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"Fairy tale"
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Rapunzel and the Prince of Pop
\"In this classic fairy tale, retold with a twist, the Prince of Pop is driving through the forest when he hears a stunning voice singing. It's Rapunzel! The only problem is she is locked in a tower by a witch. Can he free her and make Rapunzel into his next big pop star?
Book
The irresistible fairy tale
If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world.
Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's \"Bluebeard\"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions.
While we may never be able to fully explain fairy tales,The Irresistible Fairy Taleprovides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives.
eBook
The sound of magic : Cinderella
Follow the story of the unfortunate, rag-clothed girl who dreams of going to the ball, brought to life with magical sounds and the colorful, quirky illustrations of Sanna Mander. Tap your wand, when prompted, to turn the pumpkin into a coach, to give Cinderella a beautiful dress, to make Cinderella and the Prince fall in love, and more.
Book
Contemporary Fairy-Tale Magic
Contemporary Fairy-Tale Magic studies the impact of fairy tales on contemporary cultures from an interdisciplinary perspective, with special emphasis on how literature and film are retelling classic fairy tales for modern audiences.
eBook
Opposites attract
Tangled: The Series on Disney Channel is set between the events of the original film and the start of Tangled Ever After. Two favorite episodes of Disney Channel s hit show Tangled: The Series are retold in each collectible chapter book with black-and-white illustrations throughout.
Book
International
Other than the most widely-recognised Beauty and the Beast tales of de Beaumont and Disney, a number of writers from all over the world have recreated the tale. These writers originate from a number of social contexts, and each has recreated the tale according to the expectations of these societies. Alexander Afanasyev’s Russian tale The Enchanted Tsarévich, Consiglieri Pedroso’s Portuguese tale The Maiden and the Beast, Evald Tang Kristensen’s Danish tale Beauty and the Horse, the Italian tale Zelinda and the Monster and Chinese folk tale The Fairy Serpent are analysed in this article. These international remakes will be analysed using the New Historicist and Feminist frameworks. The article aims to understand the extent to which these less-recognised tales share patriarchal ideas. Moreover, the analysis draws connections between the ideas presented in the tales and their historical backdrop, emphasising that a literary work cannot be separated from its social context. The tales tell the story of gender inequality. They perpetuate patriarchal behaviours and expectations through the behaviours of and relationships between the beauties, Beasts, fathers and sisters depicted. The male characters are empowered decision-makers, who for the most part have control over their lives; however, the female characters are submissive and passive, given little to no control. Moreover, the tales relate closely to their social contexts, and this article analyses each tale in parallel with a discussion of its social context. The patriarchal nature of each tale suggests that the 19th century encouraged gendered inequality and differences as well.
Journal Article
Cinderella
A mistreated kitchen maid, with the help of her fairy godmother, attends the palace ball on the condition that she leave before midnight.
Book
International Beauties and Beasts: A feminist and new historicist analysis of Beauties and the Beasts from around the world
Other than the most widely-recognised Beauty and the Beast tales of de Beaumont and Disney, a number of writers from all over the world have recreated the tale. These writers originate from a number of social contexts, and each has recreated the tale according to the expectations of these societies. Alexander Afanasyev’s Russian tale The Enchanted Tsarévich, Consiglieri Pedroso’s Portuguese tale The Maiden and the Beast, Evald Tang Kristensen’s Danish tale Beauty and the Horse, the Italian tale Zelinda and the Monster and Chinese folk tale The Fairy Serpent are analysed in this article. These international remakes will be analysed using the New Historicist and Feminist frameworks. The article aims to understand the extent to which these less-recognised tales share patriarchal ideas. Moreover, the analysis draws connections between the ideas presented in the tales and their historical backdrop, emphasising that a literary work cannot be separated from its social context. The tales tell the story of gender inequality. They perpetuate patriarchal behaviours and expectations through the behaviours of and relationships between the beauties, Beasts, fathers and sisters depicted. The male characters are empowered decision-makers, who for the most part have control over their lives; however, the female characters are submissive and passive, given little to no control. Moreover, the tales relate closely to their social contexts, and this article analyses each tale in parallel with a discussion of its social context. The patriarchal nature of each tale suggests that the 19th century encouraged gendered inequality and differences as well.
Journal Article
Rapunzel : from a fairy tale by the Brothers Grimm /
A beautifully illustrated retelling of the classic tale of Rapunzel.
Book
Fairy tales transformed? : twenty-first-century adaptations and the politics of wonder
Fairy-tale adaptations are ubiquitous in modern popular culture, but readers and scholars alike may take for granted the many voices and traditions folded into today's tales. In Fairy Tales Transformed?: Twenty-First-Century Adaptations and the Politics of Wonder , accomplished fairy-tale scholar Cristina Bacchilega traces what she terms a fairy-tale web of multivocal influences in modern adaptations, asking how tales have been changed by and for the early twenty-first century . Dealing mainly with literary and cinematic adaptations for adults and young adults, Bacchilega investigates the linked and yet divergent social projects these fairy tales imagine, their participation and competition in multiple genre and media systems, and their relation to a politics of wonder that contests a naturalized hierarchy of Euro-American literary fairy tale over folktale and other wonder genres.
Bacchilega begins by assessing changes in contemporary understandings and adaptations of the Euro-American fairy tale since the 1970s, and introduces the fairy-tale web as a network of reading and writing practices with a long history shaped by forces of gender politics, capitalism, and colonialism. In the chapters that follow, Bacchilega considers a range of texts, from high profile films like Disney's Enchanted, Guillermo del Toro's Pan's Labyrinth, and Catherine Breillat's Bluebeard to literary adaptations like Nalo Hopkinson's Skin Folk , Emma Donoghue's Kissing the Witch, and Bill Willingham's popular comics series, Fables . She looks at the fairy-tale web from a number of approaches, including adaptation as activist response in Chapter 1, as remediation within convergence culture in Chapter 2, and a space of genre mixing in Chapter 3. Chapter 4 connects adaptation with issues of translation and stereotyping to discuss mainstream North American adaptations of The Arabian Nights as media text in post-9/11 globalized culture.
Bacchilega's epilogue invites scholars to intensify their attention to multimedia fairy-tale traditions and the relationship of folk and fairy tales with other cultures' wonder genres. Scholars of fairy-tale studies will enjoy Bacchilega's significant new study of contemporary adaptations.
eBook