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Murder, Inc., and the Moral Life
Murder, Inc. and the Moral Life: Gangsters and Gangbusters in La Guardia's New York focuses on the dramatic trials of a group of Brooklyn gangsters in 1940 and 1941. The media nicknamed the gangsters \"Murder, Inc.,\" and that nickname quickly became a kind of free-floating \"meme,\" linked at various times to criminals in general; to a record label; and even to a Bruce Springsteen song. The 1940-1941 trials inspired a wave of media coverage, several books and memoirs, and a sub-genre of the gangster film. The trials concluded with a notorious and unsolved murder mystery. Murder, Inc. narrates the life and times of the Brooklyn gang, and also relates their lives both to New York's Roaring Twenties and Depression era gangs and to the wider \"gangster\" culture expressed especially in the film. At the same time, Murder, Inc., is a moral reflection on the gangsters; the gangbusters, like Fiorello La Guardia and Thomas Dewey, who opposed them; and popular culture's fascination with \"gangsterism.\" It is especially this combination of crime story and moral reflection that makes Murder, Inc. unique.
eBook
Tommy : the gun that changed America
\"John Taliaferro Thompson had a mission: to develop a lightweight, fast-firing weapon that would help Americans win on the battlefield. His Thompson submachine gun could deliver a hundred bullets in a matter of seconds--but didn't find a market in the U.S. military. Instead, the Tommy gun became the weapon of choice for a generation of bootleggers and bank-robbing outlaws, and became a deadly American icon. Following a bloody decade--and eighty years before the mass shootings of our own time--Congress moved to take this weapon off the streets, igniting a national debate about gun control.\"--Provided by publisher.
Book
Isabel Feeney, star reporter
In the 1920s, a ten-year-old newsgirl who aspires to be a reporter at the Chicago Tribune investigates the murder of a gangster.
Book
A companion to the gangster film
A companion to the study of the gangster film's international appeal spanning the Americas, Europe, and Asia
A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America's most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre's popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe.
The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre:
* Reveals how the gangster film engages in complex and contradictory themes
* Examines the changing face of the gangster film in America
* Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean
* Discusses the wide variety of gangster types to appear in European cinema
* Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia
Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
eBook
Dreams and Dead Ends
The second edition of this classic study provides a reintroduction to some of the major films and theoretical considerations of film noir and gangster films in twentieth-century America. Ranging from Little Caesar (1930) to Things to Do in Denver When You’re Dead (1995), Shadoian guides the reader through twenty classic movies of the genre. His approach is to use brief introductions to introduce distinct eras of the gangster films in each of seven chapters. Moving chronologically, he offers plot synopses and close readings of such definitive examples as Bonnie and Clyde, The Public Enemy, D.O.A. and The Godfather, each accompanied by photographs and author’s critiques. Compenendia of facts on each film are also provided. This updated version looks a newer films as well as how the genre has moved into the new century. Appendices look at the movie Criss Cross as an epitome of the genre while others offer different lists of gangster films, including the author’s top fourteen alltime, fifty post-Godfather films worth seeing, and fifty vintage films.
eBook
Troutmouth
Hugh Clegg (1898-1979) was among the most notable Mississippi historical figures during the 1920s through the 1960s. Born in Mathiston, Mississippi, he was a member of the Federal Bureau of Investigation from 1926 to 1954, during which time he rose to the top leadership and worked directly under Director J. Edgar Hoover and Associate Director Clyde Tolson. In his second career, as executive assistant to Chancellor J. D. Williams at the University of Mississippi from 1954 to 1969, he was in a top leadership position before and during the civil rights crises in the State of Mississippi and at Ole Miss.
While with the Bureau, Clegg's responsibilities included leading the search for many of the most dangerous gangsters in the country, including John Dillinger, Baby Face Nelson, the Barker gang, and Alvin Karpis. He established the FBI's National Training Academy and coordinated the hunt for atom bomb spy Harry Gold, collaborator with German spy Emil Klaus Fuchs. He was sent to England by Director Hoover prior to the outbreak of World War II to study British intelligence agencies.
A close friend of many of the leading federal and state elected officials and of members of the US Supreme Court, Clegg was well known to many in power. At the University of Mississippi he was the prime contact between the university and the federal government during the desegregation crises of Clennon King and James Meredith. He was also assigned the lead role in combating the efforts of Mississippi politicians to discredit and remove faculty members when scholars were thought \"too liberal\" and therefore a threat to the state.
Through a Freedom of Information request from the FBI, author Ronald F. Borne obtained thousands of pertinent documents. In addition, he mined Clegg's oral history and an unpublished book manuscript. Borne interviewed close relations, colleagues, and friends to reveal a portrait of a distinguished, loyal man who significantly shaped the training procedures for the FBI and then mediated the University of Mississippi's conflicts with both state officials and the federal government.
eBook