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"François"
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Rabelais's Radical Farce
2010,2016,2017
In the first extended investigation of the importance of dramatic farce in Rabelais studies, Bruce Hayes makes an important contribution to the understanding of the theater of farce and its literary possibilities. By tracing the development of farce in late medieval and Renaissance comedic theater in comparison to the evolution of farce in Rabelais's work, Hayes distinguishes Rabelais's use of the device from traditional farce. While traditional farce is primarily conservative in its aims, with an emphasis on maintaining the status quo, Rabelais puts farce to radical new uses, making it subversive in his own work.
Bruce Hayes examines the use of farce in Pantagruel, Gargantua, and the Tiers and Quart livres, showing how Rabelais recast farce in a humanist context, making it a vehicle for attacking the status quo and posing alternatives to contemporary legal, educational, and theological systems.
Rabelais's Radical Farce illustrates the rich possibilities of a genre often considered simplistic and unsophisticated, disclosing how Rabelais in fact introduced both a radical reformulation of farce, and a new form of humanist satire.
Rabelais's Carnival
2024,2022
How is it possible, after four centuries, that a major episode in Rabelais's novels remains systematically misread? The episode, which playfully and grotesquely treats the relation of Carnival to Lent, occurs in Rabelais's Fourth Book, his last and most artfully crafted novel. Samuel Kinser argues that the text has been distorted because critics have not attended to the episode's performative as well as literary contexts, overlooking the innovative use Rabelais made in his work of his immediate world. In this original interpretation of the Fourth Book, Kinser evokes the gestures, games, and visual, oral, bodily semantics of Carnival and Lent as they were performed in Rabelais's day. He also underscores the importance to Rabelais of the invention of printing, an innovation which revolutionized the relationships of author and reader. Understanding this and fearing it, Rabelais adopted an extraordinary set of disguises as an author, disguises which in their bewildering interplay constitute the truest sense of his carnival. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Founding Fathers
2003,2000
>Based largely upon the archival documents left behind by the lay and ecclesiastical leaders who organized the celebrations of Champlain and Laval, Ronald Rudin's study describes the complicated process of staging these spectacles.
François laruelle’s philosophies of Difference
2013
Everything you need to understand both Laruelle's critique of difference and his project of non-philosophyGBS_insertPreviewButtonPopup (['ISBN:9780748668120','ISBN:9780748668144','ISBN:9780748668137','ISBN:9780748668151']);
Gilles Deleuze described Laruelle's thought as 'one of the most interesting undertakings of contemporary philosophy'. Now, Rocco Gangle - who translated Laruelle's philosophy into English - takes you through Laruelle's trailblazing bookPhilosophies of Difference, helping you to understand both Laruelle's critique of Difference and his project of non-philosophy, which has become one of the most intriguing avenues in contemporary thought. He explains the context within which Laruelle's thought developed and takes you through the challenging argument and conceptual scaffolding of 'Philosophies of Difference'.
Key Feature
Critiques philosophical Difference as a whole and the 3 specific models treated by Laruelle: Nietzsche-Deleuze, Heidegger and DerridaSituates Philosophies of Difference within the rest of Laruelle's work and contemporary European thoughtExplains the key shift from philosophy to non-philosophy which makes Laruelle so intriguing to philosophers todayShows how Laruelle impacted on the work of Deleuze and Badiou and the Speculative Realism movement
Posthumous America : Literary Reinventions of America at the End of the Eighteenth Century
by
Benjamin Hoffman
in
18th Century
,
Chateaubriand, François-René,-vicomte de,-1768-1848-Criticism and interpretation
,
HISTORY
2018
Posthumous America examines the literary idealization of a lost American past. It investigates the reasons why, for a group of French writers of the 18th and 19th centuries, America was never more potent as a driving ideal than in its loss. For example, Hoffmann examines the paradoxical American paradise depicted in CrèvecÅ\"ur's Lettres d'un cultivateur américain (1784); the \"uchronotopiaâ€_x009d_ of Lezay-Marnésia's Lettres écrites des rives de l'Ohio (1800)—the imaginary perfect society set in America and based on what France might have become without the Revolution; and the political and nationalistic motivations behind Chateaubriand's idealization of America in Voyage en Amérique (1827) and Mémoires d'outre-tombe (1850). From an historical perspective, Posthumous Americas works to determine when exactly these writers stopped transcribing what they actually observed in America and started giving imaginary accounts of their experiences.