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"FICTION Ghost."
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Julia
\"In a house in London a woman starts a new life, trying to put tragedy behind her. Then a pretty blonde child runs into view, bringing with her an inexplicable suggestion of evil. Once Julia Lofting had a husband and a daughter. But everything has changed since she bolted from her marriage, in flight from the unbearable truth of her daughter's death. For Julia, there is no escape. Another child awaits, another mother suffers, and a circle of the damned gathers around her. The haunting has begun\"-- Provided by publisher.
Detective Fiction and the Ghost Story
2014
Detective Fiction and the Ghost Story is a lively series of case studies celebrating the close relationship between detective fiction and the ghost story. It features many of the most famous authors from both genres including Conan Doyle, Agatha Christie, M. R. James and Tony Hillerman.
Haunting Encounters
2017
\"Joanne Lipson Freed's writing is graceful and elegant, her close readings deft and attentive. This book could spark productive classroom discussions on the ethics of particular narrative strategies and the social impact of undergraduate reading.\"-Shameen Black, author of Fiction Across Borders
\"In this smart and and eloquent book, Joanne Lipson Freed deliberately chooses texts from a range of cultures, nations, standpoints, and media to focus attention on the specific strategies used to cultivate ethical understanding.\"-Sue J. Kim, author of On Anger
Acts of cross-cultural reading have ethical consequences. In Haunting Encounters, Joanne Lipson Freed traces the narrative strategies through which certain works of fiction forge connections with their readers across boundaries of difference. Freed uses the idea of haunting-an intense, temporary, and transformative encounter that defies rational understanding-as a metaphor for the kinds of ethical relationships that such works cultivate with their readers across boundaries of difference.
Freed points out how such works as Toni Morrison's Beloved, Leslie Marmon Silko's Ceremony, and Arundhati Roy's The God of Small Things strike a delicate balance between empathy and alterity. Their engaging narratives, Freed argues, bring unfamiliar characters and distant settings to life for readers who encounter them as \"other,\" but they also highlight the limits of fiction, holding in check the impulse to colonize another's experience with one's own. Haunting Encounters is a sensitive and perceptive application of theory to real-world concerns. It draws together the fields of postcolonial fiction and narrative ethics and suggests original modes of engagement between readers and books that promise new ways of looking at the world.
Sparrow Hill Road
\"Rose Marshall died in 1952 in Buckley Township, Michigan, run off the road by a man named Bobby Cross--a man who had sold his soul to live forever, and intended to use her death to pay the price of his immortality. Trouble was, he didn't ask Rose what she thought of the idea. It's been more than sixty years since that night, and she's still sixteen, and she's still running. They have names for her all over the country: the Girl in the Diner. The Phantom Prom Date. The Girl in the Green Silk Gown. Mostly she just goes by \"Rose,\" a hitchhiking ghost girl with her thumb out and her eyes fixed on the horizon, trying to outrace a man who never sleeps, never stops, and never gives up on the idea of claiming what's his. She's the angel of the overpass, she's the darling of the truck stops, and she's going to figure out a way to win her freedom. After all, it's not like it can kill her. You can't kill what's already dead\"--Back cover.
The dead room
by
Mohindra, Anjli
,
Ballance, Isibeal
,
Penhaligon, Susan
in
Drama
,
Ghost stories
,
Radio programs
2018
Mark Gatiss brings the Christmas ghost story tradition back to life with The Dead Room, the tale of a long-running radio horror series of the same name. Simon Callow plays Aubrey Judd, the veteran presenter of the series and national treasure, who finds that he must adapt to changing times and tastes. But whatever happened to the classic ghost stories? The good old days?
Streaming Video
Variations on gui and the Trouble with Ghosts in Modern Chinese Fiction
2016
Ghosts appear in a great number of fictional works from the early modern period to the present. Yet, to this date no systematic study of this very heterogeneous textual corpus has been undertaken. This paper proposes as a useful starting point a review of figures and discourses of spectrality, mainly in Republican-era literary and critical texts, that focuses in particular on the different meanings and usages of the term
, “ghosts”. A better understanding of
helps us not only to distinguish different approaches towards spectral figures, which do not necessarily always operate on a secular-religious binary, but also brings the entangled dynamics of the aesthetic and the political in modern Chinese ghost fiction into sharper focus.
Journal Article
Four on the shore
1994
Hoping to scare away Spider's little brother, Willy, Lolly Spider, and Sam each tell a spooky story--but then Willy has a story of his own to tell.
Landlock : paralysing dispute over minerals on Adivasi land in India
2018
This book explores the ways in which political controversy over a bauxite mining and refining project on constitutionally protected tribal lands in Andhra Pradesh descended into a state of paralysis where no productive outcome was possible.