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"France Court and courtiers History 19th century."
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Napoleon : the imperial household
The dazzling splendors of the court of Napoleon I (1769-1821) reflected the grandeur and ambitions of the greatest empire of the day. This luxurious volume re-creates the ambiance and captures the spirit that prevailed in the French court during the empire through the material manifestations of the Imperial Household. The imperial household, a key institution during Napoleon's reign, was responsible for the daily lives of the imperial family. It consisted of six departments, each headed by a high-ranking dignitary of the empire: the grand chaplain, grand master of ceremonies, grand marshal of the palace, grand master of the hunt, grand chamberlain, and grand equerry - each intimately involved with every moment of pageantry in the court. Featured here are more than 250 works of fine and decorative art, the visual magnificence of which was part of a calculated and deliberate effort to fashion a monarchic identity for the new emperor.
BOOK
The Real Traviata
The story of Marie Duplessis, the woman who inspired Verdi's La traviata. A rags-to-riches fairytale, from rural poverty to Parisian stardom, which ended in tragedy but gave rise to some of the most heart-wrenching and lyrical music ever composed.
eBook
Writing with a Vengeance
Writing with a Vengeance examines the life and works of a nineteenth-century French courtesan, Céleste Vénard, later the Countess de Chabrillan. A notorious Paris courtesan, Chabrillan married into the nobility, taught herself to write (penning two series of memoirs) and, upon being widowed, wrote novels to support herself - ten, between 1857 and 1885. These novels and memoirs constitute exceptional literary and historical documents, particularly as very few sex workers before the twentieth century have left written records of their lives.
Writing with a Vengeance intertwines the courtesan's autobiographical account of the horrors of her life on the streets with that era's political, medical, and cultural discourses surrounding prostitution. Though French society both silenced and refused to pardon the prostitute, Carol Mossman's literary analysis of Chabrillan's novels contends that it is through the process of writing itself that she arrived at self-forgiveness and ultimately refashioned for her damaged self a new identity and narrative.
eBook