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31
result(s) for
"Fall of man in literature."
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The satanic epic
2003,2009,2002
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton’s Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem’s sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was \"of the Devils party\" even though he set out \"to justify the ways of God to men.\" In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects.
Inside paradise lost
by
Quint, David
in
1608-1674
,
English, Irish, Scottish, Welsh
,
Epic poetry, English -- History and criticism
2013,2014
Inside \"Paradise Lost\"opens up new readings and ways of reading Milton's epic poem by mapping out the intricacies of its narrative and symbolic designs and by revealing and exploring the deeply allusive texture of its verse. David Quint's comprehensive study demonstrates how systematic patterns of allusion and keywords give structure and coherence both to individual books ofParadise Lostand to the overarching relationship among its books and episodes. Looking at poems within the poem, Quint provides new interpretations as he takes readers through the major subjects ofParadise Lost-its relationship to epic tradition and the Bible, its cosmology and politics, and its dramas of human choice.
Quint shows how Milton radically revises the epic tradition and the Genesis story itself by arguing that it is better to create than destroy, by telling the reader to make love, not war, and by appearing to ratify Adam's decision to fall and die with his wife. The Milton of thisParadise Lostis a Christian humanist who believes in the power and freedom of human moral agency. As this indispensable guide and reference takes us inside the poetry of Milton's masterpiece,Paradise Lostreveals itself in new formal configurations and unsuspected levels of meaning and design.
Milton
2003
This volume offers an accessible and stimulating introduction to one of the most influential texts of western literature. This guide highlights Milton's imaginative daring, considers the heretical dimensions of Paradise Lost and its theology, while situating Milton's great poem in its literary, religious, and political contexts.
Reading Paradise lost
by
Hopkins, David
in
Fall of man in literature
,
LITERARY CRITICISM
,
Milton, John, 1608-1674. Paradise lost
2013,2012
Reading Paradise Lost
\"This lucid and entirely jargon-free guide to Paradise Lost will help any reader of the poem to find their feet, and to understand what makes it the best poem in the English language. Hopkins has one, and only one, resemblance to Milton's Satan, which is that he can make intricate seem straight.\"
Colin Burrow, Oxford University
\"This is the best introduction to Paradise Lost there is, suitable for the intelligent sixth-former or undergraduate, or the enquiring general reader outside the academy – or indeed anyone who cares about poetry. It is also a joy to read, indeed a real page-turner – and of how many academic books can one say that?\"
Charles Martindale, Bristol University
Concise enough to be assimilated in a single session, this short volume maps the wonders of Milton's poetic landscape. The book offers an exploration of some of the main narrative and poetic elements of the epic poem – qualities which have compelled and fascinated readers for more than three centuries. The author, a celebrated authority on English poetry of the period, engages with (and attempts to counter) some of the critical arguments that impede readers' enjoyment of the poem. This volume emphasizes the aesthetic experience of reading Paradise Lost and brings out the pleasure to be derived from one of the great literary achievements of humanity.
Shakespeare in Theory and Practice
Through theory, world-renowned critic Catherine Belsey registers Shakespeare's powers of seduction together with his moment in history. Teasing out meaning from his narrative poems, as well as his more familiar plays, Shakespeare in Theory and Practice is a brilliant fusion between attention to textuality and the power of the archive. Belsey's reading of the Sonnets, written just for this book, is a particularly acute analysis of their intricate and ambivalent inscription of desire.
Cuba and the Fall
by
González, Eduardo
in
20th century
,
Arenas, Reinaldo, 1943-1990 -- Criticism and interpretation
,
Arenas, Reinaldo, 1943–1990
2010
The literature of Cuba, argues Eduardo González in this new book, takes on quite different features depending on whether one is looking at it from \"the inside\" or from \"the outside,\" a view that in turn is shaped by official political culture and the authors it sanctions or by those authors and artists who exist outside state policies and cultural politics. González approaches this issue by way of two twentieth-century writers who are central to the canon of gay homoerotic expression and sensibility in Cuban culture: José Lezama Lima (1910-1976) and Reinaldo Arenas (1943-1990). Drawing on the plots and characters in their works, González develops both a story line and a moral tale, revolving around the Christian belief in the fall from grace and the possibility of redemption, that bring the writers into a unique and revealing interaction with one another.
The work of Lezama Lima and Arenas is compared with that of fellow Cuban author Virgilio Piñera (1912-1979) and, in a wider context, with the non-Cuban writers John Milton, Nathaniel Hawthorne, William Faulkner, John Ruskin, and James Joyce to show how their themes get replicated in González's selected Cuban fiction. Also woven into this interaction are two contemporary films-The Devil's Backbone (2004) and Pan's Labyrinth (2007)-whose moral and political themes enhance the ethical values and conflicts of the literary texts. Referring to this eclectic gathering of texts, González charts a cultural course in which Cuba moves beyond the Caribbean and into a latitude uncharted by common words, beyond the tyranny of place.
John Milton's 'Paradise Lost'
2011
Noam Reisner leads readers through the complexities of Milton's celebrated and challenging narrative poem as well as introducing them to the key critical views. The guide combines an introduction to the poem's main thematic and stylistic concerns together with discussion of important selected passages (substantial extracts from the text are included) and provides readers with a basic set of critical tools with which to interpret the text.
Key Features
Detailed discussion of select passages from the poem divided into three interrelated sections - 'concepts and themes', 'style and form' and 'historical-political context' - for easy referenceProvides a general guide to teaching the text - first time teachers will find many suggestions for teaching as well as templates for teaching the poem in different course formatsUp-to-date annotated bibliography
Milton: Paradise Lost
2001,2004,2003
This volume offers an accessible and stimulating introduction to one of the most influential texts of western literature. This guide highlights Milton's imaginative daring as he boldly revises the epic tradition, brilliantly elaborates upon Genesis, and shapes his ambitious narrative in order to retell the story of the Fall. The book considers the heretical dimensions of Paradise Lost and its theology, while situating Milton's great poem in its literary, religious, and political contexts. A concluding chapter addresses the influence of Milton's sublime poem as a source of creative inspiration for later writers, from the Restoration to the Romantics. Finally, the volume offers an extremely useful and updated guide to further reading, which students will find invaluable.