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1,175 result(s) for "FICTION Cultural Heritage."
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Devil on the cross
\"The great Kenyan writer and Nobel Prize nominee Ngũgĩ wa Thiongʼo's powerful fictional critique of capitalism One of the cornerstones of Ngũgĩ wa Thiongʼo's fame, Devil on the Cross was written in secret, on toilet paper, while Ngũgĩ wa Thiongʼo was in prison. It tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later by a corrupt businessman. As she struggles to survive, Wariinga begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country. An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, Devil on the Cross has had a profound influence on Africa and on post-colonial African literature\"-- Provided by publisher.
Küchlya
Küchlya(1925), the first novel of the great Russian formalist Yury Tynyanov givesus a vividly written and moving recreation of the childhood, youth, beliefs andadventures of an eccentric and idealistic young poet and friend of Pushkin,tragically caught up in the Decembrist insurrection of 1825 against the Russianautocracy.
Cutting it short and The little town where time stood still
\"In the 1930s Europe is tangoing to the tune of a new age, but in rural Czechoslovakia golden-haired Maryska dances to a rhythm all her own. Not even her husband, Francin the brewery manager, can control her as Maryska shocks the populace with her scandalous behavior, and incurs the disapproval of a sheltered little town that is blissfully unaware of the cataclysmic world events that are about to engulf it. As World War II draws to a close, Maryska and her neighbors appear to have survived unscathed, but the new Communist political order creates tensions that tear through the social fabric in previously unimaginable ways. The Little Town Where Time Stood Still is Bohumil Hrabal's poignant, hilarious evocation of the passing of an era and the sweetness of love, lust, and life\"-- Provided by publisher.
In the country : stories
\"Mia Alvar's ... debut gives us a vivid ... picture of the Filipino diaspora: exiles and emigrants and wanderers uprooting their families to begin new lives in the Middle East and America--and, sometimes, turning back\"-- Provided by publisher.
II—Fictional, Metafictional, Parafictional
Abstract Fictional uses of fictional proper names are the uses one finds in the fiction in which the names in question are introduced. Such uses are not genuinely referential: they rest on pretence. Metafictional uses of proper names (‘Sherlock Holmes was created by Doyle in 1887’) are genuinely referential: they refer to a cultural artefact. In the paper I discuss a third type of use of fictional names: parafictional uses, illustrated by ‘In the story, Holmes is a clever detective’. I try to steer a middle course between two approaches, one that assimilates them to metafictional uses, and another one that assimilates them to fictional uses.
Pachinko
\"PACHINKO follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them all. Deserted by her lover, Sunja is saved when a young tubercular minister offers to marry and bring her to Japan. So begins a sweeping saga of an exceptional family in exile from its homeland and caught in the indifferent arc of history. Through desperate struggles and hard-won triumphs, its members are bound together by deep roots as they face enduring questions of faith, family, and identity\"-- Provided by publisher.
Home remedies : stories
\"Stories about love, family, and identity in the unexplored lives of Chinese-American millennials\"-- Provided by publisher.
Fiction Movies as a Means of Culinary Heritage’s Safeguarding and Research Referencing: Cases of Couscous Illustration in Tunisian Cinema
Couscous is a staple dish that became recognized and registered as an immaterial cultural heritage by UNESCO, simultaneously for Tunisia, Algeria, Morocco, and Mauritania (UNESCO, Knowledge, know-how and practices pertaining to the production and consumption of couscous, 2020). It represents a mixture of love, heritage, and innovation, which links identity, originality, and modernization. The dish is eligible for two of the five broad domains in which intangible cultural heritage is manifested: social practices, rituals, and festive events. Once a fiction film represents this gastronomic heritage, it reflects the filmmaker's culture and identity during its international distribution. This study aims to compare the couscous dish’s illustrations in Tunisian fiction films such as Halfaouine, Under the Rain of Autumn, and The Secret of the Grain; to prove how fiction movies be considered as an identity card for any filmmaker’s homeland by reflecting the culinary cultural heritage of their homeland, or even a tourism promotion for his nation; and most of all to evince that a fiction movie could become a reference for researchers, in tandem with scientific articles and books.