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366 result(s) for "Foxes Fiction."
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Fox outfoxed
Fox competes in a big race, gives away his comic books, and goes trick-or-treating on Halloween with his friends.
Fox on wheels
Fox babysits for his sister Louise, learns to climb a tree for some grapes, and wins a shopping cart race.
Fantastic Mr. Fox
Three farmers, each one meaner than the other, try all-out warfare to get rid of the fox and his family. This special collector's edition features red-colored interior text and illustrations!
Foxboy
Once there was a Quechua folktale. It begins with a trickster fox's penis with a will of its own and ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others—fabric weaving, in particular—and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values. In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations—indigenous language and woven cloth—and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest.
Fox and his friends
In three separate episodes Fox wants to play with his friends, but duty in one form or another interferes.
The Grotto as Neo-Victorian Heterotopia: Sonia Overall's The Realm of Shells (2006) and Essie Fox's Elijah's Mermaid (2012)
News of the discoveries of natural grottos filled the pages of newspapers and journals throughout the nineteenth century. Additionally, artificial grottos opened regularly for the entertainment of the public and were commonplace in the cultural and literary products of the period. In this article, I analyse neo-Victorian appropriations of nineteenth-century grottos as Foucauldian heterotopias through two case studies: Sonia Overall's The Realm of Shells (2006) and Essie Fox's Elijah's Mermaid (2012). Overall's and Fox's novels illustrate how the heterotopic features of the Victorian grotto are expanded in neo-Victorian fiction as counter-spaces of emplacement that enable heterochronic forms of resistance.