Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
387
result(s) for
"Fall of man."
Sort by:
Philosophical Myths of the Fall
Did post-Enlightenment philosophers reject the idea of original sin and hence the view that life is a quest for redemption from it? In Philosophical Myths of the Fall, Stephen Mulhall identifies and evaluates a surprising ethical-religious dimension in the work of three highly influential philosophers - Nietzsche, Heidegger, and Wittgenstein. He asks: Is the Christian idea of humanity as structurally flawed something that these three thinkers aim simply to criticize? Or do they, rather, end up by reproducing secular variants of the same mythology? Mulhall argues that each, in different ways, develops a conception of human beings as in need of redemption: in their work, we appear to be not so much capable of or prone to error and fantasy, but instead structurally perverse, living in untruth. In this respect, their work is more closely aligned to the Christian perspective than to the mainstream of the Enlightenment. However, all three thinkers explicitly reject any religious understanding of human perversity; indeed, they regard the very understanding of human beings as originally sinful as central to that from which we must be redeemed.And yet each also reproduces central elements of that understanding in his own thinking; each recounts his own myth of our Fall, and holds out his own image of redemption. The book concludes by asking whether this indebtedness to religion brings these philosophers' thinking closer to, or instead forces it further away from, the truth of the human condition.
eBook
Fallen animals
The premise of Fallen Animals is that some how and in some way The Fall of Adam and Eve as related in the Bible has affected all living beings from the largest to the smallest, from the oldest to the youngest, regardless of gender and geography. The movement from the blissful arena of the Garden of Eden to the uncertain reality of exile altered in an overt or nuanced fashion the attitudes, perceptions, and consciousness of animals and humanity alike. Interpretations of these reformulations as well as the original story of the Paradise Garden have been told and retold for millennia in a variety of cultural contexts, languages, societies, and religious environments. Throughout all those retellings, animals have been a constant presence positively and negatively, actively and passively, from the creation of birds, fish, and mammals to the agency of the serpent in the Fall narrative. The serpent in the Garden of Eden is but one example of the ambivalence which has characterized the human-animal relationship over the centuries, both across, and within, cultures, societies and traditions. The book examines the interpretations, functions and interactions of the Fall — physical, moral, artistic and otherwise — as represented through animals, or through human-animal interactions.
eBook
Paradise Lost
Erin Shields turns Heaven and Hell upside down in this witty, modern, feminist retelling of John Milton's epic poem about the first battle between good and evil. In Shields's Paradise Lost, the seventeenth century and present day are seamlessly intertwined as Satan vents to an audience about her frustration for being cast out of Heaven and her thoughts on oppression.
eBook
Paradise lost and other poems
Presents three major works by the seventeenth-century English poet, including his epic poem \"Paradise Lost,\" which depicts the creation, fall, and redemption of humankind and the moral and spiritual dilemmas of God's judgment.
BOOK
Adamgirk
This is the first English translation of the major Armenian epic on Adam and Eve composed by Arak'el of Siwnik' in the early fifteenth century. Arak'el writes extremely powerful narrative poetry, as in his description of the brilliance of paradise, of Satan's mustering his hosts against Adam and Eve, and Eve's inner struggle between obedience to God and Satan's seduction. In parts the epic is in dialogue form between Adam, Eve, and God. It also pays much attention to the typology of Adam and Christ, or Adam's sin and death and Christ's crucifixion. By implication, this story, from an Eastern Christian tradition, is the story of all humans, and bears comparison with later biblical epics, such as Milton's Paradise Lost. Michael E. Stone's version preserves a balance between literary felicity and faithfulness to the original. His Introduction sets the work and its author in historical, religious, and literary context.
eBook
