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"Folklore and the Internet."
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Oral Tradition and the Internet
The major purpose of this book is to illustrate and explain the fundamental similarities and correspondences between humankind's oldest and newest thought-technologies: oral tradition and the Internet. Despite superficial differences, both technologies are radically alike in depending not on static products but rather on continuous processes, not on \"What?\" but on \"How do I get there?\" In contrast to the fixed spatial organization of the page and book, the technologies of oral tradition and the Internet mime the way we think by processing along pathways within a network. In both media it's pathways--not things--that matter. _x000B__x000B_To illustrate these ideas, this volume is designed as a \"morphing book,\" a collection of linked nodes that can be read in innumerable different ways. Doing nothing less fundamental than challenging the default medium of the linear book and page and all that they entail, Oral Tradition and the Internet shows readers that there are large, complex, wholly viable, alternative worlds of media-technology out there--if only they are willing to explore, to think outside the usual, culturally constructed categories. This \"brick-and-mortar\" book exists as an extension of The Pathways Project (http://pathwaysproject.org), an open-access online suite of chapter-nodes, linked websites, and multimedia all dedicated to exploring and demonstrating the dynamic relationship between oral tradition and Internet technology._x000B_
eBook
The Last Laugh
Widely publicized in mass media worldwide, high-profile tragedies and celebrity scandals—the untimely deaths of Michael Jackson and Princess Diana, the embarrassing affairs of Tiger Woods and President Clinton, the 9/11 attacks or the Challenger space shuttle explosion—often provoke nervous laughter and black humor. If in the past this snarky folklore may have been shared among friends and uttered behind closed doors, today the Internet's ubiquity and instant interactivity propels such humor across a much more extensive and digitally mediated discursive space. New media not only let more people \"in on the joke,\" but they have also become the \"go-to\" formats for engaging in symbolic interaction, especially in times of anxiety or emotional suppression, by providing users an expansive forum for humorous, combative, or intellectual communication, including jokes that cross the line of propriety and good taste. Moving through engaging case studies of Internet-derived humor about momentous disasters in recent American popular culture and history,
The Last Laugh chronicles how and why new media have become a predominant means of vernacular expression. Trevor J. Blank argues that computer-mediated communication has helped to compensate for users' sense of physical detachment in the \"real\" world, while generating newly meaningful and dynamic opportunities for the creation and dissemination of folklore. Drawing together recent developments in new media studies with the analytical tools of folklore studies, he makes a strong case for the significance to contemporary folklore of technologically driven trends in folk and mass culture.
eBook
Folklore and the Internet
A pioneering examination of the folkloric qualities of the World Wide Web, e-mail, and related digital media. These stuidies show that folk culture, sustained by a new and evolving vernacular, has been a key, since the Internet's beginnings, to language, practice, and interaction online. Users of many sorts continue to develop the Internet as a significant medium for generating, transmitting, documenting, and preserving folklore.In a set of new, insightful essays, contributors Trevor J. Blank, Simon J. Bronner, Robert Dobler, Russell Frank, Gregory Hansen, Robert Glenn Howard, Lynne S. McNeill, Elizabeth Tucker, and William Westerman showcase ways the Internet both shapes and is shaped by folklore
eBook
Newslore
Newslore is folklore that comments on and hinges on knowledge of current events. These expressions come in many forms: jokes, urban legends, digitally altered photographs, mock news stories, press releases or interoffice memoranda, parodies of songs, poems, political and commercial advertisements, movie previews and posters, still or animated cartoons, and short live-action films.
InNewslore: Folklore on the Internet and in the News, author Russell Frank offers a snapshot of the items of newslore disseminated via the Internet that gained the widest currency around the turn of the millennium. Among the newsmakers lampooned in e-mails and on the Web were Bill and Hillary Clinton, George W. Bush and Dick Cheney, Osama bin Laden and Saddam Hussein, and such media celebrities as Princess Diana and Michael Jackson. The book also looks at the folk response to the September 11 attacks and Hurricane Katrina, as well as the presidential elections of 2000 and 2004.
Frank analyzes this material by tracing each item back to the news story it refers to in search of clues as to what, exactly, the item reveals about the public's response. His argument throughout is that newslore is an extremely useful and revelatory gauge for public reaction to current events and an invaluable screen capture of the latest zeitgeist.
eBook
Digital Folklore of Rural Tourism in Poland
Numerous development techniques and attributes that define the unique essentiality of archaic rural tourism websites in Poland have been identified. However, the use of e-folklore graphics on the websites heretofore has not been analysed. The paper’s objective is to identify forms of digital folklore found on archaic websites of rural tourism facilities functioning in Poland from 2000 to 2015. The analysed sample was 185 websites stored in the Internet Archive. The focal points were the dynamics of content presentation and the type of graphic components, including marquee text containers and GIFs. The use of characteristic graphics and digital stamps was recorded as well. The results fuel a discussion concerning potential reasons for deleting copies stored in digital archives. It is further concluded that all digital copies, even those far from being complete or perfect, contribute to the integrity of the digital ecosystem as a whole. Therefore, the process of archiving Internet content must not be exclusive. Therefore, any actions towards preserving the digital ecosystem for further investigation are reasonable.
Journal Article
No Way of Knowing
Examining \"old media\" treatment of crime legends: news reports, fictional film and television depictions, and \"new media\" interactive discussions: versions and discussions circulating in Internet newsgroups and via electronic mail lists, this text examines a social context vastly changed from the height of rumour research in the mid-20th century.
eBook
Tradition-based Modern Creations of a Cultural Community – Some Thoughts on the Copyright Status of Internet Folklore
Folklore is not only an essential part of our cultural heritage, it is also an extremely important means of communication and expression. Although many theories try to capture the concept of “modern folklore” that is emerging at the present, only its main characteristics can be considered. When it comes to understanding internet folklore the ground is even more fragile, especially if we wish to examine and assess it not exclusively through a folkloristic lens, but also from a copyright perspective. There is a tendency to identify its natural presence based on a kind of simplicity, and to project that simplicity not only with respect to its use, but also with respect to the legal regulation that applies to it. The present study aims to show how internet folkore has to fit into an incredibly complex set of copyright rules, and how not only its creation but also its use for various purposes and in several different ways raises different copyright issues from one jurisdiction to another. As UNESCO clearly points out, intangible cultural heritage is community-based, but raising awareness and emphasizing its importance is a universal task. In this context, a cultural community needs to find a place for tradition-based modern creations such as internet folklore, without disregarding their copyright status and future.
Journal Article
COVID-19 Vaccination and Ukrainians: Myths, Memes and Narratives
The paper deals with human cultural stereotypes embedded in mythological consciousness, which have influenced the formation of fear of vaccination against COVID-19. The material was collected in Ukraine in the period from September 2021 to January 2022. By analysing oral narratives and comments from social media users, the authors demonstrate the cultural mechanisms of fear of vaccination, specifically fear of death and fear of metamorphosis, and how they can be overcome. The profusion of memes, anecdotes, and jokes that people read and shared on social media or told each other became a way of overcoming collective fear. Nowadays, not only oral tradition but also social media can constitute a source for studying cultural stereotypes. A folkloristic and culturally anthropological perspective on the fear of vaccination allows us to trace folkloristic phenomena back to our everyday lives and to see folklore as a living, dynamic process that has become part of human culture.
Journal Article
Naród kontra lewactwo. Polityczne kategoryzacje rzeczywistości w folklorze internetowym
In his well known essay “Left-wing” communism: an infantile disorder Lenin used the Russian term “levizna” to name a naïve strategy of West European communist parties. This term is usually translated as “Left-Wing” but it does not show its disregarding to West communist politics in Lenin’s eyes. In Polish there is anther tradition, used by communist nomenclature, to ridicule left wing movement (e.g. in 1968), and it is translated as “lewactwo” (translations such as”lefty”, “leftie” do not fit due to historical context and the Russian grammar). Nowadays the term is used by right-wing movements and politicians to humiliate each left-wing idea as childish (opposed to “adult” right-wing). In my article, I intend to show how this “lewactwo” notion works as a barrier of national identity, as well as a screen of phantasy. The empirical part of my work was based on Internet folklore, such as mems, commentaries, short YouTube films and also on offers of shops with patriotic clothes and gadgets (because their offer is rooted in this folklore, and they first make some “patriotic context,” e.g. something interesting in history, and then offer clothes etc. in relation to this. So their merchandise is strictly based on Internet folklore and work as “barometer” for it). My analysis shows how the notion “lewactwo” works as an ideological and phantasmatic barrier for national identity. This barrier shows how all these right-wing movements construct positive set of the “nation.” This set contains positive as well as negative (put together with “lewactwo”) elements, like notions, ideas and signs with which they must be contiguous to be part of the nation (e.g., in an anthropological notion of magic based on contagion and similarity). The term “lewactwo” is also used as a screen of phantasy, where you are projecting all features which exclude you from the community and your positive “national identity.”
Journal Article