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102
result(s) for
"France History 19th century Fiction"
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Woman at Thirty
2011,2009
Known for his keen observations and finely drawn characters, Honore de Balzac is regarded as one of the forerunners of the literary realism movement that swept Europe in the nineteenth century. A Woman of Thirty offers an unflinching look at the layers of social oppression that dictated the course of many women's lives during the era. Source: National Library of New Zealand Te Puna Matauranga o Aotearoa, licensed by the Department of Internal Affairs for re-use under the Creative Commons Attribution 3.0 New Zealand Licence.
Mémoires d'un journaliste
by
Hippolyte de Villemessant, Ligaran
in
BIOGRAPHY & AUTOBIOGRAPHY
,
French fiction-19th century-History and criticism
2015
Extrait: \"La première partie de ces mémoires, ou plutôt de ces notes, a été consacrée aux portraits à la plume de la plupart de ceux qui, de près ou de loin, ont joué un rôle au Figaro. Mon but est de compléter cette collection en faisant de nouveaux croquis de mes rédacteurs présents ou passés, en citant, comme échantillon de leur savoir-faire, leurs meilleurs articles, boutades ou nouvelles à la main.\"
From Paris to Pompeii
2013,2009,2011
In the early nineteenth century, as amateur archaeologists excavated Pompeii, Egypt, Assyria, and the first prehistoric sites, a myth arose of archaeology as a magical science capable of unearthing and reconstructing worlds thought to be irretrievably lost. This timely myth provided an urgent antidote to the French anxiety of amnesia that undermined faith in progress, and it armed writers from Chateaubriand and Hugo to Michelet and Renan with the intellectual tools needed to affirm the indestructible character of the past.
From Paris to Pompeiireveals how the nascent science of archaeology lay at the core of the romantic experience of history and shaped the way historians, novelists, artists, and the public at large sought to cope with the relentless change that relegated every new present to history.
In postrevolutionary France, the widespread desire to claim that no being, city, culture, or language was ever definitively erased ran much deeper than mere nostalgic and reactionary impulses. Göran Blix contends that this desire was the cornerstone of the substitution of a weak secular form of immortality for the lost certainties of the Christian afterlife. Taking the iconic city of Pompeii as its central example, and ranging widely across French romantic culture, this book examines the formation of a modern archaeological gaze and analyzes its historical ontology, rhetoric of retrieval, and secular theology of memory, before turning to its broader political implications.
Dirt for Art's Sake
2006,2010,2007
In Dirt for Art's Sake, Elisabeth Ladenson recounts the most visible of modern obscenity trials involving scandalous books and their authors.What, she asks, do these often-colorful legal histories have to tell us about the works themselves and about a changing cultural climate that first treated them as filth and later celebrated them as.
Medical examinations : dissecting the doctor in French narrative prose, 1857-1894
2000
From the crude battlefield surgery of Revolutionary times to the birth of modern clinical medicine, the nineteenth century witnessed impressive developments in the medical sciences and a concomitant growth in the prestige of the medical practitioner. In France this phenomenon had important implications for literature as writers scrambled to give legitimacy to their enterprise by allying themselves with science. Overflowing its traditional banks, medical discourse inundated the field of French literature, particularly in the realist and naturalist movements.
The literati's enthrallment with medicine and their subservient adoption of a medical model in the creation of their plots and characters have not previously been seriously questioned. In Medical Examinations , Mary Donaldson-Evans corrects this oversight. Exploring six novels and two short stories published during the Second Empire and the early Third Republic, she argues that there was a growing resistance to medicine's linguistic and professional hegemony, a resistance fraught with ideological implications. Tainted by a subtle—and sometimes not so subtle—anti-Semitism, some of the fiction of this period adopts counterdiscursive strategies to tar the physician with his own brush. Featured authors include Gustave Flaubert, Edmond and Jules Goncourt, Emile Zola, Joris-Karl Huysmans, Guy de Maupassant, and Alphonse and Léon Daudet.