilitated by dangerous accidents or illnesses, does not always work as the expected catalyst. [...]Yonge recycles the same material in The Clever Woman of the Family (1865) to explore the lifelong aftereffects of an accidental explosion in the nursery. (1) For the purpose of this study, then, domestic accidents occur within the precincts of the home, chiefly inside the house or its immediate surroundings (such as the garden), and generally during an everyday occupation, including (but not confined to) routine household tasks. [...]practical recommendations increasingly included the promotion of particular products.
Black sun : a novel
\"A chilling and cinematic thriller set in 1961 in one of the most secretive locations in Soviet history. Ten days before the test of largest nuclear device in history--the Tsar Bomba--a KGB officer must investigate the murder of one of the architects of the bomb, and unravel a conspiracy that could set the world on fire\"-- Provided by publisher.
In Defense of Specters: Ambivalent Mourning as Queer Affect
In this paper, I argue for theorizing ambivalent mourning as a queer affect and practice, opening up the possibility of sitting and reckoning with past and ongoing state-sanctioned violence, war, disorder, and mass deaths. To do so, I use a hybrid text—employing auto-ethnography and an analysis of three Lebanese films from three different junctures in Lebanese history. Each film represents a different genre: Hamasat (1980), a documentary by Maroun Baghdadi; Beirut Phantom (1998), a fiction narrative by Ghassan Salhab; and Bailey's Beads (2020), a short film by Georgio Nassif. A close reading of these films reveals that the characters conjure specters of war, violence, the dead, and the disappeared to mourn, yet they respond and dwell with them in ambivalence. Employing women of color feminisms, queer of color critique, and affect theory, I defend and welcome specters as potential companions and figures that allow some people to not mourn alone. Rather than rejecting or suppressing memories and experiences of violence and war, I argue that the invocations of ghosts and ambivalent mournings are queer acts that reshape how we think of normative affective registers in narratives of war, violence, disaster, and personal encounters with death.
Who are you?
On August 4, 2020, Lebanon witnessed a second Hiroshima-like explosion of 2,750 tons of ammonium nitrate. It killed and injured thousands of people, destroying most of Beirut. Compounding Lebanon's misery, the coronavirus has taken its toll, as in the rest of the world, with thousands of deaths. There are no more vacant hospital beds and not enough medical supplies. For the last two years, Lebanon has been experiencing economic and political instability. The country is badly in debt and the banks have gone bankrupt and confiscated people's life savings. The Lebanese Lira is pegged to the dollar and two years ago, every dollar was worth 1500 Lebanese Lira; recently, it reached 15000 Lebanese Lira. Half of the population is suffering from poverty and the price of basic food supplies is the highest in the MENA region. The government has resigned but the politicians cannot decide on who to form a new government. Domestic violence has been on the rise because of patriarchy but spouses are mainly fighting over insufficient salaries. Many Lebanese are immigrating, in search of a better living. The poet is dismayed at all this suffering and she resorted to sublimating her anger into writing fiction, memoirs and poetry, playing the piano, singing and drawing. She attended a drawing lesson online. The teacher showed the students how to draw a certain image of a woman. However, the woman who the poet actually drew turned out totally different. When she showed it to her friends, everybody was wondering who it was. So, she was inspired to write a poem answering their questions.