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"Fashion Social aspects."
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Fashion and cultural studies
2012
This book addresses the growing interaction between the two fields. Bridging theory and practice, it draws on cultural diversity in fashion, dress and style in the context of globalization and its varied cultural-historical underpinnings. While the book is organized around specific subjects, such as ethnicity, class, gender and nation, the overall goal is to highlight the ways in which these interact and overlap. A wide range of cross-cultural case studies analyze fashion as a multi-ethnic, transnational, and multiply gendered, classed, and sexualized phenomenon.
Fashion In Focus
2011,2010
The study of fashion has exploded in recent decades, yet what this all means or quite where it might take us is not clear. This new book helps to bring fashion into focus, with a comprehensive guide to the key theories, perspectives and developments in the field.
Tim Edwards includes coverage of all the major theories of fashion, including recent scholarship, alongside subcultural analysis and an in-depth look at production. Individual topics include:
men’s fashion, masculinity and the suit
women’s fashion and the role of sexuality
children, the body and fashion
the role of celebrity and designer label culture
globalisation and the production of fashion.
Fashion in Focus is the ideal companion for students in the arts and social sciences, especially those studying issues such as fashion, gender, sexuality and consumer culture.
\"This book will form a most valuable addition to the existing literature & will be very, very useful for those of us who teach Cultural Studies to large numbers of fashion students. Tim Edwards has the rare ability to render complex ideas accessible, and he writes beautifully [...] his books are a pleasure to read.\" - Pamela Church Gibson, London College of Fashion
\"The book provides a useful and concise summary of the main sociological traditions of fashion studies…it addresses and advances some hitherto neglected areas of fashion studies, including the nature and role of masculinity in fashion and non-marxist approaches to production and consumption.\" - Malcolm Barnard, Loughborough University
Tim Edwards is Senior Lecturer in Sociology at the University of Leicester. He has published and researched widely in the areas of masculinities, sexuality, fashion and consumer culture. He is the author of Cultures of Masculinity (2006).
1. Fashion Foundations 2. The Classical Tradition – Early Perspectives on Fashion 3. The Clothes Maketh The Man – Masculinity, The Suit and Men’s Fashion 4. The Woman Question: Fashion, Feminism and Fetishism 5. Who Are You Kidding? Children, Fashion and Consumption 6. Express Yourself – The Politics of Dressing Up 7. From Rags to Riches – Fashion Production 8. Desiring Subjects – The Designer Label and the Cult of Celebrity. Conclusion: The Fashion Invasion
Why fashion matters
Fashion matters for the economy, to society, and to each of us personally. Faster than anything else, what we wear tells the story of who we are or who we want to be. It is the most immediate form of self-expression. Yet even as fashion touches the lives of each and every one of us, its influence and the vast creative industry that it supports can seem mysterious to outsiders. In Why Fashion Matters Frances Corner, Head of London College of Fashion, guides readers into the dizzying world of this rapidly expanding, increasingly global, always exciting industry. In provocative and intriguing entries, Corner teases out the glorious intricacies and contradictions of an industry that simultaneously values technology and craft; timeless style and fast fashion; the bespoke and the mass-market; consumption and sustainability; cold, hard numbers; and creative expression. From Shop 'til We Drop to The White Shirt to The One Trillion Dollar Business each entry offers a unique avenue into fashion and its impact, both positive and negative, on lives around the globe.
The Geographies of Fashion
2017
Clothes are inherently geographical objects, yet few of us consider the social and economic significance of their journey from design to production to consumption. The Geographies of Fashion is the first in-depth study of fashion economies from a geographer's perspective, exploring the complex relationship between our attachment to the clothes we own, love and desire, and their geographic and economic ties. How far does a garment physically travel from factory to wardrobe? How do clothes come to have social or economic value and who or what creates it? What are the geographies of fashion and how do they interact with one another? This ground-breaking book powerfully reframes fashion spaces, from the body to the city, digital or virtual space to material production, positioning fashion at the centre of contemporary culture and collective identities. Combining contemporary theoretical approaches with a cutting-edge analysis of international fashion brands and institutions including Maison Martin Margiela, Zara, Louis Vuitton, ASOS and Savile Row, The Geographies of Fashion is essential reading for students of fashion, geography and related disciplines including sociology, architecture and design.
meXicana Fashions
2020,2021
Collecting the perspectives of scholars who reflect on their own relationships to particular garments, analyze the politics of dress, and examine the role of consumerism and entrepreneurialism in the production of creating and selling a style, meXicana Fashions examines and searches for meaning in these visible, performative aspects of identity. Focusing primarily on Chicanas but also considering trends connected to other Latin American communities, the authors highlight specific constituencies that are defined by region (“Tejana style,\" “L.A. style\"), age group (“homie,\" “chola\"), and social class (marked by haute couture labels such as Carolina Herrera and Oscar de la Renta). The essays acknowledge the complex layers of these styles, which are not mutually exclusive but instead reflect a range of intersections in occupation, origin, personality, sexuality, and fads. Other elements include urban indigenous fashion shows, the shifting quinceañera market, “walking altars\" on the Days of the Dead, plus-size clothing, huipiles in the workplace, and dressing in drag. Together, these chapters illuminate the full array of messages woven into a vibrant social fabric.
Engaging with Fashion
by
Carlotto, Federica
,
McCreesh, Natalie C.
in
Fashion
,
Fashion -- Social aspects
,
Fashion merchandising
2019,2018
This book is a modern exploration of how we engage with fashion today. Through a series of articles this book shows the 'ways' through which we can approach fashion. The articles are organized around the following six sections: marketing, consuming, educating, communicating, embodying and positioning - each with a mix of research approaches and strategies. From sustainability and consumerism to street-style and street-food. From how fashion is taught across the globe to how fashion is communicated through photography and the media. We invite the readers to be curators themselves, and to create their own 'augmented knowledge' of fashion, by reading the varied themes in this book.Contributors are Claire Allen, Deidra Arrington, Naomi Braithwaite, Jill Carey, Federica Carlotto, Karen Dennis, Doris Domoszlai, Linsday E. Feeny, Nádia Fernandes, Jacque Lynn Foltyn, Alessia Grassi, Chris Jones, Lan Lan, Peng Liu, Mario Matos Ribeiro, Natalie C. McCreesh, Alex McIntosh, Alice Morin, Nolly Moyssi, Maria Patsalosavvi, Laura Petican, Jennifer Richards, Susanne Schulz, Ines Simoes, Helen Storey, Steve Swindells, Stephen Wigley, Gaye Wilson and Cecilia Winterhalter.
Drop
\"The world of the hypebeast has led to a virtual destruction of the traditional delineation between street and \"high\" fashion. Limited edition pieces enjoy global cult status, draw thousands of hopeful purchasers, and can resell for up to 10-20x retail immediately after release on sites like Grailed. There is an entire culture surrounding these launches, or \"drops.\" Streetwear aficionados travel intercontinentally to attend them, almost like concerts, and wear their rarest shoes and gear, flexing for each other while chatting, comparing, and hoping to cop one-time-only limited pieces. Kids rock grails and geek out, like an OG subreddit come to life. These lines comprise some of the most interesting fashion events in the world, and are fast becoming streetwear's equivalent of the fashion shows that haute ateliers host each year at fashion weeks in Paris, New York, Milan, and beyond. Drop dives into the world of streetwear queue culture, with original photos of product launches from across the globe, including events in New York, Los Angeles, London, Paris, Seoul, Hong Kong, Tokyo, and more, from brands including Supreme, A Bathing Ape, Patta, Yeezy, Anti Social Social Club, Vetements, Off-White, and others\"--Back cover.
Seamlessness
2016
Taking the concept of \"seamlessness\"as her starting point, Yeseung Lee offers an innovative practice-ased investigation into the meaning of the handmade in the age of technological revolution and globalized production and consumption. Combining firsthand experience of making seamless garments with references from psychoanalysis, anthropology, and cultural studies, Lee reveals the ways that a garment can reach to our deeply superficial sense of being, and how her seamless garments can represent the ambiguity of a modern subject in a perpetual process of becoming. Richly illustrated and firmly rooted in the actual work of creation, this daringly innovative book breaks new ground for fashion research.