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26 result(s) for "Folklore China Fiction."
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The horse and the mysterious drawing
Ah Fu finds a white pony wandering the grassland, that develops a strange pattern on its back after jumping in the Yellow river.
Gilded Voices
In Gilded Voices: Economics, Politics, and Storytelling in the Yangzi Delta since 1949, Qiliang He pieces together published, archival, and oral history sources to explore the role of the cultural market in mediating between the state and artists in the PRC era. By focusing on pingtan, a storytelling art using the Suzhou dialect, the book documents both the state's efforts to police artists and their repertoire and storytellers' collaboration with, as well as resistance to, state supervision and intervention. The book thereby challenges long-held scholarly assumptions about the Chinese Communist Party's success in politicizing popular culture, patronizing artists, abolishing the cultural market, and enforcing rigid censorship in Mao's times.
The lost horse : a Chinese folktale
A retelling of the tale about a Chinese man who owned a marvelous horse and who believed that things were not always as bad, or as good, as they might seem.
The Value of Fantasy in the Monstrous
Through analyses of China Miéville’s Perdido Street Station (2000) and Kelly Link’s “The New Boyfriend” (2014), this article takes a postcritical view to reevaluate the affirmative role of fantasy within the hybrid genre of the Weird. The first section describes the supposed flattening of the monstrous through commodification and the corresponding flatness of postmodern art. The next two sections analyze how each text responds to commodified monsters by reinflating their value through affirmative elements of fantasy. Because the totalizing effect of Miéville’s framework reiterates gendered assumptions about the correspondence between intellectual and emotional positions, the final section directly compares the endings of the texts in order to describe how these weird integrations can highlight the ongoing tension between negation and affirmation without privileging one readerly position over another.
The shadow in the Moon : a tale of the Mid-Autumn Festival
Two young sisters celebrate the Mid-Autumn Festival, admire their mooncakes decorated with a picture of a lady in the moon, and listen to their Ah-ma tell the ancient tale of how the holiday began.\"
Fueling Culture
How has our relation to energy changed over time? What differences do particular energy sources make to human values, politics, and imagination? How have transitions from one energy source to another-from wood to coal, or from oil to solar to whatever comes next-transformed culture and society? What are the implications of uneven access to energy in the past, present, and future? Which concepts and theories clarify our relation to energy, and which just get in the way? Fueling Culture offers a compendium of keywords written by scholars and practitioners from around the world and across the humanities and social sciences. These keywords offer new ways of thinking about energy as both the source and the limit of how we inhabit culture, with the aim of opening up new ways of understanding the seemingly irresolvable contradictions of dependence upon unsustainable energy forms. Fueling Culture brings together writing that is risk-taking and interdisciplinary, drawing on insights from literary and cultural studies, environmental history and ecocriticism, political economy and political ecology, postcolonial and globalization studies, and materialisms old and new. Keywords in this volume include: Aboriginal, Accumulation, Addiction, Affect, America, Animal, Anthropocene, Architecture, Arctic, Automobile, Boom, Canada, Catastrophe, Change, Charcoal, China, Coal, Community, Corporation, Crisis, Dams, Demand, Detritus, Disaster, Ecology, Electricity, Embodiment, Ethics, Evolution, Exhaust, Fallout, Fiction, Fracking, Future, Gender, Green, Grids, Guilt, Identity, Image, Infrastructure, Innervation, Kerosene, Lebenskraft, Limits, Media, Metabolism, Middle East, Nature, Necessity, Networks, Nigeria, Nuclear, Petroviolence, Photography, Pipelines, Plastics, Renewable, Resilience, Risk, Roads, Rubber, Rural, Russia, Servers, Shame, Solar, Spill, Spiritual, Statistics, Surveillance, Sustainability, Tallow, Texas, Textiles, Utopia, Venezuela, Whaling, Wood, Work For a full list of keywords in and contributors to this volume, please go to: http://ow.ly/4mZZxV
Mulan : the legend of the woman warrior
\"Mulan, the legendary woman warrior, comes to life in this empowering retelling of The Ballad of Mulan with stunning full-color illustrations by New York Times bestseller Joy Ang. Mulan loves nothing more than her family. She will do anything for them--even if it means joining the army in her ageing father's place. Since girls are not allowed in the army, Mulan cleverly disguises herself as a man. But she must look deep within herself to find her might and her courage. Faye-Lynn Wu and Joy Ang turn this ancient Chinese ballad into an uplifting, empowering ode to young girls everywhere, showing that true strength comes from within, regardless of appearance, inspiring a new generation of women warriors. The book also includes the original ballad.\"--Provided by publisher.
Within the Door: Portal-Quest Fantasy in Gaiman and Miéville
This paper argues that the portal-quest fantasies written by Neil Gaiman and China Miéville — contemporary figures in the field interested in navigating its creative scope and established tropes — reorient this sub-genre towards a radical reconceptualization of the portal and its uses via a self-aware methodology of iteration, satire, and suspicion. Taking up Gaiman's Neverwhere (1996) and American Gods (2001) and Miéville's The City and the City (2009) and King Rat (1998), it explores the form's predilection for closed narrative loops, while offering a counter narrative that interrogates the status quo via critical figures like Farah Mendlesohn, China Miéville, Mikhail Bakhtin, Raymond Williams, and John Cawelti. Significantly, this paper suggests that, via self-conscious world-building, portal fantasies allow reader and writer the opportunity to inhabit those spaces between textual, ideological, generic, metaphorical, irrational, fantastic worlds.
Chinese fables : \The Dragon Slayer\ and other timeless tales of wisdom
An illustrated retelling of nineteen fables and tales from China, each of which features a nugget of ancient folk wisdom and introduces aspects of traditional Chinese culture and lore.
The Cloak of Dreams
A man is changed into a flea and must bring his future parents together in order to become human again. A woman convinces a river god to cure her sick son, but the remedy has mixed consequences. A young man must choose whether to be close to his wife's soul or body. And two deaf mutes transcend their physical existence in the garden of dreams. Strange and fantastical, these fairy tales of Béla Balázs (1884-1949), Hungarian writer, film critic, and famous librettist ofBluebeard's Castle, reflect his profound interest in friendship, alienation, and Taoist philosophy. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales,The Cloak of Dreamsbrings together sixteen of Balázs's unique and haunting stories. Written in 1921, these fairy tales were originally published with twenty images drawn in the Chinese style by painter Mariette Lydis, and this new edition includes a selection of Lydis's brilliant illustrations. Together, the tales and pictures accentuate the motifs and themes that run throughout Balázs's work: wandering protagonists, mysterious woods and mountains, solitude, and magical transformation. His fairy tales express our deepest desires and the hope that, even in the midst of tragedy, we can transcend our difficulties and forge our own destinies. Unusual, wondrous fairy tales that examine the world's cruelties and twists of fate,The Cloak of Dreamswill entertain, startle, and intrigue.