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36 result(s) for "Folklore -- New Mexico"
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The legend of Ponciano Gutiérrez and the mountain thieves
\"Recounts Ponciano's run-in with Vicente Silva and his bandits, who history confirms murdered, stole, and rustled cattle throughout the 1880s. It's the story of a farmer outwitting Silva in a folktale that shapes our understanding of the cultures of northern New Mexico\"-- Provided by publisher.
Chasing Dichos through Chimayó
The poetic proverbs known to nuevomexicanos as dichos are particular to their places of origin. In these reflections on the dichos of the Chimayó Valley in northern New Mexico native son Don J. Usner has written a memoir that is also a valuable source of information on the rich language and culture of the region. Illustrated with black-and-white photographs that Usner, who is also known for his photographic work, took of the people and places that he writes about, this book is a one-of-a-kind introduction to the real New Mexico. Usner has known Chimayó since he was a boy visiting his grandmother and the other village elders, who taught him genealogies going back to family origins in Spain. The Spanish he learned there was embedded in dichos and cuentos. This book is the result of Usner's research into these memorable sayings, and it preserves a language and a culture on the verge on dissolution. It is a gateway into a uniquely New Mexican way of life.
Cancionero
Composer John Donald Robb (1892-1989) built an invaluable legacy in the preservation of New Mexico's rich musical traditions. His extensive field recordings, compositions, papers, and photographs now comprise the John Donald Robb Archives in the University of New Mexico Libraries' Center for Southwest Research. Cancionero presents thirteen Hispanic folk songs from Robb's renowned archive. Created for musicians and vocalists, Cancionero features arrangements for voice with piano or guitar accompaniments as well as selected concert versions for voice, oboe, harp, and piano. Introductions include information about song forms, history, and subjects, providing further insight into each song.
New Mexican Folk Music/Cancionero del Folklor Nuevomexicano
Cipriano Frederico Vigil is the most important performer of traditional Nuevomexicano folk music in the late twentieth and early twenty-first centuries. This bilingual panoramic book presents the songs that are his life's work, spanning half a century of listening, playing, composing, and singing ritual, social, and dance music. New Mexican Folk Music includes much traditional material that has never been seen before or studied by scholars or students. Renowned as a composer, Vigil works in traditional genres such as the romance, the décima, the cuando, and corrido. Like the Mexican group Los Folkloristas with which he apprenticed in the late 1970s, his goal has been to research and master local styles, to introduce new listeners to traditional music, and to build on tradition by creating new compositions that address contemporary social themes. An audio CD accompanies this comprehensive study on the work and music of Cipriano Frederico Vigil.
\An Old Way to Solve an Old Problem\: Provider Perspectives on Recovery-Oriented Services and Consumer Capabilities in New Mexico
The goal of recovery has emerged as a core value in the reformation of public and private mental health services in the last twenty years. However, definitions of recovery remain as varied as methods of implementation. Through an ethnographic lens, we examine meanings of recovery in the context of a major statewide reform of mental health services in New Mexico, focusing specifically on pro vider-voiced concerns regarding recovery and recovery-oriented care. We argue that the concept of recovery functions as a symbol that seemingly reconciles the long-standing tension between biological and social explanations of mental illness. Drawing upon provider perspectives, we also discuss concerns that popular rhetoric about recovery may mask some needed fundamental changes to transform the mental health system to a recovery orientation. Finally, we consider recovery from a capabilities standpoint and discuss how this view lends itself to addressing both individual and social components of mental illness.
Nuclear technoaesthetics: Sensory politics from trinity to the virtual bomb in Los Alamos
In this article I investigate the politics of nuclear weapons production by examining how weapons scientists have experienced the exploding bomb at the level of sense perception through three experimental regimes: underground testing (1945-62), aboveground testing (1963-92), and stockpile stewardship (1995-2010). I argue that, for weapons scientists, a diminishing sensory experience of the exploding bomb has, over time, allowed nuclear weapon research to be increasingly depoliticized and normalized within the laboratory. The result is a post-Cold War nuclear project that assesses the atomic bomb not on its military potential as a weapon of mass destruction but, rather, on the aesthetic pleasure afforded by its computer simulations and material science.