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The Edinburgh Companion to Modern Jewish Fiction
WINNER of the Association of Jewish Libraries' Judaica Reference AwardProvides critical overviews of the main writers and key themes of Anglophone Jewish fiction
This collection of essays represents a new departure for, and a potentially (re)defining moment in, literary Jewish Studies. It is the first volume to bring together 28 chapters covering a wide range of American, British, South African, Canadian and Australian Jewish fiction.
The volume is divided into 3 parts - American Jewish Fiction; British Jewish Fiction; and International and Transnational Anglophone Jewish Fiction - but many of the essays cross over these boundaries and speak to each other implicitly, as well as, on occasion, explicitly. Extending and redefining the canon of modern Jewish fiction, the volume juxtaposes major authors with more marginal figures, revising and recuperating individual reputations, rediscovering forgotten and discovering new work, and in the process remapping the whole terrain. This volume opens windows onto vistas that previously had been obscured and opens doors for the next generation of studies that could not proceed without a wide-ranging, visionary empiricism grounding their work.
Key FeaturesHighlights the rich diversity of the field and identifies its key themes, including immigration, the Diaspora, the Holocaust, Judaism, assimilation, antisemitism and ZionismAnalyses the main trends in Anglophone Jewish fiction and situates them in historical contextDiscusses the place of Anglophone Jewish fiction in relation to critical debates concerning transatlanticism and transnationalism; ethnicity and identity politics; postcolonial studies, feminist studies and Jewish StudiesWith a preface by Mark Shechner, the volume's contributors include Vicki Aarons (Trinity University, Texas), Debra Shostak (Wooster College, Ohio), Ira Nadel (University of British Columbia), Efraim Sicher (Ben-Gurion University), Phyllis Lassner (Northwestern University), Sue Vice (University of Sheffield), Lori Harrison-Kahan (Boston College), Ruth Gilbert (University of Winchester), Beate Neumeier (University of Cologne) and Sandra Singer (University of Guelph)
eBook
Nineteenth-century Jewish literature : a reader
Recent scholarship has brought to light the existence of a dynamic world of specifically Jewish forms of literature in the nineteenth century—fiction by Jews, about Jews, and often designed largely for Jews. This volume makes this material accessible to English speakers for the first time, offering a selection of Jewish fiction from France, Great Britain, and the German-speaking world. The stories are remarkably varied, ranging from historical fiction to sentimental romance, to social satire, but they all engage with key dilemmas including assimilation, national allegiance, and the position of women. Offering unique insights into the hopes and fears of Jews experiencing the dramatic impact of modernity, the literature collected in this book will provide compelling reading for all those interested in modern Jewish history and culture, whether general readers, students, or scholars.
eBook
The betrayers : a novel
Escaping his political opponents in a Crimean resort town, disgraced Israeli politician Baruch Kotler runs into a former friend who had him sent to the gulag forty years prior and must reconcile with his betrayer and his own poor choices.
Book
Jewish Pasts, German Fictions
Jewish Pasts, German Fictions is the first comprehensive study of how German-Jewish writers used images from the Spanish-Jewish past to define their place in German culture and society. Jonathan Skolnik argues that Jewish historical fiction was a form of cultural memory that functioned as a parallel to the modern, demythologizing project of secular Jewish history writing.
What did it imply for a minority to imagine its history in the majority language? Skolnik makes the case that the answer lies in the creation of a German-Jewish minority culture in which historical fiction played a central role. After Hitler's rise to power in 1933, Jewish writers and artists, both in Nazi Germany and in exile, employed images from the Sephardic past to grapple with the nature of fascism, the predicament of exile, and the destruction of European Jewry in the Holocaust. The book goes on to show that this past not only helped Jews to make sense of the nonsense, but served also as a window into the hopes for integration and fears about assimilation that preoccupied German-Jewish writers throughout most of the nineteenth century. Ultimately, Skolnik positions the Jewish embrace of German culture not as an act of assimilation but rather a reinvention of Jewish identity and historical memory.
eBook
Mother India: a novel
\"Reich is the author of the novels \"One Hundred Philistine Foreskins,\" \"My Holocaust,\" \"The Jewish War,\" \"Master of the Return,\" and \"Mara.\" Her stories have appeared in the \"Atlantic,\" \"Harper's,\" \"AGNI,\" \"Ploughshares,\" and elsewhere. She is the recipient of the National Magazine Award for Fiction, the Edward Lewis Wallant Book Award, as well as other prizes.\"--
eBook
The Mighty Walzer
Howard Jacobson is a British author who is proud of being labelled a Jewish writer and does not hesitate to describe himself as ‘entirely and completely Jewish’. He believes that English-Jewish writers should address directly the challenge of being Jewish, which is precisely what he does in The Mighty Walzer (1999). The novel shows once again Jacobson’s greatness as a comic novelist and thus reinforces his assumption that the ingenious, joking Jew is the Jew in essence. Like many scholars, Jacobson believes that self-aimed humour has allowed Jewish people to cope with the paradoxical nature of their culture and historical situation. In The Mighty Walzer Jacobson proves to be the Jew par excellence by joking about everything from religion to food, making fun of the contradictions and incongruities of Jewish life.
Journal Article