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Hyperides' Funeral Oration is arguably the most important surviving example of the genre from classical Greece. The speech stands apart from other funeral orations (epitaphioi) in a few key respects. First, we have the actual text as it was delivered in Athens (the other speeches, with the possible expection of Demosthenes 60, are literary compositions). Next, in contrast to other orations that look to the past and make only the vaguest mention of recent events, Hyperides' speech is a valuable source for the military history of the Lamian War as it captures the optimistic mood in Athens after Alexander's death. Finally, the speech has been singled out since Longinus' time for its poetic effects. This volume is a new critical edition and commentary of the speech, written for scholars and graduate students in classics and ancient history. Although Hyperides ranked nearly as high as Demosthenes in the canon of Attic orators and his funeral oration will make the speech much more accessible to a wide range of scholars. The text is based on a full examination of the papyrus and includes an apparatus criticus, with a complete listing of all conjectures in a separate appendix. The translation is clear and accurate and the commentary provides a mixture of historical, cultural, and literary material.

This book is a study of the fourth-century sophist Libanius, a major intellectual figure who ran one of the most prestigious schools of rhetoric in the later Roman Empire. He was a tenacious adherent of pagan religion and a friend of the emperor Julian, but also taught leaders of the early Christian church like St. John Chrysostom and St. Basil the Great. Raffaella Cribiore examines Libanius's training and personality, showing him to be a vibrant educator, though somewhat gloomy and anxious by nature. She traces how he cultivated a wide network of friends and former pupils and courted powerful officials to recruit top students. Cribiore describes his school in Antioch--how students applied, how they were evaluated and trained, and how Libanius reported progress to their families. She details the professional opportunities that a thorough training in rhetoric opened up for young men of the day. Also included here are translations of 200 of Libanius's most important letters on education, almost none of which have appeared in English before. Cribiore casts into striking relief the importance of rhetoric in late antiquity and its influence not only on pagan intellectuals but also on prominent Christian figures. She gives a balanced view of Libanius and his circle against the far-flung panorama of the Greek East.

Hyperides' Funeral Oration is arguably the most important surviving example of the genre from classical Greece. The speech stands apart from other funeral orations (epitaphioi) in a few key respects. First, we have the actual text as it was delivered in Athens (the other speeches, with the possible expection of Demosthenes 60, are literary compositions). Next, in contrast to other orations that look to the past and make only the vaguest mention of recent events, Hyperides' speech is a valuable source for the military history of the Lamian War as it captures the optimistic mood in Athens after Alexander's death. Finally, the speech has been singled out since Longinus' time for its poetic effects. This volume is a new critical edition and commentary of the speech, written for scholars and graduate students in classics and ancient history. Although Hyperides ranked nearly as high as Demosthenes in the canon of Attic orators and his funeral oration will make the speech much more accessible to a wide range of scholars. The text is based on a full examination of the papyrus and includes an apparatus criticus, with a complete listing of all conjectures in a separate appendix. The translation is clear and accurate and the commentary provides a mixture of historical, cultural, and literary material.

This paper reads Sophocles' \"Antigone\" contextually, as an exploration of the politics of lamentation and larger conflicts these stand for. Antigone defies Creon's sovereign decree that her brother Polynices, who attacked the city with a foreign army and died in battle, be dishonoured - left unburied. But the play is not about Polynices' treason. It explores the clash in 5th century Athens between Homeric/elite and democratic mourning practices. The former (represented by Antigone) memorialize the unique individuality of the dead, focus on the family's loss and bereavement and call for vengeance. The latter (represented by Creon) memorialize the dead's contribution to the immortal polis and emphasize (as in the Funeral Oration) the replaceability of those lost. Each economy of mourning sees the other as excessive and politically unstable. The remainders of both, managed by way of exception institutions such as tragedy and the Dionysian Festival, continue to haunt us now.

In this book, Sara Monoson challenges the longstanding and widely held view that Plato is a virulent opponent of all things democratic. She does not, however, offer in its place the equally mistaken idea that he is somehow a partisan of democracy. Instead, she argues that we should attend more closely to Plato's suggestion that democracy is horrifyingandexciting, and she seeks to explain why he found it morally and politically intriguing. Monoson focuses on Plato's engagement with democracy as he knew it: a cluster of cultural practices that reach into private and public life, as well as a set of governing institutions. She proposes that while Plato charts tensions between the claims of democratic legitimacy and philosophical truth, he also exhibits a striking attraction to four practices central to Athenian democratic politics: intense antityrantism, frank speaking, public funeral oratory, and theater-going. By juxtaposing detailed examination of these aspects of Athenian democracy with analysis of the figurative language, dramatic structure, and arguments of the dialogues, she shows that Plato systematically links democratic ideals and activities to philosophic labor. Monoson finds that Plato's political thought exposes intimate connections between Athenian democratic politics and the practice of philosophy. Situating Plato's political thought in the context of the Athenian democratic imaginary, Monoson develops a new, textured way of thinking of the relationship between Plato's thought and the politics of his city.

The volumes published in the series Beiträge zur Altertumskunde comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.

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Scholars have long noticed in Thucydides' account of the Peloponnesian War a concern with the collective 'character' of cities. Thucydides and his Greeks appear to rely in understanding the course of the war on consistent Athenian and Spartan character traits. Focusing on the protagonist of the History, and drawing in part on an Arendtian notion of identity, I offer a re-conceptualization of Athenian character as characteristic action and as the subject of political rhetoric. This view, I suggest, more fully reveals what Thucydides has to contribute to our understanding of the dynamics and complexities of democratic politics

Demosthenes (384-322 b.c.) was an Athenian statesman and a widely read author whose life, times, and rhetorical abilities captivated the minds of generations. Sifting through the rubble of a mostly lost tradition of ancient scholarship, Craig A. Gibson tells the story of how one group of ancient scholars helped their readers understand this man's writings. This book collects for the first time, translates, and offers explanatory notes on all the substantial fragments of ancient philological and historical commentaries on Demosthenes. Using these texts to illuminate an important aspect of Graeco-Roman antiquity that has hitherto been difficult to glimpse, Gibson gives a detailed portrait of a scholarly industry that touched generations of ancient readers from the first century b.c. to the fifth century and beyond. In this lucidly organized work, Gibson surveys the physical form of the commentaries, traces the history of how they were passed down, and explains their sources, interests, and readership. He also includes a complete collection of Greek texts, English translations, and detailed notes on the commentaries.