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"Fantasy literature, English"
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The Cambridge companion to fantasy literature
\"Fantasy is a creation of the Enlightenment and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at the history of fantasy since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who edited The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005)\"-- Provided by publisher.
A Sense of Tales Untold
by
Grybauskas, Peter
in
Fantasy literature, English
,
Fantasy literature, English-History and criticism
,
Frame-stories
2021
Finalist for the 2022 and 2023 Mythopoeic Scholarship Award in Inklings Studies Exploring the uncanny perception of depth in Tolkien's writing and world-building A Sense of Tales Untoldexamines the margins of J.R.R.
Science, Gender and History
by
Banerjee, Suparna
in
Fantasy literature, English
,
Feminist literary criticism
,
History and criticism
2014,2015
The first substantial study comparing Mary Shelley and Margaret Atwood, this book examines a selection of their speculative/fantastic novels from a feminist postcolonial perspective. Reading Atwoods The Handmaids Tale and Oryx and Crake alongside Shelleys Frankenstein and The Last Man, the author brings out the broad convergences in the way the two authorsseparated by more than a centuryperceive the dialectic of science, gender and the processes of history and history-making. Both autho.
The Cambridge Companion to Fantasy Literature
by
Mendlesohn, Farah
,
James, Edward
in
Fantasy fiction
,
Fantasy in literature
,
Fantasy literature -- History and criticism
2012
Fantasy is a creation of the Enlightenment, and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who produced The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005).
The fairy way of writing : Shakespeare to Tolkien
A history of popular superstitions, tales, and magic in British literature.
In The Fairy Way of Writing, Kevin Pask seeks to explain the origins and popularity of enchantment in Shakespeare's plays. Writers John Dryden and Joseph Addison originated the phrase \"fairy way of writing\" to define the concept of an English creative imagination founded on a synthesis of high literary culture and the popular culture of tales and superstitions. Beginning with Chaucer, Johnson, Dryden, and Milton, Pask argues that the fairy way of writing not only sets the stage for the fairy tale, the Gothic novel, and children's literature but also informs genres beyond the English canon, including painting, twentieth-century fantasy fiction, and French fairy tales.
In addition to English writers and visual artists such as Pope, Blake, and Keats, who were directly engaged with Shakespearean fantasy, Pask also examines fairy tales, letters, and paintings by the French writers Madame d'Aulnoy, Charles Perrault, Madame de Sévigné, and the Swiss-born artist Johann Heinrich Füssli (Fuseli).
The Fairy Way of Writing alters the traditional sense of English literary history and of Shakespeare's singular place in it, insisting on the importance of often-overlooked literary and visual works. It recovers a distinctive aspect of English literary culture from across the entire early modern era and beyond, one that has been studied in the context of individual periods and writers but is only now explored in relation to the history of European nationalism and the creation of the modern literary system.
Charles Williams : alchemy and integration
by
Ashenden, Gavin
in
Alchemy in literature
,
Christianity in literature
,
Fantasy literature, English
2008,2006,2007
An examination of the tumultuous inner life of this poet and writer He was a close friend of T.S.Eliot, deeply admired by C.S.Lewis, inspirational for W.H.Auden in his journey to faith, and a literary sparring partner for J.R.R.Tolkien.Yet half a century after his death, much of Charles Williams's life and work remains an enigma.