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148,890
result(s) for
"Flags"
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Flags of the world
2009
Pictures and descriptions of the flags of all the nations of the world, along with brief information about each country.
Flag-Transitive 2-v,5,λ Designs Admitting a Two-Dimensional Projective Group
2024
The focus of this study is to classify flag-transitive 2-designs. We have come to the conclusion that if D is a nontrivial 2-design having block size 5 and G is a two-dimensional projective special linear group which acts flag-transitively on D with q≢1 (mod 4), then D is a 2-(11, 5, 2) design, a 2-(11, 5, 12) design, a 2-q+1,5,2q−1 design with q≡3 (mod 4) or a 2-q+1,5,q−1/3 design with q=2f (where f>2 is an even).
Journal Article
The flag we love
by
Ryan, Pam Mu~noz
,
Masiello, Ralph, ill
in
Flags United States Juvenile literature.
,
Flags United States.
2006
An introduction to the American flag relates its history and explains the ideals it represents.
Trump calls London protests against his trip 'fake news'
in
Flags
2019
While large crowds were protesting his visit to London, President Trump dismissed the demonstrations as \"fake news\" at a June 4 press conference with the British prime minister.
Streaming Video
Red, white, and blue : the story of the American flag
by
Herman, John, 1944-
,
Roraback, Robin, ill
in
Flags United States Juvenile literature.
,
Flags United States.
1998
Describes how the American flag came into being, how it has changed over the years, and its importance as the symbol of our country.
Affine flag varieties and quantum symmetric pairs
by
Wang, Weiqiang
,
Lai, Chun-Ju
,
Fan, Zhaobing
in
Affine algebraic groups
,
Algebra, Homological
,
Flag manifolds
2020
The quantum groups of finite and affine type A admit geometric realizations in terms of partial flag varieties of finite and affine type A. Recently, the quantum group associated to partial flag varieties of finite type B/C is shown to be a coideal subalgebra of the quantum group of finite type A. In this paper the authors study the structures of Schur algebras and Lusztig algebras associated to (four variants of) partial flag varieties of affine type C. The authors show that the quantum groups arising from Lusztig algebras and Schur algebras via stabilization procedures are (idempotented) coideal subalgebras of quantum groups of affine \\mathfrak{sl} and \\mathfrak{gl} types, respectively. In this way, the authors provide geometric realizations of eight quantum symmetric pairs of affine types. The authors construct monomial and canonical bases of all these quantum (Schur, Lusztig, and coideal) algebras. For the idempotented coideal algebras of affine \\mathfrak{sl} type, the authors establish the positivity properties of the canonical basis with respect to multiplication, comultiplication and a bilinear pairing. In particular, the authors obtain a new and geometric construction of the idempotented quantum affine \\mathfrak{gl} and its canonical basis.
F is for flag
by
Lewison, Wendy Cheyette
,
Duke, Barbara (Barbara J.) ill
in
Flags United States Juvenile literature.
,
Flags United States.
2002
Celebrates the origin, symbolism, and power of the banner that represents the United States of America.
Victory Banner Over the Reichstag
by
Hicks, Jeremy
in
20th century
,
Berlin, Battle of, Berlin, Germany, 1945
,
Berlin, Battle of, Berlin, Germany, 1945 -- Motion pictures and the war
2020
In one of the most iconic images from World War II, a Russian
soldier raises a red flag atop the ruins of the German Reichstag on
April 30, 1945. Known as the Victory Banner, this piece of fabric
has come to symbolize Russian triumph, glory, and patriotism.
Facsimiles are used in public celebrations all over the country,
and an exact replica is the centerpiece in the annual Victory
Parade in Moscow's Red Square. The Victory Banner Over the
Reichstag examines how and why this symbol was created, the
changing media of its expression, and the contested evolution of
its message. From association with Stalinism and communism to its
acquisition of Russian nationalist meaning, Jeremy Hicks
demonstrates how this symbol was used to construct a collective
Russian memory of the war. He traces how the Soviets, and then
Vladimir Putin, have used this image and the banner itself to build
a remarkably powerful mythology of Russian greatness.